By Alicia Flores

March is Women’s History Month, a time to honor the achievements and contributions of women across the world. Oaxaca, a region rich in culture and tradition, has been home to many extraordinary women who have left lasting impacts in politics, art, activism, and indigenous heritage. Here, we highlight a few remarkable Oaxacan women who have shaped history and continue to inspire future generations.

María Sabina: The Shaman Who Brought Oaxacan Mysticism to the World
María Sabina, a Mazatec healer from the Sierra Mazateca region, became known internationally for her sacred mushroom ceremonies. Born in 1894, she used psilocybin mushrooms in spiritual and healing rituals, a practice rooted in centuries-old indigenous traditions. In the 1950s, outsiders seeking psychedelic experiences sought her out, catapulting her into global recognition. While her work was often misunderstood by the Western world, María Sabina remains a powerful symbol of indigenous wisdom and spiritual healing.
Read more from our previous article:

Maria Sabina and Magic Mushrooms

Lila Downs: The Voice of Oaxacan Heritage
Grammy-winning singer and activist Lila Downs has used her music to celebrate Oaxacan culture and advocate for social justice. Born to a Mixtec mother and Scottish-American father, Downs has blended traditional indigenous sounds with contemporary influences, bringing Oaxacan identity to a global stage. Her music often highlights themes of migration, indigenous rights, and female empowerment, making her a cultural ambassador for Oaxaca and beyond.

Beyond her musical career, Downs is also known for her activism. She has been a vocal advocate for the rights of indigenous and marginalized communities, using her platform to bring awareness to issues such as poverty, racism, and gender inequality. Her lyrics, often infused with historical and political narratives, serve as a bridge between past and present, urging audiences to reflect on social injustices. Through her powerful performances, distinctive style, and dedication to her roots, Downs continues to be a beacon of cultural pride and resistance. She has also collaborated with various artists across genres, ensuring that Oaxacan and Mexican traditions remain relevant in contemporary music.

Eufrosina Cruz: A Trailblazer for Indigenous Women in Politics
Eufrosina Cruz grew up in a Zapotec community where women were traditionally excluded from political participation. In 2007, she made headlines when her election as municipal president was annulled simply because she was a woman. This injustice fueled her determination to fight for gender equality and indigenous women’s rights. She later became the first indigenous woman to preside over the Oaxacan Congress and has been instrumental in pushing for legal reforms that empower women in indigenous communities.

Her advocacy has led to groundbreaking changes, including legal amendments ensuring women’s political participation in indigenous communities where traditional customs had long barred them from leadership roles. Cruz has traveled internationally to speak about gender equality, sharing her journey from a marginalized rural community to becoming a symbol of empowerment. Her work extends beyond politics; she has been involved in educational programs aimed at fostering leadership skills among young indigenous women. By challenging deeply rooted patriarchal structures, Cruz has opened doors for future generations of women to take on roles of influence in both government and society.

Natalia Toledo: Poet and Guardian of the Zapotec Language
Natalia Toledo, a poet and writer, has dedicated her career to preserving the Zapotec language through literature. As the daughter of the legendary Oaxacan artist Francisco Toledo, she inherited a deep appreciation for indigenous culture. Her poetry, written in both Zapotec and Spanish, explores themes of identity, nature, and tradition, ensuring that the beauty of her ancestral language continues to thrive in modern literature. One of her most well-known works, Guie’ yaase’ (Olivo negro, Black Olive), is a bilingual poetry collection that captures the essence of Zapotec traditions and worldview. Readers interested in her work can also explore The Black Flower and Other Zapotec Poems (tr. Clare Sullivan, 2015),, which offers a glimpse into her lyrical and evocative storytelling, bringing the richness of Zapotec language to a broader audience.

The stories of these Oaxacan women demonstrate resilience, creativity, and the power to challenge societal norms. Whether through music, politics, poetry, or spiritual traditions, they have each left an indelible mark on history. As we celebrate Women’s History Month, may their legacies continue to inspire future generations to embrace their heritage and push for positive change.