Tag Archives: reading

Into The Stretch: Year-End 2023 Notable Novels

By Carole Reedy

Catch up on your reading now, because the last few months of this year are filled with new works from our favorite writers.

But who’s missing? Donna Tartt fans are combing the web in search of her next book. It seems she publishes one every ten years: 1992, The Secret History; 2002, The Little Friend; 2013, The Goldfinch. 2023? Tartt’s novels are long and lush with unforgettable plots that twist and turn. They always feature vivid characters and an imaginative writing style that captures the reader from the start. My search for her next work has been unsuccessful as of this writing.

In better news, here’s a selection of new books that have been published or will soon be during the second half of 2023. This list includes some of my favorite writers and, judging from your messages to me, yours too.

Provocatively, there are three books of short stories on this list. I consider myself and readers of this column literary novel admirers, but these brilliant collections just may just have turned my head.

Crook Manifesto: A Novel, by Colson Whitehead
Second book in the Harlem Trilogy

This is Whitehead’s second novel in his Harlem Trilogy. While you can enjoy Crook Manifesto on its own, for maximum pleasure take time to read Harlem Shuffle (2021) first. I like to call the Trilogy Whitehead’s love story to Harlem. This second novel takes place in 1976 as the bicentennial celebrations are in full swing. However, it’s business as usual for crooked politicians and the manipulation of the poor and disadvantaged by up-and-coming “wannabes.”

Ray Carney, everyone’s favorite furniture vendor, seems to find himself once again in the midst of the machinations of less-than-savory company, including a shady candidate for political office who is ironically actively supported by Ray’s wife Elizabeth. Ray’s family has a welcome presence in this second book, and we hope will again in the third.

Delightfully dark and mysterious characters, though tinted with affection, sprinkle the text. This is Whitehead’s magic: he gives us the harsh reality of Harlem from the inside out. He goes to the heart of the city, as well as to the heart of his characters, offering a glimpse into the soul of the ‘hood and the denizens who struggle there daily.

Zero-Sum: Stories, by Joyce Carol Oates
Despite more than 100 extant novels, short story collections, nonfiction books, and essays, Oates delivers every year new creations to equal and even surpass her past successes.

Oates is audacious and intrepid, conveying that which often goes unsaid. Her latest collection does just that with a wide range of characters, emotions, and settings in place and time.

The most memorable of these is a story called “The Suicide,” told from the point of view of the one attempting to commit it. He mesmerizes us with his confusion, determination, apprehension, and pain.

Three other stories especially will remain with us and even haunt our dreams. We who have experienced a pandemic now have visions of our future world. Oates delivers a triad of stories about the future years of our planet. Need I say more?

Cravings: Stories, by Garnett Kilberg Cohen
Garnett Cohen popped into my life several years when a Chicago friend gifted me her novella, How We Move the Air (2010). A collection of seven linked stories, it was an unusual and stunning read in many ways, leaving me craving (no pun intended) more from this author. Since then I’ve religiously read Cohen’s collections of short stories as well as her individual works published in a diverse range of magazines. I and my band of avid readers highly recommend her short story collection Swarm to Glory (2014).

Through the details of everyday life, Cohen opens up a character’s world. The slightest phrase evokes a flood of emotions. At one point I felt, “This author knows me; I feel this way too.” There is good variety in the selection of these stories: they’ll make you laugh, cry, or just sigh. Like Joyce Carol Oates, she can be dauntless, an admirable and necessary quality in a writer.

Thoughts of Proust and involuntary memory come to mind when reading these stories. From the end of “Hors d’oeuvres,” the first story: “Our memories travel with us over the years, popping up when least expected.” As an avid traveler, I love to think of my memories traveling with me, at home and abroad.

I would have liked to point to my favorite story from the collection, but I can’t. I admired them all, each in its own way.

Roman Stories, by Jhumpa Lahiri
Many of us were crushed a few years ago when Lahiri announced she was moving to Italy to write and publish her future books in Italian. This endeavor proved successful, and we’ve now been rewarded for our patience. Lahiri has created an homage, a collection of short stories where the main personage is the magical city of Rome. She wrote these stories in Italian and translated them to English with Knopf editor Todd Portnowitz.

Kirkus gives the collection a starred review, praising this new work from a veteran writer: “A brilliant return to the short story by an author of protean accomplishments … filled with intelligence and sorrow, these sharply drawn glimpses of Roman lives create an impressively unified effect.”

This is Lahiri’s first short story collection since she published Unaccustomed Earth in 2008.

It’s also appropriate to mention here Lahiri’s first novel written in Italian, which she then translated into English. Called Whereabouts (2021), it consists of 46 chapters, or rather entries into a diary, that are one woman’s reflections on her life. Highly praised by critics and a definite thumbs-up from me.

Baumgartener, by Paul Auster
One never knows what to expect from this icon whose repertoire over 38 years always surprises and never disappoints. His range of subject matter is vast, as are the style and breadth of his 18 novels.

This newest asks, “Why do we remember certain moments in our lives and not others?” The protagonist is a soon-to-be retired philosophy professor and phenomenologist. Auster’s prose takes us on a literary journey with characters Sy Baumgartner, his dead wife Anna, and his Polish-born father, a dressmaker and revolutionary.

This is his first novel since the extraordinary 4 3 2 1: A Novel was published in 2017.

Recently, Siri Hustvedt, Auster’s renowned philosopher/author wife, posted on Instagram that Auster is suffering from cancer and being treated with chemotherapy and infusions. As a fan since 1972, this news breaks my heart.

Day, by Michael Cunningham
It’s difficult to contemplate writer Michael Cunningham without conjuring up thoughts of an equally imposing author, the illustrious Virginia Woolf. Cunningham resurrected the memory of Virginia Woolf with his Pulitzer-winning novel The Hours: A Novel (2019). In The Hours, Cunningham relates moments in the life of Woolfe through three separate characters and stories. It is a tour de force that will haunt you long after you finish it.

In his newest novel, Cunningham takes us through three days (April 5 in 2019, 2020, and 2021) in the lives of a New York family.

The highest praise comes from another famous writer, Colum McCain (Let the Great World Spin, 2009) “Michael Cunningham crafts a glorious sentence, and at the same time he tells an achingly compelling story that speaks precisely to the times we live in. And it all flows so damn gorgeously that at times you just want to suspend the sacred day itself and hold it close, never let it, or the characters, go.”

The Bee Sting: A Novel, by Paul Murray
Rave reviews everywhere. Long waitlists at the library that include yours truly. The Los Angeles Times calls it a masterpiece, saying “it ought to cement Murray’s already high standing…it’s a triumph of realist fiction, a big, sprawling social novel in the vein of Jonathan Franzen’s Freedom. The agility with which Murray structures the narrative around the family at its heart is virtuosic and sure-footed, evidence of a writer at the height of his power deftly shifting perspectives, style and syntax to maximize emotional impact. Hilarious and sardonic, heartbreaking and beautiful.”

Plus a sneak preview …

March 2024
James, by Percival Everett
Move over Demon Copperhead, James is coming. Everett reworks Mark Twain’s classic novel The Adventures of Huckleberry Finn (1884 in the UK, 1885 in the US) in this most anticipated novel. We’ll be eager to see if he can accomplish what Barbara Kingsolver was able to achieve in her brilliant and award-winning novel Demon Copperhead: A Novel (2022), which possesses the bones and heart of the beloved Dickens classic David Copperfield.

Percival Everett’s most recent books include Dr. No: A Novel (2022, finalist for the National Book Critics Circle Award for fiction and the PEN/Jean Stein Book Award), The Trees: A Novel (2021, finalist for the Booker Prize and the PEN/Jean Stein Book Award), and Telephone (2021, finalist for the Pulitzer Prize).

The Unfinished List of 2022

By Carole Reedy

“Can anything be sadder than a work left unfinished? Yes, a work undone.”
— Poet Christina Rossetti

Upon finishing my top-ten list of best books of 2022, a nagging sense of incompleteness remained with me. Happily, I’m remedying it this month by augmenting my Top Ten Reads of 2022 (published in the December 2022 issue of The Eye) to include the following six unforgettable novels.

Demon Copperhead, by Barbara Kingsolver
Unlike many readers, I’m not an automatic fan of Kingsolver’s books, but this treasure from 2022 – a modern version of Charles Dickens’ David Copperfield – has been given the praise it richly deserves by a majority of critics and reviewers. Yes, it is as good as her novel The Poisonwood Bible (1998), to answer the frequently asked question.

Here, however, the venue is changed from Dickens’ dark, sooty, deprived 19th-century England to the heart of Appalachia in southwest Virginia. We follow a young boy through an adventurous though drudging life, without the guidance of responsible adults, in a depressed land and state of hopelessness.

The opioid crisis features prominently in this tale set in the late 20th century. Kingsolver keeps us on our toes until the very satisfying end.

