By Carole Reedy
“Some things work far better in imagination than in reality.”
Lauren Willig, author of historical fiction
The word “intrepid” is often used to describe explorers and travelers, but anyone who breaks out and moves beyond the norm to discover the mystery of humanity also deserves this classification. The women in this article do just that. They have committed to dedicating their lives to the written word and our amorphous world.
These books are big and bold and unsettling. When I finished reading the masterpieces written by the women below, I sat and stared into space for a moment, absorbing the beauty and fierceness of their creative abilities, of how they weave a narrative with flair and conviction about who we are and who we may become.
I first saw an interview with this Nobel Prize winner in 2020 at the prestigious Hay Festival (streamed rather than live due to the pandemic). I had read several of her novels, including the philosophic Flights (2007), and thus was expecting a staid, serious woman. Instead I saw, seated with her translator Jennifer Croft, a woman who looked 40 rather than her actual 60, bouncing in her chair, animated, often smiling and joking, and with a funky hairstyle.
Here’s a woman who writes historically about life, literature, and philosophy, books like Drive Your Plow Over the Bones of the Dead (2009) and Flights. Her novels, written in a distinct narrative style, tackle the most onerous of philosophical subjects with determination and hope.
From the Booker Prize-winning Flights, a taste of this philosophy:
Standing there on the embankment, staring into the current, I realized that—in spite of all the risks involved—a thing in motion will always be better than a thing at rest; that change will always be a nobler thing than permanence; that that which is static will degenerate and decay, turn to ash, while that which is in motion is able to last for all eternity.
Fresh off the press is her thousand-page The Books of Jacob (first published in 2014 in her native Polish, in English in 2021). It begins in 1752 in what is now western Ukraine and ends in the middle of the 20th century in eastern Poland, where a family of Jews is hiding during the Holocaust. The story is that of historical figure Jacob Frank, leader of an heretical Jewish sect and whose unusual practices were controversial.
The translation of Tokarczuk’s text to English is a daunting task. Consider that in Slavic the word order varies significantly, and is more complicated than English. Tokarczuk’s translator, Jennifer Croft, won the 2018 Man Booker International Prize for her translation of Flights. Croft says that “The words of the text are the embodiment of its past, and its sentences, on the other hand, lead the way to the future.”
In its review of this much-awaited novel, the Wall Street Journal recognized the diversity and command of Tokarczuk’s writing: “Ms. Tokarczuk is as comfortable rendering the world of Jewish peasantry as that of the Polish royal court.”
After turning the final page of Yanagihara’s newest, 600-page-plus novel, On Paradise (2022), I felt as I did 40 years ago as I closed the cover of the final installation of Marcel Proust’s million-word tour de force Remembrance of Things Past (7 volumes, 1913-27), wondering “What could I possibly read now that I have read the final, definitive word on humanity?” This too is Hanya Yanagihara.
Her unusual structure, deeply creative approach to history and society, and the emotional prices paid by her finely wrought characters contribute to this literary success.
The novel takes place over three centuries (1893, 1993, and 2093) in a North America unrecognizable to us. We’re surprised and fascinated by the enormous shifts in society’s norms, the principal players developing in the most unexpected situations as we follow the families and individuals across the centuries.
Perhaps most important, though, is Yanagihara’s descriptive flowing style, which allows the reader to traverse a seamless constellation of emotions.
Multitudes have thrilled to the travails of Thomas Lynley and Barbara Havers over the past 20 years. George’s sharply drawn characters and her ability to create an atmosphere of order and resolution among the chaos of murder cases in London’s criminal justice system is why we yearn for more. Her skill in depicting the shifting mores of the various populations that make up Great Britain keeps faithful readers awaiting each new book in the series.
George’s latest novel, Something To Hide, just published in January 2022, involves investigation into a shocking and extremely sensitive issue: FGM, or female genital mutilation. The contrast of the painfully serious practice of FGM and the effect on some women in predominantly Nigerian and Somalian communities of London is a fresh approach for George, although she’s always been a keen analyzer of Britain’s class system.
Fans of Lynley and Havers will be reassured to know they skillfully navigate the horrors of this disfiguring practice and those whose lives are forever destroyed by it.
Although George is an American, she has been lauded for her insight and accuracy in setting her novels in the British Isles.
We who live in Mexico have great respect and affection for fellow Mexican-American Jennifer Clement, president of PEN Mexico from 2009 to 2012, followed in 2015 by a term as the first woman president of PEN International. During her tenure she brought attention to the safety of journalists in Mexico and spearheaded a change in the law, making the killing of a journalist a federal crime.
Clement, along with her sister Barbara Sibley, is founder of Poetry Week in San Miguel de Allende.
Prayers for the Stolen (2014) was praised by prestigious publications and readers on both sides of the border. Recently, it was made into a film, Noche de Fuego, which has been nominated for best foreign language film for this year’s Academy Awards.
The movie itself depicts only the first third of the book, which takes place in a mountain village in the state of Guerrero where narcos dominate the lives of the inhabitants. The book goes on to examine life in Acapulco, ending up in Mexico City.
Don’t look for happy endings in Clement’s books, but rather the reality that surrounds the disenfranchised. One of my favorite books of hers is Widow Basquiat: A Memoir (2000), a portrayal of Clement’s friend Suzanne Mallouk, MD, the painter and psychoanalyst who was muse and lover of Jean-Michel Basquiat, the brilliant artist who died at 27 from a heroin overdose. Basquiat was part of the graffiti movement in New York and well known by his alter ego, SAMO. Today his paintings sell for millions of dollars.
She is a dynamo. There’s simply no other way to describe her. Although only recently in the limelight for her Booker-prize-winning Girl, Woman, Other in 2019, Evaristo has been on the scene for years, fighting sexism and racism going back 40 years to when she and her drama school friends heckled London theater performances.
Evaristo is the first Black woman to win the Booker Prize, and her Girl, Woman, Other was named by Barack Obama as one of his favorite books of the year. Of note: when the novel was nominated for the Booker prize, it had not yet found a US publisher. The book itself is a remarkable tour de force, following the lives of 11 Black British women, as well as a non-binary woman, centering around a theatrical production and the playwright who reflects on her relationships with these women.
Evaristo’s latest book Manifesto, published in February 2022, is a memoir about her years of struggle to be recognized in the sacred halls of literature. Her story is one we can all applaud.