Tag Archives: maria sabina

A Pilgrimage Nobody Asked For

By Kary Vannice—

When people talk about pilgrimage in Mexico, they usually envision a basilica or a shrine of spiritual significance, someplace established, sanctified, religious. A place where the route is well known, the motivation clear, and the rules are understood. The local community, for better or worse, is built around the incoming seekers.

But Huautla de Jiménez in the state of Oaxaca never had that luxury. What occurred there in the 1950s and 60s didn’t align with the natural order of a pilgrimage destination. The people there didn’t want to be a destination, and yet, without their consent, the world arrived anyway.

At the center of it all was a curandera (a healer) named María Sabina, of the Mazatec tradition, a local woman who performed ceremonies using psilocybin mushrooms to heal illness, resolve inner conflict, and restore energetic balance. Her ceremonies were based in ancient knowledge and were performed for local people and “hometown” problems.

But in 1955, a United States banker turned amateur ethnomycologist, R. Gordon Wasson, visited Huautla and participated in one of María Sabina’s ceremonies. The experience affected him so deeply that he published an account of it in Life magazine.

And for Huautla, a town that had existed in near anonymity for centuries, this cast them directly into the limelight. Life was one of the most widely read magazines in the United States, and in a single article, Huautla was transformed from a place into an idea and, for many readers, into a destination.

Wasson’s story presented the town not as a community, but as a doorway, a spiritual gateway that anyone who wanted could walk through. So, people came by the thousands to the small, remote village that was not prepared for global “fame,” nor in any position to receive it.

Traditionally, pilgrimage sites develop over time. An infrastructure of support builds itself around the seekers who gravitate there. Communities have time to negotiate and navigate their relationship with the influx of outsiders. Huautla had no such opportunity. Visitors arrived faster than the town could accommodate them.

And unlike most pilgrims, they did not come at a specific time of year, or on a significant date that could be prepared for and, more importantly, recovered from. They came in a constant, unrelenting stream, consumers of an experience they knew little about. And many came without regard, reverence, or respect for the local people or their customs.

Sadly, their influence changed the local ceremonies forever, destroying the very thing they sought. The psilocybin mushrooms, once honored as “living wisdom,” became objects of curiosity and experimentation.

María Sabina herself once said, “From the moment the foreigners arrived, the mushrooms lost their purity. They lost their force. The strangers spoiled them.”

But the strangers didn’t just spoil the mushrooms. They spoiled the sense of place, the sacredness of ancient customs, and they fractured the bonds of the community. The small village acquired a global reputation it did not choose and, ultimately, could not control.

The history books remember María Sabina as someone who “opened the door.” A very convenient story for those who do not have to live with the consequences of its telling. Sabina was blamed by her community for the unexpected and unwelcome impact of the outsiders and lived much of her later years in isolation as an outcast, alone and disheartened.

This is the part of the story that rarely fits the pilgrims’ romanticized narrative. Something they forget is that those who come can go home again, but the place cannot. Huautla will never again return to the humble, unassuming mountain town of its ancestors. It is forever changed and has been forced to adapt to the year-round seekers who still come in search of the mystical.

The story of Huautla shines a light on an uncomfortable question: who gets to decide when something sacred becomes a destination?

The people who came believed they were on a spiritual journey. But pilgrimage, in its traditional sense, implies responsibility, relationship, and a shared understanding between those who arrive and those who receive. In a modern world that makes access easy and distance irrelevant, there will be more places like Huautla, and more communities asked to adapt to stories they did not write.
Seen this way, the story is not really about María Sabina, or even about mushrooms. It is about what happens when the outside world decides something is meaningful and forgets that the people who live there are the ones who must live with what that meaning becomes.

Kary Vannice is a writer and energetic healer who explores the intersections of culture, consciousness, and daily life in Mexico.