Two by Ottessa Mosfegh: Death in Her Hands, Eileen
After reading the popular My Year of Rest and Relaxation, I craved more of the same descriptive writing that allows us to enter the interior world of Moshfegh’s women characters.

Death in Her Hands (2020) could be described as a mystery, though the plot and solution come more directly from the mind of the elderly main character than the action. This character, in the manner we’ve come to expect from Moshfegh, drifts from thought to thought until a solution is revealed.

The novel Eileen (2016) involves yet another anomalous character. Moshfegh can be tedious, but in the end, this is what gives life and meaning to her characters.

The Time of Gifts, by Patrick Leigh Fermor
This book from 2005 is one you’ll want to take your time with. Read a chapter a day and then re-read the supple passages.

The location is Europe, and the time is the 1930s. Follow the author over mountains and through valleys from Holland to Constantinople. Let your mind roam as you savor each word. Although this book is described as a travel memoir, it’s also an interior life explored as we observe an 18-year-old developing into a man.

The title comes from “Twelfth Night,” a poem by Louis MacNeice.

Mouth to Mouth, by Antoine Wilson
Words that came to me upon finishing this delightful read: sharp, clever, winding, hip. The mystery overtones give the novel a compelling, often surprising, story and plot.

I won’t spoil a word of it by attempting a summary, but know that the book has been compared to works by Patricia Highsmith and that it was one of Barack Obama’s favorites of 2022.

The Hours, by Michael Cunningham
You might wonder why this 1998 Pulitzer Prize-winning novel appears on my list 25 years after publication. In 1998, I had just moved to Mexico and everything was fresh, foreign, and invigorating, so much so that my reading habits shifted from novels based on the English/Anglo experience to those exploring Hispanic/Indio culture. As a result, I never read The Hours.

Recently the Met opera debuted a new work based on this 1998 bestseller. Before attending the event, I felt compelled to read the book and also see the 2002 movie, starring Meryl Streep, Nicole Kidman, and Julianna Moore.

The story of three women revolves around the life of writer Virginia Woolf, who lived from 1882 until her death from suicide in 1941. Streep in the film depicts another of the women who is referred to as Mrs. Dalloway by her friend Richard, who is dying of AIDS. Kidman won an Oscar for her role as Virginia Wolff and Julianna Moore also has a significant role in this marvelous intertwining of lives.

Both the novel and film are complete in plot and character development and satisfying throughout, evoking strong emotions.

Sadly, the opera version didn’t capture the jarring passion of the novel or the film. The music seemed unable to convey and sustain the life frustrations of the characters, although the three sopranos – Renee Fleming, Joyce Di Donato, and Kelli O’Hara – are among the best of our time. In addition, my friends and I found it difficult to listen for more than three hours to an opera sung mostly in the soprano range. We were actually thrilled when the tenor entered the scenario.

The opera itself was the idea of Renee Fleming, who brought it to the composer Kevin Puts. The production itself was brilliant in its juxtaposition of the three women’s stories as they alternated and shared the stage.

I do think this is the first time I have read a book, seen the movie, and experienced the opera all in the space of one week!

Next month: Onward to reading selections for 2023.

It Was A Very Good Year: Best Reads of 2022

By Carole Reedy

The incomparable Maria Callas said once of an opera, “An opera … becomes my life, and it stays part of my life long after I have left the opera house.”

I would use the same words to describe the way I feel about the books I read this year – each is unique in style, structure, and content. All of them enrapture and engage, while giving us food for thought long after we’ve finished reading. They are lush and contain all we hope for in a reading experience.

To Paradise, by Hanya Yanagihara
After turning the last page of this book in March, I knew it would be my top read of 2022. As with her earlier masterpiece, A Little Life (2015), Yanagihara dissects and analyzes while elaborating on the world she creates for the reader.

Yanagihara’s newest story is divided into three parts set a century apart. The first part starts in 19th century New York City, but not the New York we think we know. Yanagihara has designed a new entity out of the territories of the US following the Civil War. As a result, life is very different.

A century later, we are taken to Hawaii, and then a century after that to a new dimension. Although this is a lengthy book, you won’t need a list of characters or a family tree before you begin. As the flow and tension of the writing consumes you, the characters become evident in their placement in history.

Great Circle: A Novel, by Maggie Shipstead
I heard about this book through my book grapevine, which includes readers of all ages and backgrounds. Published in 2021, here’s a book that is widely admired and loved. And little wonder. The two stories at the center, one present day and the other 50 years earlier, are centered around strong women characters.

The current-day heroine is an actress, the counter heroine an airplane pilot. Their lives parallel in many ways, and the juxtaposition makes for a compelling, enjoyable, and even educational read.

The Marriage Portrait: A Novel, by Maggie O’Farrell
This historical novel arrives with great anticipation on the coattails of O’Farrell’s beautifully rendered Hamnet (2020) and it is a worthy successor. In The Marriage Portrait we live and empathize with the 16-year-old Lucrezia de Medici who lives her life in the lush Italian Renaissance world with all its conventions and excesses.

O’Farrell’s novel is said to have been inspired by the Robert Browning poem “My Last Duchess,” just as the author’s previous novel was based on the life of Shakespeare and his play Hamlet. O’Farrell relies on poetic justice to weave the intricacies of this story and period with a flair and sensitivity rarely found in historical novels.

Lessons: A Novel, by Ian McEwan
For me, this is McEwen’s magnum opus. In his lifetime’s worth of novels he has blessed us with a constellation of style, length, and personages. This surprisingly lengthy (449 pages) novel simply follows the story of a man across all the upheavals of time and history.

Through the characters we experience decades of disruption and tragedies brought about by war and man’s flaws. It is beautifully rendered and said to be quasi-autobiographic.

Young Mungo, by Douglas Stuart
Shuggie Bain, the young boy in the novel of the same name (2020), was the creation of Douglas Stuart based on his own life. There are few writers who can so adeptly transport us to an alien world and also break our hearts. In this book, Stuart generates an empathy rarely experienced by readers. I felt it a privilege to be taken into Shuggie’s sphere and life in 20th century Scotland.

This second novel is equally worthy. Here the teenage Mungo suffers the trials of poverty and being different in a society struggling with religious conflict. Once again, Stuart’s lyricism captures the essence of this world and brings it clearly into our hearts and minds.

Hell of a Book, by Jason Mott
While awaiting the world to return to normal as the calendar changed from 2021 to 2022, I read this novel by an author I didn’t know, but I knew immediately it would be on this list at the end of the year.

We book enthusiasts love to read about books, publishing, and even the whirlwind author tours. While telling this story, the author takes us on a double journey, with the writer/protagonist performing the tasks expected of his publisher, but also tackling the ghosts of his past.

Watt deservingly won the 2021 National Book Award for Fiction for this most engaging novel.

Babysitter: A Novel, by Joyce Carol Oates
This is the Joyce Carol Oates I love, a novel reminiscent of her 70s masterpieces. It is frightening in its spot-on depiction of a rich suburban housewife and her emotionally charged, rash decisions. Every fiber in your body wants to shout “Don’t do that!”

A supporting sub story tells of another suburban nightmare: the threat of a serial killer in the midst of a closed, pristine community. As always, Oates tightly knits the daily chaos of our modern world into a compelling story, a talent she’s mastered over the years.

Oates has been writing for more than 50 years and has produced more than 100 written works, from short stories and essays to many of our favorite novels. Her early novels – Them (1969), A Garden of Earthly Delights (1967), Expensive People (1968) – and a couple of decades later, We Were the Mulvaneys (1996) and Blonde (2000) have assured her a prominent place in the history of American literature.

King Leopold’s Ghost: A Story of Greed, Terror, and Heroism in Colonial Africa, by Alan Hochschild
Published in 1998, this is the sole nonfiction book to make my list. To me, it reads like a novel in its detailed plot and character development.

The story is told through main characters who are involved in the corruption and dismantling of the Congo by imperialist Europeans in the late 19th century. It is probably one of the most disturbing books I have read, depicting the greed and divisiveness of white men in their attempts to protect the status quo and their white empires. King Leopold II of Belgium desired exceedingly to head an empire, and the jealousy he feels toward his counterparts and cousins in other European countries who had their own empires leads him to take over the Congo, depleting the area of its valued ivory and rubber, making the rich even richer and the poor dead.

Alan Hochschild also has described the tragedies of the Spanish Civil War in his recent well-regarded book, Spain in Our Hearts: Americans in the Spanish Civil War, 1936-1939 (2017). He depicts the Americans who traveled to Spain to participate as freedom fighters against the dictator Franco. Both books are fine examples of how fact and history can entertain as well as educate.

