Tag Archives: dishes

Rabbit Meat: A Mexican Delicacy?

By Marcia Chaiken and Jan Chaiken

Over forty years ago, we read about and decided to visit a family-run, highly-rated Quintana Roo restaurant in the jungle off the road from Cancun to Playa Carmen. We pulled off the road at the designated kilometer post into an area cleared for parking, and wandered down a narrow path to find a charming cottage in a clearing on the bank of a lagoon. Near the cottage was a rabbit hutch with sweet roly-poly bunnies – we thought them to be pets of the family’s children.

When we were presented with the menu and saw the offering of conejo, we were sure it must be a misspelling of cangrejo (crab), but suddenly realized that the dish was indeed conejo (rabbit), and the sweet little bunnies were not pets. Although this was the first time we saw rabbit on a menu in Mexico, it should not have come as a surprise. In France, lapin (rabbit) is a relatively common feature on menus, along with frogs’ legs and snails. And in China, we visited live animal meat markets where cages of rabbits were placed near chickens, ducks, puppies and monkeys – yes, monkeys.

So after our initial encounter, we were prepared to find rabbit on more menus in Mexico. This turned out to be a misconception. Not that we were disappointed. One of us sticks pretty closely to Jewish laws spelled out in the Hebrew Scriptures (aka Old Testament) that forbid certain animals to be eaten including pig, camel … and rabbit. There are many traditional delicious Mexican dishes made with meat from permitted animals, but the experience did raise our curiosity about the place of rabbit in Mexican cuisine.

Although a vegetarian diet has for millennia been the main form of food consumed in Mexico, rabbit, as archeologists have found, was considered a delicacy in preHispanic cuisine. In excavations around present-day Mexico City, artifacts and animal bones from a butcher shop indicated that the business specialized in selling rabbit meat. As historians have made clear, there was no need to supplement the daily diet with rabbit since the food consumed by the indigenous residents was nutritionally complete – so the supposition would be that rabbit was eaten as a special delicacy.

The same is true in Mexico today. As compared to other Latin American countries, Mexico ranks highest in percent of the population that sticks to a vegetarian diet. Nonetheless meat, especially beef, chicken or pork, is the preferred meal of the vast majority of Mexicans. Not rabbit. According to a 2022 paper in Meat Science, “The annual per capita consumption of meat in Mexico is 72.8 kg, of which 34.9 kg correspond to chicken, 20.3 kg to pork, 14.8 kg to beef, 1.3 kg to turkey, 0.8 g to sheep and goat, 0.6 g to horse, and [a minuscule] 0.1 g to rabbit.”

Part of the reason for rabbit being an uncommonly eaten source of protein may be the lack of availability. Unlike beef cattle, chickens, turkeys, pigs, goats, sheep or other sources of more commonly used meat, rabbits are not raised on large corporate farms or ranches that produce thousands of animals for food. Rabbit farms are most numerous in the central states in Mexico; but a study of the characteristics of cuniculture (rabbit-raising) in that area showed that the vast majority (87%) are either small-scale or medium-scale family farms. There are other rabbit farmers scattered around the country, especially in areas where there is a substantial foreign rabbit-eating populace, such as the Happy Rabbit Farm in Rancho Loco Chapala in the state of Jalisco. These small farms tend to produce a limited number of rabbits, sold directly for consumption; the availability of rabbit meat in butcher shops or food stores is limited.

Another barrier to a thriving market for rabbit meat may be the taste. Most people who have tried eating rabbit compare the taste to chicken – particularly chicken thighs – but comment on the gamey flavor. This may be why rabbit dishes are usually prepared with assertive spices. There are four primary ways of cooking rabbit meat in Mexico: adobo (marinated in spices including chilis), al ajillo (cooked with garlic), estofado (stewed), and fried in the same manner that chicken is fried. These dishes may be easily sampled in the small restaurants that line the highway that leads from Mexico City to Toluca. Within Mexico City in the Coyoacan area, the restaurant El Morral, specializing in “Mexican Heritage Food,” also served rabbit before the covid pandemic, but their reduced menu may no longer feature conejo.

In the interior of state of Oaxaca, a dish prepared with corn and rabbit in a mole sauce, segueza, is the preferred preparation. It is true that rabbit meat, as chicken, is nutritionally sound; low in fat and cholesterol and high in protein. Thus, the question remains: If rabbit tastes like chicken, and is prepared like chicken, why not simply use easily attainable and less expensive chicken?