Psilocybe mexicana: The Art and Culture of Mushrooms in Oaxaca

By Michael Garroni

Oaxaca, long celebrated for its vibrant traditions, cuisine, and biodiversity, is also home to one of the richest legacies of mushroom use in the world. Known locally as hongos or setas, mushrooms have been an integral part of Oaxacan culture for centuries, woven into rituals, medicine, and the kitchen alike.
The Sierra Norte and Sierra Mazateca regions are blessed with diverse ecosystems where dozens of edible, medicinal, and even sacred fungi flourish. For the Mazatec people, mushrooms have long held spiritual significance. Their ceremonial use, led by healers known as curanderos or curanderas, traces back to pre-Hispanic times. These ceremonies use mushrooms as a sacred bridge between the natural and spiritual worlds, a tradition still respected and protected in many indigenous communities.

Perhaps the most renowned figure associated with this tradition is María Sabina, a Mazatec curandera from Huautla de Jiménez. Through her ceremonies with sacred mushrooms, she became an international symbol of the deep spiritual knowledge held by indigenous peoples. “There is a world beyond ours, a world that speaks,” she once said, describing the voices she heard through the mushrooms. Though her story is complex—marked by reverence, cultural misunderstanding, and the influx of outsiders—María Sabina’s legacy continues to shape the way the world views Oaxaca’s spiritual relationship with fungi.

Beyond their ceremonial role, mushrooms also play a vital part in Oaxacan cuisine. During the rainy season, markets across the state come alive with baskets of freshly gathered mushrooms: hongos de encino, setas de burro, nanches, and the prized hongo amarillo. Each variety carries unique flavors and is prepared in soups, tamales, or simply sautéed with garlic and chile, showcasing the Oaxacan talent for elevating local ingredients. Alongside these wild mushrooms, Oaxacan cooks also treasure huitlacoche, the dark, earthy fungus that grows on corn. Sometimes called the “Mexican truffle,” it is folded into tamales, sautéed with chile and onion, or stirred into soups, prized for its deep flavor and cultural significance. As one market vendor in Northern Oaxaca explains with pride: “Cada hongo tiene su secreto y su sabor. Aprenderlos es como aprender una lengua antigua”—“Each mushroom has its secret and its flavor. Learning them is like learning an ancient language.”

For many families in rural Oaxaca, mushroom gathering is also a way of life—a seasonal activity that teaches respect for nature and the forests that provide food and medicine. Elders pass down knowledge of which mushrooms are safe to eat, how to harvest them responsibly, and how they can heal the body or nourish the soul. This living heritage is celebrated most vibrantly in Huautla de Jiménez, where the Festival de los Hongos (Mushroom Festival) takes place every July. Visitors gather to taste local mushroom dishes, join guided walks through the lush Mazatec forests, and participate in cultural events that honor the sacred and culinary value of fungi. The festival is both a celebration and an act of preservation—keeping ancestral wisdom alive while inviting respectful dialogue with the wider world.

Today, interest in Oaxaca’s mycological traditions is only growing. Researchers, chefs, and travelers come seeking knowledge from communities that have safeguarded this wisdom for generations.

Carrying this cultural thread into the present, the Huatulco Art Gallery is proud to host Psilocybe mexicana, an art exhibition celebrating the role of mushrooms in Oaxacan society. Opening on November 28th and 29th, 2025, and running for one month, the exhibition gathers a diverse group of artists whose work reflects the spiritual, ecological, and aesthetic dimensions of fungi. Featured artists include Tomás Pineda, Ixrael Montes, José Alberto Canseco, Irving Cano, Michelle Anderst, Manuel Trapiche, Abdias García Gabriel, Chilango en la Baja, Edna Guzmán, Chris Isner, Edwin Fierros, Paola Mar, Horacio Jiron, Miguel Jiménez, José Aquino Azúa, Albert Von Kitsch, Memo Malo, Ernesto Robles, Andrew Osta, Mario Hernández, Benjamín Sánchez, Liann Aranza León, Gustavo Silva, Michael Garroni, Caesar Rodriguez Martínez, Marco Cortes, Clove Guzmán, and Tania Guzmán.

With painting, sculpture, and mixed media works inspired by mushrooms, Psilocybe mexicana extends the conversation beyond the forest and the kitchen, into the realm of contemporary art. It reflects how the cultural legacy of fungi continues to inspire creativity and dialogue in Oaxaca today—linking tradition with innovation, the sacred with the modern, and the local with the global.