My Year of Rest and Relaxation, by Ottessa Moshfegh
This author’s name seemed to come out of nowhere, and now you see it everywhere. Justifiably, the waitlist is lengthy at the Chicago Public Library to obtain any of her novels, including her book of short stories, Homesick for Another World (2017). Moshfegh’s attraction is her style, which I would describe as “patient.” In My Year of Rest and Relaxation, published in 2018, as in her novels Death in Her Hands (2020) and Eileen: A Novel (2015), the protagonist’s dilemma is resolved only after a careful and thorough rendering of the situation.

This book isn’t quite as easy-going as the title suggests, and the approach is even more complicated. What appears simple is complex, as the writer takes us slowly through each step of the protagonist’s recovery.

Ottessa Moshfegh is a name to remember. She’s an American of Croatian and Persian descent. I am sure we will see more of her work in the future.

Trust, by Hernan Diaz
As I wrote this entry, I coincidentally received the news that Trust had won the Kirkus Prize for Fiction for 2022 (Kirkus is a commercial book review service that covers an enormous range and number of books).

Trust comprises four manuscripts, in varying states of completion, that explore the capacity of money “to bend and align reality.” There is a novel-within-a-novel about a Wall Street tycoon who benefited from the 1929 stock market crash and his wife, who ended up mentally ill in a Swiss sanitarium; the partial memoir of a second Wall Street tycoon; scraps of some diaries by the wife of this second tycoon; and a long memoir by the ostensible ghost writer of the second tycoon’s memoir. Kirkus recognition is often heavy on plot, short on praise, and never gushes. Here’s what they say about Trust:

“The novel overall feels complex but never convoluted, focused throughout on the dissatisfactions of wealth and the suppression of information for the sake of keeping up appearances. No one document tells the whole story, but the collection of palimpsests makes for a thrilling experience and a testament to the power and danger of the truth—or a version of it—when it’s set down in print. A clever and affecting high-concept novel of high finance.”

The four-part novel is clever but not manipulative. And it is thoroughly enjoyable.

Now, on to another year and the anticipation of new books. What joy!

Intrepid Women Writers of the 21st Century

By Carole Reedy

“Some things work far better in imagination than in reality.”
Lauren Willig, author of historical fiction

The word “intrepid” is often used to describe explorers and travelers, but anyone who breaks out and moves beyond the norm to discover the mystery of humanity also deserves this classification. The women in this article do just that. They have committed to dedicating their lives to the written word and our amorphous world.

These books are big and bold and unsettling. When I finished reading the masterpieces written by the women below, I sat and stared into space for a moment, absorbing the beauty and fierceness of their creative abilities, of how they weave a narrative with flair and conviction about who we are and who we may become.

Olga Tokarczuk
I first saw an interview with this Nobel Prize winner in 2020 at the prestigious Hay Festival (streamed rather than live due to the pandemic). I had read several of her novels, including the philosophic Flights (2007), and thus was expecting a staid, serious woman. Instead I saw, seated with her translator Jennifer Croft, a woman who looked 40 rather than her actual 60, bouncing in her chair, animated, often smiling and joking, and with a funky hairstyle.

Here’s a woman who writes historically about life, literature, and philosophy, books like Drive Your Plow Over the Bones of the Dead (2009) and Flights. Her novels, written in a distinct narrative style, tackle the most onerous of philosophical subjects with determination and hope.

From the Booker Prize-winning Flights, a taste of this philosophy:

Standing there on the embankment, staring into the current, I realized that—in spite of all the risks involved—a thing in motion will always be better than a thing at rest; that change will always be a nobler thing than permanence; that that which is static will degenerate and decay, turn to ash, while that which is in motion is able to last for all eternity.

Fresh off the press is her thousand-page The Books of Jacob (first published in 2014 in her native Polish, in English in 2021). It begins in 1752 in what is now western Ukraine and ends in the middle of the 20th century in eastern Poland, where a family of Jews is hiding during the Holocaust. The story is that of historical figure Jacob Frank, leader of an heretical Jewish sect and whose unusual practices were controversial.

The translation of Tokarczuk’s text to English is a daunting task. Consider that in Slavic the word order varies significantly, and is more complicated than English. Tokarczuk’s translator, Jennifer Croft, won the 2018 Man Booker International Prize for her translation of Flights. Croft says that “The words of the text are the embodiment of its past, and its sentences, on the other hand, lead the way to the future.”

In its review of this much-awaited novel, the Wall Street Journal recognized the diversity and command of Tokarczuk’s writing: “Ms. Tokarczuk is as comfortable rendering the world of Jewish peasantry as that of the Polish royal court.”

Hanya Yanagihara
After turning the final page of Yanagihara’s newest, 600-page-plus novel, On Paradise (2022), I felt as I did 40 years ago as I closed the cover of the final installation of Marcel Proust’s million-word tour de force Remembrance of Things Past (7 volumes, 1913-27), wondering “What could I possibly read now that I have read the final, definitive word on humanity?” This too is Hanya Yanagihara.

Her unusual structure, deeply creative approach to history and society, and the emotional prices paid by her finely wrought characters contribute to this literary success.

The novel takes place over three centuries (1893, 1993, and 2093) in a North America unrecognizable to us. We’re surprised and fascinated by the enormous shifts in society’s norms, the principal players developing in the most unexpected situations as we follow the families and individuals across the centuries.

Perhaps most important, though, is Yanagihara’s descriptive flowing style, which allows the reader to traverse a seamless constellation of emotions.

Elizabeth George
Multitudes have thrilled to the travails of Thomas Lynley and Barbara Havers over the past 20 years. George’s sharply drawn characters and her ability to create an atmosphere of order and resolution among the chaos of murder cases in London’s criminal justice system is why we yearn for more. Her skill in depicting the shifting mores of the various populations that make up Great Britain keeps faithful readers awaiting each new book in the series.

George’s latest novel, Something To Hide, just published in January 2022, involves investigation into a shocking and extremely sensitive issue: FGM, or female genital mutilation. The contrast of the painfully serious practice of FGM and the effect on some women in predominantly Nigerian and Somalian communities of London is a fresh approach for George, although she’s always been a keen analyzer of Britain’s class system.

Fans of Lynley and Havers will be reassured to know they skillfully navigate the horrors of this disfiguring practice and those whose lives are forever destroyed by it.

Although George is an American, she has been lauded for her insight and accuracy in setting her novels in the British Isles.

Jennifer Clement
We who live in Mexico have great respect and affection for fellow Mexican-American Jennifer Clement, president of PEN Mexico from 2009 to 2012, followed in 2015 by a term as the first woman president of PEN International. During her tenure she brought attention to the safety of journalists in Mexico and spearheaded a change in the law, making the killing of a journalist a federal crime.

Clement, along with her sister Barbara Sibley, is founder of Poetry Week in San Miguel de Allende.

Prayers for the Stolen (2014) was praised by prestigious publications and readers on both sides of the border. Recently, it was made into a film, Noche de Fuego, which has been nominated for best foreign language film for this year’s Academy Awards.

The movie itself depicts only the first third of the book, which takes place in a mountain village in the state of Guerrero where narcos dominate the lives of the inhabitants. The book goes on to examine life in Acapulco, ending up in Mexico City.

Don’t look for happy endings in Clement’s books, but rather the reality that surrounds the disenfranchised. One of my favorite books of hers is Widow Basquiat: A Memoir (2000), a portrayal of Clement’s friend Suzanne Mallouk, MD, the painter and psychoanalyst who was muse and lover of Jean-Michel Basquiat, the brilliant artist who died at 27 from a heroin overdose. Basquiat was part of the graffiti movement in New York and well known by his alter ego, SAMO. Today his paintings sell for millions of dollars.

Bernardine Evaristo
She is a dynamo. There’s simply no other way to describe her. Although only recently in the limelight for her Booker-prize-winning Girl, Woman, Other in 2019, Evaristo has been on the scene for years, fighting sexism and racism going back 40 years to when she and her drama school friends heckled London theater performances.

Evaristo is the first Black woman to win the Booker Prize, and her Girl, Woman, Other was named by Barack Obama as one of his favorite books of the year. Of note: when the novel was nominated for the Booker prize, it had not yet found a US publisher. The book itself is a remarkable tour de force, following the lives of 11 Black British women, as well as a non-binary woman, centering around a theatrical production and the playwright who reflects on her relationships with these women.

Evaristo’s latest book Manifesto, published in February 2022, is a memoir about her years of struggle to be recognized in the sacred halls of literature. Her story is one we can all applaud.

Year Two of Covid:Literary Favorites of 2021

By Carole Reedy

This second year of the pandemic has given us another opportunity for many hours to ponder our fates and read new literary selections. When asked what makes a good book and, of the good ones, what makes a book great, Salman Rushdie, the thought-inspiring and entertaining writer, replied:
“What I look for in a book is a voice that sounds fresh, a relationship with language that feels exciting, and a vision of the world that enlightens or challenges me, or, just occasionally, changes the way I see the world in some degree. When I find at least one of those things, then that’s what I’d probably call a good book. When I find all of them, then the adjective ‘great’ may come to mind.”