But perhaps the most important factor that prevents people from hankering for rabbit stew and other dishes is the adoration developed in childhood for those cute roly-poly soft-fur bunnies that one can cuddle and stroke, along with the rabbits that are featured in children’s books. Just as children north of the border love to hear the Beatrice Potter stories of Peter Rabbit, children in Mexico hear tales of Pedrito, El Conejo Travieso (Little Pedro, the Naughty Rabbit – actually a translation of Beatrix Potter’s 1902 classic Peter Rabbit). More recently, Duncan Tonatiuh, a Mexican-American author of children’s books, has bolstered admiration of our furry friends with a new Mexican character, Pancho Rabbit.

So … although rabbits were served as a delicacy by ancient Aztecs, and a small number of Mexicans still find rabbit meat to their liking, we remain in the camp of most Mexicans who would rather pet them than eat them.

Talavera Ceramics

By Julie Etra

Talavera refers to a type and style of ceramics, including tiles, that originated in Talavera de la Reina, Spain. King Philip II of Spain (1527-98) famously used these tiles to decorate the Royal Monastery of San Lorenzo de El Escorial, an enormous complex in the city of the same name northwest of Madrid.

Mexican talavera is referred to as Talavera Poblana to distinguish it from its Spanish relative. The clay used for Mexican Talavera is natural earth, the same used to produce terracotta. The best clay is found in Puebla and Tlaxcala, east of Mexico City and the center of Mexico’s Talavera production, while the Moorish and European work uses white clay.

The glazing technique is the same, though, and was brought by the Moors to Al-Andalus (Andalusia, in southern Spain) in the 14th century. Called “faïence” after Faenza, Italy, which became a major pottery production center, the glazing technique adds tin to the lead-based white “slip,” or liquid clay applied over the surface of the piece, to create a smooth surface for painted decoration. In addition to the metals incorporated into the glaze, the faïence technique requires very high-temperature kilns.

The pottery of Spain and Mexico retains the name Talavera from the city of its origin; tin-glazed pottery from Majorca, the Mediterranean island off the eastern coast of Spain was called “Majolica” or “maiolica,” and was shipped from the island to Italy, where, as noted, the glaze became known as faïence.

In Mexico, production is centered in four Puebla cities: Puebla itself, Atlixco, Cholula, and Tecali. Most likely introduced by Catholic monks, demand increased in the 17th century as Puebla grew and more churches and monasteries, that is, buildings subsidized by the Church, which was able to afford the lavish, ornate decorations. Elaborate tile façades of private homes were also indicative of wealth and prestige.

The terracotta clay is brick red (pun intended) and visible at the base of the pieces, left unglazed so the piece does not fuse to the shelf of the high-temperature kiln. To meet regulations for authenticity, Talavera pieces are hand thrown on a potter’s wheel – they cannot be mass produced. Glaze colors are limited to blue, yellow, black, green, orange, and mauve (pinkish purple), and must originate from natural pigments. Historically, blue was the dominant, if not only, color, derived from cobalt, prestigious due to its rarity. Cobalt does not typically occur in free form but is chemically combined, requiring smelting to be isolated. The bottom of the piece is signed by the artist, where the logo and location of the manufacturer also appears.

The production process of Talavera ceramics is slow, meticulous, and complicated. With the many steps come the risks of failure at each juncture, one explanation for the relatively high cost for such exceptional art. There are two firings, as with stoneware and porcelain ceramics. Following the first firing the pieces are hand painted, and then fired at a high temperature.

Talavera is a proprietary product, like tequila or Champagne, with production authorized only from a particular place – in this case Puebla (and Tlaxcala, surrounded by Puebla), with nine certified workshops regulated by the Talavera Regulatory Counsel (Consejo Regulador de la Talavera). Techniques and materials are very thoroughly scrutinized by the Board. The Consejo tests glazes to ensure that the glaze does not have lead content of more than 2.5 parts per million, since many pieces are used to serve food and beverages.

These days, you can find the workshops online and order pieces ranging from all sizes of tiles and full place settings. From my perspective there is no substitute for a trip to Puebla (also famous for its excellent cuisine) to admire and examine the beautiful architecture and associated ceramic embellishments, and to personally check out the workshops and markets. Talavera is Puebla!

Photo: Modern Talavera – Daniel LLerandi