In Oaxaca, mushrooms remind us that tradition is alive in every season’s harvest. They are symbols of the profound connection between land, people, and spirit—an inheritance as rich and diverse as the forests themselves, and now also a source of inspiration for art and community in Huatulco.

Oaxacan Women Who Shaped History

By Alicia Flores

March is Women’s History Month, a time to honor the achievements and contributions of women across the world. Oaxaca, a region rich in culture and tradition, has been home to many extraordinary women who have left lasting impacts in politics, art, activism, and indigenous heritage. Here, we highlight a few remarkable Oaxacan women who have shaped history and continue to inspire future generations.

María Sabina: The Shaman Who Brought Oaxacan Mysticism to the World
María Sabina, a Mazatec healer from the Sierra Mazateca region, became known internationally for her sacred mushroom ceremonies. Born in 1894, she used psilocybin mushrooms in spiritual and healing rituals, a practice rooted in centuries-old indigenous traditions. In the 1950s, outsiders seeking psychedelic experiences sought her out, catapulting her into global recognition. While her work was often misunderstood by the Western world, María Sabina remains a powerful symbol of indigenous wisdom and spiritual healing.
Read more from our previous article:

Maria Sabina and Magic Mushrooms

 

Lila Downs: The Voice of Oaxacan Heritage
Grammy-winning singer and activist Lila Downs has used her music to celebrate Oaxacan culture and advocate for social justice. Born to a Mixtec mother and Scottish-American father, Downs has blended traditional indigenous sounds with contemporary influences, bringing Oaxacan identity to a global stage. Her music often highlights themes of migration, indigenous rights, and female empowerment, making her a cultural ambassador for Oaxaca and beyond.

Beyond her musical career, Downs is also known for her activism. She has been a vocal advocate for the rights of indigenous and marginalized communities, using her platform to bring awareness to issues such as poverty, racism, and gender inequality. Her lyrics, often infused with historical and political narratives, serve as a bridge between past and present, urging audiences to reflect on social injustices. Through her powerful performances, distinctive style, and dedication to her roots, Downs continues to be a beacon of cultural pride and resistance. She has also collaborated with various artists across genres, ensuring that Oaxacan and Mexican traditions remain relevant in contemporary music.

Eufrosina Cruz: A Trailblazer for Indigenous Women in Politics
Eufrosina Cruz grew up in a Zapotec community where women were traditionally excluded from political participation. In 2007, she made headlines when her election as municipal president was annulled simply because she was a woman. This injustice fueled her determination to fight for gender equality and indigenous women’s rights. She later became the first indigenous woman to preside over the Oaxacan Congress and has been instrumental in pushing for legal reforms that empower women in indigenous communities.

Her advocacy has led to groundbreaking changes, including legal amendments ensuring women’s political participation in indigenous communities where traditional customs had long barred them from leadership roles. Cruz has traveled internationally to speak about gender equality, sharing her journey from a marginalized rural community to becoming a symbol of empowerment. Her work extends beyond politics; she has been involved in educational programs aimed at fostering leadership skills among young indigenous women. By challenging deeply rooted patriarchal structures, Cruz has opened doors for future generations of women to take on roles of influence in both government and society.

Natalia Toledo: Poet and Guardian of the Zapotec Language
Natalia Toledo, a poet and writer, has dedicated her career to preserving the Zapotec language through literature. As the daughter of the legendary Oaxacan artist Francisco Toledo, she inherited a deep appreciation for indigenous culture. Her poetry, written in both Zapotec and Spanish, explores themes of identity, nature, and tradition, ensuring that the beauty of her ancestral language continues to thrive in modern literature. One of her most well-known works, Guie’ yaase’ (Olivo negro, Black Olive), is a bilingual poetry collection that captures the essence of Zapotec traditions and worldview. Readers interested in her work can also explore The Black Flower and Other Zapotec Poems (tr. Clare Sullivan, 2015),, which offers a glimpse into her lyrical and evocative storytelling, bringing the richness of Zapotec language to a broader audience.

The stories of these Oaxacan women demonstrate resilience, creativity, and the power to challenge societal norms. Whether through music, politics, poetry, or spiritual traditions, they have each left an indelible mark on history. As we celebrate Women’s History Month, may their legacies continue to inspire future generations to embrace their heritage and push for positive change.