Keeping in mind Rushdie’s analysis, I’ve chosen ten books I feel meet those criteria. Coincidentally, they’re also among the most entertaining reads of the year. The first two books I would place in Rushdie’s “Great Literature” category, the rest just slightly less than great.

CROSSROADS: A NOVEL, by Jonathan Franzen (2021)

Franzen’s masterpiece is so compelling it could win all the major literary awards next year. What makes that probable? Exactly what Rushdie’s formula dictates.

We discover Franzen’s 1970s American family, the Hildebrants, as if through a microscope, every movement of their lives together and their individual emotional states and thoughts detailed in this 600-page stunner, the first of a trilogy to come. As we’re drawn into each character’s world, our own reactions and a slight shift in perspective add to the sheer enjoyment of the language and provocative twists with each turn of the page. I seldom need a dictionary when reading a novel, but Franzen’s books are exceptions.

THE MAGICIAN: A NOVEL, by Colm Tóibin (2021)

After reading Tóibin’s story of Nobel Prize winner Thomas Mann’s long life, a friend said to me, “The masterpiece written by Tóibin about Thomas Mann’s life is infinitely more compelling and introspective than any of Mann’s well-respected novels.” And I have to agree.

Tóibin took on an enormous responsibility when he sat down to write a novel based on the 80 years that Mann graced our planet. Mann basked in the limelight during his life, which encompassed two wars over two continents. But the outstanding characteristic of this grand tribute lies in the life beneath the exterior, delving into the inner workings of his mind and heart.

Similar yearnings and emotions are reflected in Damon Galgut’s Arctic Summer, also appearing below on this list. In both cases, it is heartbreaking to read the pain these men suffer for emotions they feel which, at the time, are in conflict with society’s norms and must therefore remain hidden and nrequited.

SHOULD WE STAY OR SHOULD WE GO: A NOVEL, by Lionel Shriver (2021)

Only a writer as adept as Lionel Shriver can make us chuckle about death and, especially, suicide. When do we say enough is enough? The aging couple in Shriver’s latest novel has devised a plan for leaving this life when body and soul dictate.

Shriver creates several scenarios of the manner in which the end might come about for the couple and the various consequences that might arise. As always, she doesn’t leave a loose thread hanging or a conclusion sloppily rendered.

Shriver in each of her novels explores, dissects, and delights in a modern-day problem/challenge/fad/concern that is unique to the human condition. I’ve never been disappointed in her rendering or treatment of our delicate mentality.

THE GIVER OF STARS: A NOVEL, by Jojo Moyes (2019)
THE BOOK WOMAN OF TROUBLESOME CREEK, by Kim Michele Richardson (2019)
These two novels are similar in subject, characters, and history, but vary in their treatment. The overriding topic is books and reading, which would capture the interest of any reader of this column. Both novels are based in fact, taking place during the 1930s depression era in rural Kentucky, where an FDR government initiative is being enacted: books delivered to rural areas on horseback by librarians.

These women are brave, tenacious, and strong (even if they start out a bit weaker) pioneers in the advancement and acceptance of women’s physical strength and determination.

I paused before opening each of these books, as I wasn’t familiar with the writers, the situation, or the geography and sociology of the area. Though I was doubtful, I decided to give them a try. Once immersed, I saw that I’d rushed to judgment and had happily been proved wrong.

The difference between the books is in the storytelling and characters. Moyes concentrates on four women who fight the terrain, customs, and mores of the area in their pursuit of dispensing knowledge. Each is unique in style and the manner in which she handles her job and the resulting dissent. But in the end each triumphs in her own way.

Richardson takes a different approach, with one woman front and center. Also woven into the narrative is the phenomenon of the “blue people.” Here’s a fascinating historical twist to the story – as if these dedicated women needed any more problems!

ARCTIC SUMMER, by Damon Galgut (2014)

What Tóibin accomplishes in his in-depth analysis of Thomas Mann, Galgut parallels in this beautiful portrayal of the admirable yet suffering author E. M. Forster. Instead of 80 years, however, Galgut concentrates on a more specific time and travel period, when Forster lived in India and Egypt.

Forster is a gentle man, even more so when compared to his British comrades, his love deep and yet impossible.

On November 3 of this year, Galgut deservedly won the prestigious 2021 Booker Prize for his novel The Promise: A Novel, also one of my favorite reads of the year.

HARLEM SHUFFLE by Colson Whitehead (2021)

This time around, two-time Pulitzer Prize winner Whitehead gives us a whirlwind tour of 1960s New York, specifically to honky-tonk Harlem. We see it all through the eyes of small-time crook Ray Carney, who delights us with his subtle criminal, yet seemingly normal, life in the colorful barrio.

The characters surrounding him in his pursuit for a comfortable life for his family are painted in brilliant color with shades of sepia. They are quirky, frightening at times, occasionally astute, downright funny, and never stereotyped.
It was pure delight to accompany Ray on his “just a bit bent” adventures with friends and family, to whom he demonstrates uncommon loyalty, and to his enemies, with whom he gets even eventually with demonstrated patience.

HOMELAND: A NOVEL, by Fernando Aramburu (2020)

Off to another country across the ocean, to a time in the near past and a culture little-known to most of us. Basque Country is an autonomous region nestled in northeast Spain on the border with France, where long-standing conflicts take place in its struggle for independence. Homeland is a story told over several decades of two opposing families who prove to us the futility of wars and maybe even of principles.

Interesting that the reader comes to understand the motives and reactions to situations that at first seem alien, but in the end prove to be not so distant. The delicacy of human emotions seems constant regardless the culture or era.

The true stars of the novel are the matriarchs, their strength and pain. There isn’t much joy in this novel, but it reflects the deep rage, sadness, commitment, and existential challenge of the family in a remote section of Spain. The plot weaves through past and present to offer a full picture of the struggles of the region. You can watch an excellent, though less satisfying than the book, serial version of the story on HBO, called Patria, also the title of the book in Spanish.

THE IMMORTALISTS: A NOVEL, by Chloe Benjamin (2018)

The premise behind the story is one of our grand metaphysical questions: would you like to know the exact date and time of your death?

In other hands, the telling could have come off as trite and manipulated, but Benjamin guides us through the separate but intertwined lives and deaths of four young siblings who visit a fortune teller to discover the timing of their future demises. The author, perhaps wisely, leaves us with more existential questions at the end of each life than when we’d first joined them many years previously; possibly that was her intent.

THE RUTH GALLOWAY MYSTERY SERIES by Elly Griffiths

Druids, detectives, archaeologists, extramarital affairs, and digging up bones are among the elements that make this one of the finest mystery series published in this century.

Ruth Galloway is our hero, a prominent forensic archaeologist bone expert who teaches at the University of North Norfolk in England. She is sought after by local detectives seeking to solve murders that involve buried treasure … the treasure usually being a body found deep in an archeological dig.

Fourteen books make up a series in which we connect with the emotions, frustrations, and decisions of the main players, who are engaging and beautifully drawn. The ease with which we’re able relate to the characters is what sets this series apart from others.

Griffiths doesn’t go into elaborate contortions to develop or resolve her crimes, as many modern crime writers feel they must do. The plots are challenging and often humorous, without stretching for a clever solution. An additional plus is the pleasure these books bring in learning about the history and geography of the English countryside.

Try the first and see if you’re hooked. I recommend reading the books in order, as the characters are fleshed out over the series and various scenarios. Start with The Crossing Places (2010). I predict the books will bring you great pleasure in the post-pandemic (we can hope!) year ahead.

We’ve been graced with a plethora of fine novels from this and previous years. As always, I look forward to 2022 for more literary gems from old friends and new writers. We close this year encouraged by the always poignant words of the admirable Rushdie:

“The future of fiction is assured. The novel will survive and thrive.”

Novels That Inform And Entertain

By Carole Reedy

The environment, migration, and conservation are not new topics for novelists. For many of us, our first book on change and migration due to a deteriorating earth was required reading. The Grapes of Wrath, by John Steinbeck, is the landmark 1939 novel in which the Joad family is forced to leave their homestead in Oklahoma, ravaged by the Dust Bowl, for the promised land of California.

Hindsight is foresight. In 1962 Rachel Carson was accused of exaggeration by the government and big business when she challenged the use of chemical pesticides in her groundbreaking book Silent Spring.

For this column, I’ve chosen several books from numerous recent novels exploring these increasingly urgent themes.

The Overstory by Richard Powers
The individual stories and plots of the nine US environmental activists who populate the novel play second string to Powers’ intensely detailed descriptions of the symbiotic relationship between trees and forests and their unique role in the survival of our planet.

Winner of the 2019 Pulitzer Prize and shortlisted for the Booker Prize in 2018, this seminal work is referred to regularly in any discussion of the environment and its degradation.

Three Novels by T. C. Boyle (Thomas Coraghessan Boyle)
I’ve written about the novels of T. C. Boyle multiple times over the past eleven years, and with good reason. The Tortilla Curtain remains among my top ten reads of all time and has been lauded as one of the most insightful on migration in Southern California.

Boyle, without fail, entertains while illuminating our grasp on issues that concern him and our planet, and he does it in an amusing style that can prompt readers to chuckle, despair, or contemplate simultaneously.

A Friend of the Earth
This piece of eco-fiction takes place in 2025, which seemed a long way off in 2000 when Boyle wrote it. It was interesting for me to revisit this book in 2021 after reading it 21 years ago. That which seemed far-fetched in 2000 is more realistic now. Many of his premises ring true: the degradation of ecosystems, deforestation, change in climate, the building frenzy, shortened life expectancy, and overpopulation.

The story is told through the eyes of the main character, Tyrone O’Shaughnessy Tierwater (Boyle’s character names are as intriguing as his own), a 75-year old disheveled man looking back on his life as an environmental activist. Tierwater’s future seems as hopeless as the state of the earth. Boyle does not politicize, but rather tells a compelling story that keeps your mind spinning. Spoiler alert: it ends on a bittersweet but satisfyingly positive note.

When the Killing’s Done
A compelling premise for this 2011 novel: An animal rights activist takes on the National Park Service, which is removing invasive species (rats and pigs) from the Channel Islands National Park in California. Based on historical fact, here Boyle relates actual occurrences by shrouding them in a family story. Other actual events from the islands make their way into the always engaging story that Boyle tells.

The Terranauts
As I review T. C. Boyle’s novels I’ve come to appreciate them more with each passing year, and this one especially. His books ring true in so many ways, especially during these days of Jeff Bezos and his space exploration schemes.

In this 2016 novel set in 1994, a group of eight prepare for possible colonization on Mars by spending months in a biosphere facility called Ecosphere. As always, Boyle’s insight and exploration of human reactions, relationships, shortcomings, and strengths are the focus throughout the characters’ isolation together.

By the way, T. C. Boyle’s favorite novelist is Gabriel García Márquez.

Love in the Time of Cholera by Gabriel García Márquez
Latin America’s favorite son and a Nobel-prize winner from Colombia, García Márquez focuses on his country and its larger setting in the vast collection of novels and short stories he left us. The magical realism woven throughout his novels carries the reader through time and the lush ambience of the country he loves.

There is no better time to read this 1984 novel, which takes place over six decades, during which an intermittent cholera epidemic affects not only South America, but also the world. In addition, the arrival of the 20th century brings with it severe environmental damage from deforestation. For many of my friends who are avid readers and fans of Marquez, this is their favorite.

The Children’s Bible by Lydia Millet
For me, the outstanding characteristic of this novel is the intelligence and perceptiveness of the twelve children compared to the naïveté of their clueless parents. After being forced into a supposedly grand family getaway in a remote mansion, the children rebel when they perceive environmental dangers that the party-loving parents ignore. The children escape to a safer location, leaving their parents to their debauchery.

Millet has earned well-deserved attention from the New York Times, BBC, and Washington Post. This book was a finalist for the National Book Award for fiction.

Migrations by Charlotte McConaghy
Attention bird lovers: the focus here is on the main character’s quest to follow the Arctic terns on what she believes, due to extreme climate changes, to be their final journey from Greenland to Antarctica. The book transports the reader along with its main character, Franny, on a boat from Greenland to the Southern Ocean. While the novel explores her search and the adventure of following the terns, it also delves into her innermost secrets, shortcomings, and personal issues in need of resolution. Franny’s outer search echoes her inner one. Formerly the author of young adult fiction, here McConaghy debuts as an adult novelist.

The Road by Cormac McCarthy
Considered by some to be the ultimate in environmental disaster stories, The Road has been made into a film. Don’t be tempted – read the book. The book has a power all its own, with multiple elements including the centerpiece father-son relationship. Praised for its ability to portray the earth’s destruction and yet criticized for its minimal plot and characterization, this book is hailed by many as the masterpiece of our climate emergency. The unusual writing style and use (specifically, the nonuse) of punctuation irritates many readers, me among them, though I understand the source and reasoning behind the author’s choice. This short, intense book will transport you.

How fortunate to live in a world filled with brilliant minds who can raise our consciousness, stir our emotions, inform, teach and at the same time even entertain us.

Personal Stories of Migration and the Transition Experience

By Carole Reedy

Home is where you are …
David Byrne

By definition, migration is moving from one place to another, while transition is the process of changing or developing once you arrive. The books listed here tell the stories of both, spanning the globe from Mexico and India to Russia. Accounts of this type have been written since humans put pen to paper. These, I feel, are particularly significant for readers of The Eye.

Homeland Elegies: A Novel, by Ayad Akhtar (2020)

Although pegged as a novel, the immigration story that weaves through these pages is based on the author’s own experiences and family. Akhtar is an American, and he is also a Muslim. In a very personal manner he tells the story of his family in the US, Pakistan, Afghanistan, and India: the journeys back and forth and the reactions, attitudes, and beliefs of his family, especially his father.

This modern story of Muslims here and abroad contains a most up-to-date analysis of the US in relation to the rest of the world. Most important to me was the flowing narrative, which appears effortless and addresses a variety of emotions, attitudes, and doubts about modern American society, what it was, and what it has become.

Salman Rushdie calls it “passionate, disturbing, and unputdownable.” It is.

On Mexican Time: A New Life in San Miguel, by Tony Cohan (2001)

Of the many novels written about the US transition to life in Mexico, Cohan’s description of building a home in San Miguel de Allende (SMA) resonates perhaps most clearly to those interested in modern migration and transition.

As background: Two of the original pioneers from north of the border wandered to San Miguel over 80 years ago from Chicago. Stirling Dickinson and Heath Bowman together wrote books about their Mexican and South American travel experiences. Eventually they built a house in San Miguel. Bowman left, but Dickinson stayed in SMA until his death in 1988 at age 89. He contributed to the art and culture of the area, living a simple life from his arrival until his death

Tony Cohan and his wife, after visiting central Mexico in 1985, returned home to Los Angeles, sold their home, and journeyed to SMA, where they bought and refurbished at 250-year-old property. On Mexican Time is the story of the joy, tribulations, adjustment, and drama of their migration and transition to life in Mexico relating specifically to the construction experience.

Cohan’s writing is poignant, fluid, and funny. Most important, though, he finds the perfect phrasing and words to gift readers with a description of the qualities needed to integrate into a culture not their own. On Mexican Time has become a travel classic.

After the success of his first book about Mexico, Cohan went on to expand his writing geography to other parts of this diverse country. Mexican Days: Journeys into the Heart of Mexico (2007) explores the old and new Mexico of coastal and mountainous Veracruz, the sights and smells of Oaxaca, the modern and ancient culture of sprawling Mexico City, the Mayan ruins of the Yucatán, and the indigenous culture of Chiapas.

Burnt Shadows: A Novel, by Kamila Shamsie (2009)

The complete and compelling history of this novel’s families spans countries from Japan in 1945 to Delhi and then to the newly created Pakistan and Afghanistan. It is a time of major world-changing and life-changing events, from the bomb in Nagasaki to the partition of India, the creation of Pakistan, and the jihadist movement in Afghanistan.

An ambitious project, to say the least, but Shamsie creates a cast of believable, sympathetic characters whose lives are shaped by tragic world events. Kirkus Reviews praises Shamsie for her “rare combination of skill and sensitively.”

Lost Children Archive: A Novel (2019) and Tell Me How It Ends: An Essay in Forty Questions (2017), by Valeria Luiselli

Valeria Luiselli is one of the most visible, influential, and credible writers about migration and transition to grace bookstores in the past few years. She has personally lived the migratory life and experienced its many transitions. She was born in Mexico City, but just two years later Luiselli’s family moved to Madison, Wisconsin. From there her father’s work took them to Costa Rica, South Korea, and South Africa. At age 16 she moved back to Mexico City. She has also lived in Spain and France.

Currently, Luiselli lives in the Bronx. Her work as an intern at the United Nations, interviewing and interpreting for Central American child migrants, led to the two books mentioned here.

Tell Me How it Ends is a simple book that relates her day-to-day work as an interpreter for the children from Central America (not Mexico) who have crossed the US border and have been separated from relatives or have crossed unaccompanied. The title comes from questions her own children asked as she related her daily work to them each evening–they wanted to know “how it ends” for the children. This is a stark rendering of the state of US immigration policy, a short and mostly sad story.

Lost Children’s Archive, Luiselli’s fifth novel, is the story of a family on a road trip from New York to Arizona in which the children learn about their father’s obsession with Geronimo and at the same time are exposed to the grim realities of children crossing the border.

Luiselli is an intelligent and creative woman who writes in a variety of styles. One of her most interesting works is the short book The Story of My Teeth (2015). I won’t say more. Try it. I think you will find it quite amusing … and more.

The Devil’s Highway: A True Story, by Luis Alberto Urrea (2004)

Readers are in love with Luis Alberto Urrea, who is probably the most popular and important of Mexican-American writers, acknowledged on both sides of the border as one of the most accurate descriptors of the border-crossing experience. Many of his books revolve around the economic struggle of Mexicans and their desire to cross over to the life of riches they perceive will be available to them in the US.

Urrea’s most famous book and a finalist for the Pulitzer Prize, The Devil’s Highway is the true story of 26 Mexican men who, in May of 2001, crossed the Mexico-US border into the most dangerous of deserts, the 130-mile dirt road in the Sonoran desert called The Devil’s Highway. Published in 2004, the subject remains as fresh in our hearts and minds as it did then.

Urrea investigates and shares the motivations of the various people involved, from the men who attempted the crossing, despite warnings of danger, to the border agents in the US and the coyotes who are paid to be “in the know” about all aspects of the crossing and to lead the men across the deadly terrain.

The Devil’s Highway has been called a must-read in age of migration from south to north, but his novels also give us insight into the Mexican way of life via brilliantly depicted characters and situations, some based on his own family. Urrea has also earned well-deserved kudos for The House of Broken Angels (2018), Queen of America: A Novel (2011), Into the Beautiful North: A Novel (2009), and The Hummingbird’s Daughter: A Novel (2005).

A Backpack, A Bear and Eight Crates of Vodka: A Memoir, by Lev Golinkin (2014)
In 1989, the family of the young narrator of this story, which stretches over continents and years, leaves the Soviet Union with three unusual items and little else in tow: a bear, a backpack, and eight crates of vodka.

Told through the eyes of the young son, this memoir begins in Ukraine and ends in the US, with stops in Europe as the family makes its way from repression to freedom. Lev leads a life of confusion, not only about where they’re heading, but of his own identity as a Jew.

The tone at the beginning of this book is amusing and entertaining, but as Lev ages he finds that he needs to address his identity and the people in the past who helped him. His formative years were spent moving and settling, in doubt and even fear. The light touch at the start of the tale becomes heavier as we watch Lev develop into a man.

There are many tales of desperate groups of people seeking refuge and freedom, but Lev’s feelings and his adaptation to a wide variety of circumstances present different challenges. The constellation of emotions evoked in this memoir make it one that will stay with you – it’s also an ideal book for discussion.

The subject of migration and transition has always been with us and will remain a dominant issue for novelists and writers of memoirs for years to come. And, of course, they will provide seductive material for this column.

Women Writers Off the Beaten Path

By Carole Reedy

Not every writer creates a book that achieves best-seller status or wins a literary prize. Glancing over my 2019-2020 list of the books I read, particular authors caught my eye. Not the brilliant and popular Elena Ferrante, Joyce Carol Oates, or Maggie O’Farrell, but equally notable women writing from a variety of places and perspectives. Here are a few of my favorite unique novels, most with woman protagonists off the beaten path.

Magda Szabó: Stunning character development is her trademark

This Hungarian writer died in 2007 at age 90. Although popular in Hungary and parts of Europe, Szabó didn’t gain status in the English-speaking world until the 21st century, when her novel The Door (1987), which centers on a relationship between a prominent writer and her housekeeper, was translated into English by Len Rix (2005). Although The Door was translated for the American market by Stefan Draughon, Rix seems to have a particular talent for translating Szabó. Since that success, his translations of her novels Katalin Street (1969, tr. 2017) and Abigail (1970, tr. 2020) have won several prominent literary awards.

Szabó’s early writing career was interrupted by the repression of the Stalinist era from 1949 to 1956. She was labeled an enemy of the Communist Party because her work did not conform to the social realism it demanded. Her husband, a writer and translator, was also censored.

The four novels translated by Rix are readily available in English now, both in book form and on Kindle. The best known, The Door, was listed in the New York Times Book Review’s Top Ten Books of 2015. Abigail, a story of a young girl who is sent by her father to a girls’ boarding school in Hungary during World War II, is among her more popular books.

Iza’s Ballad (1963, tr. 2016 by George Szirtas) is my personal favorite, the tale of a doctor’s relationship with her mother and the toll that personal and professional obligations take on her life. The primary women characters are not always likeable, but Szabo’s ability to home in on the circumstances and details of their lives makes for a most compelling read. We are given an understanding of the characters from their hidden thoughts as well as their actions, and it’s in this intimacy that Szabó’s talent lies.

Katalin Street also takes place during Hungary’s struggle sunder German occupation in World War II and Stalin’s subsequent Communist regime. It is the story of three families over a period of time in which both the living and the dead tell their tales of happiness and hardship. Again, stunning character development is Szabó’s trademark.

Miriam Toews: Growing up in a Mennonite community

The early years of Toews’ life spent growing up in a Mennonite household provided this author plenty of fuel for writing about women.

Women Talking: A Novel (2018) is based on actual events that took place in a Mennonite community in Bolivia. Nightly attacks by men in the community result in the “women talking” of the title. Simple, while at the same time complex and revealing, this is a short but emotionally charged story.

In an interview with The Guardian, Toews explains her impetus for writing this story: “I felt an obligation, a need, to write about these women. I am related to them. I could easily been one of them.” In fact, Toews, like the Bolivian Mennonites, is descended from the Molotschna colony, a Russian Mennonite settlement in what is now Ukraine.

All My Puny Sorrows (2014) is another novel centered on a Mennonite family, but this time the focus is on one member, a concert pianist, and the people who love her and their attempts to stave off her suicide attempts. Her mother, husband, and dearest of sisters struggle, as does the protagonist, against demons in an attempt to lead normal lives. Toews’ own father and sister both committed suicide within a ten-year period.

Siri Hustvedt: Elaborately structured works

Probably the most diversely accomplished of the women writers mentioned here, Hustvedt received a doctorate from Columbia University in the US, as well as three honorary doctorates from Norway, France, and Germany. Her writing encompasses all the literary arts: essays, short stories, nonfiction, poetry, and six novels. In 2019 she won the prestigious Princess of Asturias Award for Literature.

In addition, Hustvedt’s fascination with psychoanalysis, neurology, and psychiatry has led to a second career as a lecturer on these subjects.

Hustvedt also writes about art, yet another topic on which she’s extremely knowledgeable. The Blazing World (2014) invites us into a world of art in which a woman artist presents her own work not as her own, instead tagging them with the names of men. The novel won the Los Angeles Times Book Prize for Fiction in and was long-listed for the Booker Prize.
Memories of the Future (2019) is elaborately structured (as are all her books), bringing together a diverse set of themes that permeate our lives: memory, perception, and sensation. I especially warmed to the beginning, which describes the dismally fractured life of a young writer in New York City.

Hustvedt and her author-husband Paul Auster, along with their singer-songwriter daughter Sophie Auster, gathered members of the literary community including Salman Rushdie, Margaret Atwood, and Russell Banks to form the group Writers Against Trump to oppose “the racist, destructive, incompetent, corrupt, and fascist regime of Donald Trump, and to give our language, thought, and time to his defeat in November.” The group still meets in a continuing effort to protect the country’s democracy.

C.M. Mayo: A fine blend of Mexican and American

Mayo’s Mexican husband smiles when he notes that she was just five miles from being born Mexican. She was indeed born in El Paso, Texas, in the US, just a hop, skip, and jump from the Mexican border. And she’s lived in Mexico City for many years with this same husband.

Mayo has a wealth of writing to share with us. She has written poetry, essays, novels, and has a delightful blog featuring all types of extraneous writing. Her website is a trove of surprises, all warming a reader’s heart and all about Mexico. While the offerings are geared toward English speakers, both Mayo and her writing are a fine blend of Mexican and American.

Mexico: A Traveler’s Literary Companion (2006) is the place to start. This is a compilation of 24 pieces of fiction and prose by Mexican writers, many translated for the first time. Filled with the jewels of Carlos Fuentes, Juan Villoro, and Laura Esquivel, it is organized according to sections of the country. The Los Angeles Times tells it’s a book we should “throw in a suitcase or mochila (backpack) on your way to Mexico or just settling into a favorite patio chair. It will open your eyes, fill you with pleasure and render our perennial vecinos a little less distante.”

The Last Prince of the Mexican Empire was named the Library Journal’s Best Book of 2009. Indeed, it’s an exhaustively researched novel based on the fascinating story of a little-known adopted son of Maximilian, the archduke of Austria, during his short reign as Emperor of Mexico in 1864.

In another vein, Mayo gives us Miraculous Air: Journey of a Thousand Miles through Baja California, the Other Mexico (2002). Her exploration of the thousand-mile peninsula is filled with beauty and reflection on this most-separate Mexican entity, about which John Steinbeck said, “The very air here is miraculous.”

Garnett Kilberg Cohen: Characters you wish you had known

Cohen hails from my hometown of Chicago and her work was recommended to me by a friend, to whom I’m grateful. Kilberg Cohen is the recipient of multiple literary awards and is a professor of creative writing at Columbia College, Chicago.

The most popular of her works is a book of short stories called Swarm to Glory (2014). Several of the stories have appeared in publications throughout the US. Kilberg Cohen populates these small gems with characters you wish you had known while simultaneously relating simply and directly an utterly complex idea: the something we are looking for in our lives.

How We Move the Air (2010) is a short novel made up of the recollections of seven friends (each with his/her own chapter) who recall the suicide of a dear friend. It is filled with extreme emotion and insights into what and how we remember.

This may be just the time to try some new books and authors, because really … what else do we have but time?

Year of the Ox: Read a Chinese Tale to Celebrate

By Carole Reedy

What better way to start the new year than by discovering writers from across the Pacific? Novels by Chinese writers seem to get short shrift in the review sections of our modern media, and I confess to ignoring the grand culture of the Chinese in my own reading. As a result, I did some research and sought advice from a friend who is knowledgeable about all things Chinese, has lived and taught in the countryside of China, and is an avid reader of both Chinese fiction and nonfiction.

Here are several selections you might enjoy, based on your responses to the previous recommendations in this monthly column.

Interior Chinatown, by Charles Yu (2020)
Two months ago, Taiwanese-American writer Charles Yu walked away with the National Book Award for Fiction 2020 for his second novel, Interior Chinatown. Yu also has experience in screenplay writing (HBO’s Westworld series and other notable features), evident in the structure of this prize-winning novel that tells the story of aspiring actor Willis Wu.
Within seconds of the announcement of the National Book Award winner, avid readers were scrambling to enter their names in their library waitlist, yours truly included. I was most impressed to read that Yu is a fan of Philip Roth and claims to have read more of Roth’s novels those of any other contemporary writer, definitely a plus in my book! Wu’s first novel, How to Live Safely in a Science Fictional Universe (2010) received kudos and awards, as have many of his short stories.

The Good Earth, by Pearl Buck (1931)

Probably the best-known and universally respected novel from China is The Good Earth, which won the Pulitzer Prize for Literature in 1932. Buck, the daughter of missionaries, lived many decades in Zhenjiang before returning to the US in 1934. In 1938 she was the first woman to win the Nobel Prize for Literature, and The Good Earth is now considered a classic.

Set in China at the beginning of the 20th century, this is the story of a farmer and wife caught in the web of history before the Revolution. Through their story Buck gives us a peek into the history and culture of the era, as well as into the emotions and desires of its people. One reader assures us that “the book has a contemporary feel despite being written nearly 80 years ago.”

The Corpse Walker: Real Life Stories, China from the Bottom Up, by Liao Yiwu (English edition 2009)

A public toiletries manager, a leper, a grave robber, and a professional mourner, among others, are the subjects of the 27 interviewees of China’s forgotten population. Each vignette ranges from 15 to 20 pages. The research took the author 11 years, and attention from the Chinese censors followed, of course. The book has received rave reviews, with the San Francisco Chronicle claiming “Reading The Corpse Walker is like walking with Liao. Even though our feet are not blistered and our bodies are not starved, in the end we are shaken and moved.”

Red Sorghum: A Novel of China, by Mo Yan (English edition 1993)

Mo Yan, which literally means “don’t speak,” is the pen name of Guan Moye, a man who has won almost every Chinese literary prize as well as the Nobel Prize for Literature (2012).

Perhaps the best way to describe this book’s tone is in the writer’s dedication. “With this book I respectfully invoke the heroic, aggrieved souls wandering in the boundless bright red sorghum fields of my hometown. As your filial son, I am prepared to carve out my heart, marinate it in soy sauce, have it minced and placed in three bowls, and lay it out as an offering in a field of sorghum. Partake of it in good health!”

The book’s structure is a series of flashbacks spanning three generations (it seems many Chinese family sagas take place over three generations), taking the reader through the turbulent times between 1923 and 1976 both inside and outside China.

Amy Tan, brilliant and popular Chinese-American writer, praised Mo Yan: “Having read Red Sorghum, I believe Mo Yan deserves a place in world literature. His imagery is astounding, sensual and visceral. His story is electrifying and epic. I was amazed from the first page. It is unlike anything I’ve read coming out of China in past or recent times. I am convinced this book will successfully leap over the international boundaries that many translated works face. … This is an important work for an important writer.”

The 1987 Chinese film, Red Sorghum, based on the book, received much recognition, including the Golden Bear Award at the Berlin Film Festival in 1988.

The Novels of Amy Tan

The observation from Amy Tan above brings to mind her several novels about Chinese-Americans, especially the relationships between mothers and daughters. Tan was born in the US, the daughter of Chinese immigrants. The conflict among the young new Americans and their Chinese heritage is a constant underlying element in her stories.

The first of Tan’s successful novels was The Joy Luck Club (1989), followed by several others, all receiving the kudos they deserve. The Bone Setter’s Daughter (2003) was even made into an opera that had its debut in 2008 at the San Francisco Opera.

An interesting note about Tan – she was a member of a charity garage band called “Rock Bottom Remainders” (remainders being an author’s unsold books that are then “remaindered,” or made available at reduced prices). She served the group as the lead rhythm “dominatrix” backup singer and second tambourine. The rest of the group was made up of renowned authors, including, among others, Dave Barry, Stephen King, Mitch Albom, Barbara Kingsolver, and Scott Turow, along with some actual professional musicians. Their yearly gigs raised over a million dollars for literary programs. The group disbanded in 2012 following the death of their founder, Kathy Kamen Goldmark.

Although Tan’s fans love all her books, The Kitchen God’s Wife (1991) and Saving Fish from Drowning (2005) are among my favorites. When asked her favorite books, the following were on Tan’s list: Midnight’s Children by Salman Rushdie, Love Medicine by Louise Erdrich, Love in the Time of Cholera by Gabriel García Márquez, The Good Lord Bird by James McBride, and the Collected Stories of Lydia Davis.

Death of A Red Heroine, by Qiu Xiaolong (English edition, 2000)
Everyone loves a mystery! Here’s another inspector to add to your collections from Sicily, the Dordogne region of France, London, Scandinavia, or Scotland.

Death of a Red Heroine is the first in a series starring Inspector Chen Cao of the Shanghai police. The true value of favorite mystery novels lies in the opportunity to steal a glimpse of life into each country. Here it’s the People’s Republic of China. Each book in the series tackles a different political and economic situation, making the novels intellectually stimulating as well as enjoyable.

Qiu’s just-published latest offering, called Hold Your Breath, will be of special interest at this time as it takes place in the midst of the pandemic in Wuhan.

Iron & Silk, by Mark Salzman (1986)
Renaissance man (writer, artist, cellist) Mark Salzman famously has pursued several careers in his 60 years. In addition to an impressive resume that includes graduating from Yale University summa cum laude, receiving a Guggenheim Fellowship, and being a finalist for the Pulitzer Prize for nonfiction, he is described by friends as “a cool and kind person.”

Aside from academics and writing, he makes time to play the cello. In 1996, he performed as guest cellist with YoYo Ma, pianist Emmanuel Ax, and others at Alice Tully Hall for the 20th anniversary performance of Live from Lincoln Center. If fact, one of his novels, The Soloist (1995) is about this passion.

His connection to China? He always had a passion for China, even as a boy when he chose to walk barefoot to school, to the amazement of the other boys. In the early 1980s, Salzman taught English at Hunan Medical School, where he also studied martial arts. Iron & Silk bore on its cover the descriptive subtitle “A young American encounters swordsman, bureaucrats and other citizens of contemporary China”; it garnered several literary awards and was made into a film for which Salzman not only wrote the screenplay and but starred as himself.

Big Sister, Little Sister, Red Sister: Three Women at the Heart of Twentieth-Century China, by Jung Chang (2019)
The Soong sisters have to be the most famous sisters in China, ever. This triple biography is their story, which traverses China and the US. The three daughters were born between 1888 and 1898 of a Methodist preacher turned Shanghai entrepreneur, Charlie Soong, and their mother Ni Kwei-tseng, whose own mother, Lady Xu, was a descendant of the Ming Dynasty. They were the first Chinese girls to attend university in the US.

When the three returned to China in 1909 they found themselves in the middle of a revolution in which they became wholeheartedly involved, although they ended up on different sides. To sum up their adventure: Chingling marries Sun Yat Sen, Mayling ends up with Chiang Kai Shek, and Ei-ling becomes an advisor to Chiang, making herself one of the richest women in China. They became the most powerful women in China, never to be forgotten.

The Washington Times sees the greatest value in the book as a stepping-stone for Westerners to understand this era: “The complicated history of China during this period is little-known to most Westerners, so this readable book helps fill a gap. By hooking it onto personalities, Jung Chang has been able to chart a comprehensible way through these decades and an immense mass of information that could otherwise be difficult to digest.”

On top of that, The New York Times calls it a “riveting read.” My Chinese-expert friend also is enthusiastic about this particular book.

Wild Swans: Three Daughters of China, by Jung Chang (1991)

This three-generation family history, which culminates in Jung Chang’s own autobiography, received rave reviews and is listed as one of Amazon’s most read books.

Simply put, it is the story of Mao’s impact on China from a woman’s point of view. Chang shares with us the extraordinary lives of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist, her parents’ experience as members of the Communist elite, and their ordeal during the Cultural Revolution; Chang herself was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. At an early age she took a shine to reading and writing. Once again, a story of three generations!

This book sold over 10 million copies worldwide, but is banned in the People’s Republic of China. Along with her husband, Irish historian Jon Halliday, Chang has also written an 880-plus page biography on Mao Zedong, Mao: The Unknown Story (2005). Chang now lives in London, although she has said “I feel perhaps my heart is still in China.”

For me, and perhaps for you, there is a hesitation to read novels from regions we know relatively little about, perhaps for fear of not relating to or understanding the characters and their motives. The books above are among the best in their category and I believe can help open our hearts and minds to the unknown.

My Favorite Reads of This 2020 Pandemic Year

By Carole Reedy

One advantage of the pandemic is the illusion – or is it an illusion? – of excess time. With limited lunch dates, relaxed shopping, and evenings out, perhaps there actually are more hours in the day for reading.

In my wayward hours when I’m not actually reading, I’ve been pondering writing and reading and how it all comes together.

What makes a book? Start with a room, a desk, paper, and pen. Add a key ingredient, the human imagination. It all seems quite simple. In this day, most writers substitute a computer for pen and paper, but some of our favorite authors, such as Woody Allen and Paul Auster, still use a manual typewriter (Woody an old Olympic) after scribbling notes on whatever scrap of paper is available when an idea sparks.

But arriving at the finished product remains a mystery to those of us who admire the resulting work of the icons of art. Whether it’s War and Peace, the Mona Lisa, or the Moonlight Sonata, it’s the creator’s imagination that creates our universe.

The novels I read this year, which span the globe and the centuries, will permeate my life forever. Perhaps you’ll experience a similar feeling upon discovering these gems of literature.

History of the Rain, This Is Happiness, and The Fall of Light, all by Niall Williams

What took me so long to discover this ethereal writer who has been creating novels for more than 20 years? Several months ago a close friend and avid reader insisted I read History of the Rain (2014) “Because it’s all about reading, Carole.”

Williams’ novels take place for the most part in western Ireland and are written with the gentle lilt of speech and style accompanying the spirit of the Irish heritage the world so envies. It became apparent to me as I read these masterpieces that a mixture of charm and intensity permeates the landscape of the characters and setting. I’m not a fan of the magical realism so prevalent in Latin American writers, but here within the ambiance of the Emerald Isle it more than works for me

The three books differ in plot, but brilliantly depicted characterizations and sublime settings remain a staple of the structure. I would recommend the finely crafted History of the Rain as your first read. The Fall of Light (2001) is a lengthy satisfying saga of the Foley family in 19th-century Ireland and other environs. This is Happiness (2019) centers around the remote town of Faha in the 1970s and the struggle over so-called progress.

Williams takes me to another axis. One observant reader sums it up: “Niall Williams writes like one who has seen the face of God.” Move over, Proust, you have met your match!

Shuggie Bain by Douglas Stuart (2020)

A Glaswegian friend advises me that the first name is pronounced with the “u” as in “jug.” Shuggie is a loving nickname for Hugh, the young protagonist, named for his father. The time period is that of the moral destruction resulting from the policies set forth by Margaret Thatcher in the 1980s: miners out of work, everyone on the dole, hope lost. Be forewarned: there are few happy moments in the book, although tender emotions are hidden among the travesties.

Stuart, a native of Glasgow who now lives in New York City, didn’t set out to write a book. He merely started putting his thoughts and experiences on paper. It turns out he wrote a best-selling novel that has just won the 2020 Booker Prize (it was also a finalist in the National Book Award for fiction).

Hamnet by Maggie O’Farrell (2020)

Maggie O’Farrell’s remarkable skill is her ability to create a variety of characters, changing tones and plots, each novel vastly different from her others.

Hamnet, her latest, is the story of William Shakespeare’s 11-year-old son (Hamnet is a variation of the name Hamlet) who dies in the plague of the 1590s. Although little is known about the life of Shakespeare or his family, Maggie O’Farrell has woven a world in which Agnes, Shakespeare’s wife, is the protagonist.

Good writing for me falls into two categories: books that are written so well that you can’t put the them down and books that are written so well that you intentionally put them down in order to slowly savor them. Hamnet falls into the second category. It is a mesmerizing read.

The pace is set by the thoughtful, resourceful wife instead of by her frenzied husband. A friend writes, “I liked so much that Maggie O’Farrell reclaimed Agnes as one who had her own worthy life.”

I am most disturbed that O’Farrell’s novel was not present on the Booker Prize short list. Who knows what politics drive these awards?

Flights and Drive your Plow Over the Bones of the Dead, both by Olga Tokarczuk

These two novels by the Polish-born winner of the 2019 Nobel Prize for Literature make it difficult to categorize the works of this intense and unusual author. I saw this charming woman interviewed at the Hay Festival this year and was quite surprised and pleased to see such a light-hearted, amusing person since her novels reflect a more serious and daring nature. It must be that dichotomy that factors into the unusual ambiance she creates.

The title Drive your Plow over the Bones of the Dead (2009) is enough to perk up the attention of any avid reader. This is a novel of a mysterious nature with colorful characters and a riveting plot.

The novel Flights (2018), on the other hand, is structurally more free-flowing and even more philosophically intense and satisfying. Based on thoughts of movement, the uniqueness of every moment and risk-taking, the numerous short vignettes solidify and flow to create the novel, a well-deserved and winner of the 2018 Man Booker Prize International Prize (shared with Jennifer Croft, her translator).

The Man in the Red Coat by Julian Barnes (2019)

Any book by Barnes always makes my best-books list. Barnes’s writing is consistently engaging, and the themes of his novels are diverse. Here’s a new twist. The man in the red coat is a gynecologist from 19th-century France who is part of the Belle Époque society crowd. Enough to capture your attention? As many of you know, Barnes is an utter Francophile, and his knowledge of everything French captures the interest of even those who have never visited the European continent.

The physical book is a joy to behold (making it an excellent Christmas gift or a special treat for you in these times of pandemic) with its high-quality paper and large size, as well as beautiful color photos of all the engaging characters of the era.

Leave the World Behind: A Novel by Rumaan Alam (2020)

“Awestruck” is the only word I can find to define this short novel. I started reading one afternoon, went reluctantly to sleep at 11:30 pm, only to awaken a few hours later with the characters invading my disturbed sleep. I heeded their message and stayed up to finish their story.

Concurrent feelings of certainty and uncertainty dominate the characters’ actions and emotions. This is the story of two families caught up together during an apocalyptic event in New York. Alam’s fast-paced framework for the disaster and the reactions of the various people involved makes for disturbed but exciting reading. Leave the World Behind was a finalist for the 2020 National Book Awards.

The Hare with Amber Eyes: A Hidden Inheritance by Edmund de Waal (2010)

This memoir of the European/Jewish banking Ephrussi family, originally from the Ukraine, kept popping up from time to time in discussions with varying opinions of its worth. Essentially there are those who love it and those who are utterly bored by it. I finally bought a copy and found myself in the first camp. The descriptions of Paris and Vienna are riveting, significant, and timely in our world today.

De Waal introduces us to his uncle’s collection of netsukes (miniature sculptures from 17th-century Japan) that follow the family and lead us through the journey of success and destruction of this once-prominent family.

The Pull of the Stars: A Novel by Emma Donoghue (2020)

Here’s another work I read in two long sittings for the simple reason that the theme, the influenza pandemic of 1918, is close to our hearts and minds these days.

Most of the story takes place in a cramped storage room that has been converted into the maternity/influenza ward in Dublin. Donoghue’s story is simple and intense, involving just a few female characters to engage us in a world rife with uncertainty, pain, and hope.

A Backpack, A Bear and Eight Crates of Vodka: A Memoir by Lev Golinkin (2014)

The title implies a light-natured, entertaining tale. It starts out thus, but midway through the tone becomes darker, revealing the effects in his later life of the protagonist’s youth. This is a memoir of hardship and prejudice against a Jewish family in the Ukraine and their subsequent lengthy journey and eventual re-settlement in the US.

The skillfully written memoir makes for another page-turner.

So, dear readers, here’s to 2021 and the inspiration that the pandemic may bring to new and old authors alike!