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Huatulco

More Books to Anticipate in 2026

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By Carole Reedy—

There’s something especially satisfying about the second half of the reading year. The dust has settled and it’s time to relax and read! From long-awaited novels by favorite authors to a handful of surprises that will no doubt find their way onto nightstands everywhere, the months ahead promise a rich and varied season. Here are the books to look forward to as 2026 continues to unfold.

The News From Dublin by Colm Tóibín
The publication of this new book of short stories by Tóibín was mentioned in the March issue of The Eye, and now that I’ve read each emotionally charged story I can unreservedly recommend it.

Every story in this collection is unique in location (Dublin being just one of them), and the stories are diverse. What sets Tóibín’s work above others is the emotional turmoil he’s able convey, coloring his brilliantly crafted characters with fluid descriptions of pain, uncertainty, and anticipation.

The final story, The Catalan Girls, a novella, is the book’s crème de la crème. Uprooted as children from Catalan to Argentina, three sisters mature over the decades. Each plays her own colorfully depicted role within the family structure, stirring in the reader pity, rage even, and possibly acceptance. The finale is wrapped up neatly. We feel satisfied.

The Guardian identified A Free Man as the standout selection. A man alone, released from prison, his crimes and reactions presenting moral dilemmas. It is challenging under any circumstances for a writer to address the issue of child abuse. Joyce Carol Oates achieved a brilliant depiction in her last novel, Fox. Tóibín succeeds here also.

The collection overall is a subtle, honest observation of people in new places and/or situations, voluntarily or not.

London Falling by Patrick Radden Keefe
This is one of the most anticipated books of the year. Readers know Keefe as the author of the unforgettable tome Say Nothing, which took us full stop into the heart and soul of the troubles in Northern Ireland. Disguised as a novel, the pace and details of the six counties so emotionally distant from the rest of Ireland made for compelling reading. From the IRA to the Union forces, readers remained entranced, fascinated, and shocked by it.

Now Keefe gives us London Falling, whose subtitle, The Mysterious Death in a Gilded City and a Family’s Search for the Truth, offers a hint that the story is not simply about a devastated family searching for answers to their son’s shocking death after falling from a balcony. It also implies the decadence of a city.

In 2019, teenager Zac Brettler mysteriously fell to his death from a luxury apartment balcony into the Thames river. An investigation into Zac’s final days reveals his double life, one in which in which he was the son of a wealthy Russian oligarch.

The investigation will expose the shady underworld of a grand city and the son’s secrets.

Keefe has a talent for writing nonfiction that is as readable and enjoyable as a novel. Quite a feat.

The Keeper by Tana French
French’s readers will rejoice at the publication of this, the third novel in the Cal Hooper series. It’s one of the most anticipated books of the year in publications such as The New York Times and Washington Post. And it is already on the bookshelf of your favorite bookshop.

If Sarah Lyall’s comments from The New York Times Book Review don’t compel you to rush out and buy or download this novel on your Kindle, I wonder what will.

“I would crawl across a field of glass to get my hands on a new Tana French book…You don’t have to read the previous two—The Searcher and The Hunter—to appreciate The Keeper. But if you start here, I bet that you’ll want to go back, if only for the chance to fill in the characters’ back stories and to luxuriate some more in French’s prose. Open this book to any page to see what I mean.”

Villa Coco by Andrew Sean Greer
We remember well Greer’s Pulitzer prize-winning novel Less from 2018. This time around the clever, poignant, and provocative word artist entertains us in Tuscany, bringing a smile as we imagine what marvels he will create with the locale and ambiance of Italy.

The delightful premise is that of an undistinguished young man who takes a position as an all-purpose assistant to a flamboyant 92-year-old Tuscan Baronessa. The publisher describes it as a bawdy Mediterranean tale of becoming what we want to be. And rumor has it that Greer knows a lot about focaccia!

Beginning Middle End by Valeria Luiselli
I’m surprised at the number of avid readers who aren’t familiar with this multi-talented young woman, who was born in Mexico City and carries a fully stamped passport.

Luiselli worked with Central American immigrant children in New York City, from which blossomed the short but emotionally charged Tell Us How It Ends. This sad short accounting of the children’s experiences will stay with you, as it did with her own children who wanted to know “how it ends.”

Luiselli’s newest tale is set in irresistible Sicily. Dare we call it a mother/daughter road trip? We saw a type of road trip theme in her award-winning Lost Children Archives. This time she tackles the idea of memory along with a mother in the beginning stages of dementia.

Where do we begin, how to start again, what if we got it wrong the first time?

Now I Surrender by Alberto Enrigue
Valerie Luiselli was married to and has a daughter with everybody’s favorite Guadalajaran writer, Alberto Enrigue. His recent You Dreamed of Empires was one of my favorite 2025 reads and had one of the most startling unforeseen endings ever written.

He also has a new novel just published this year, Now I Surrender. Enrigue is a master of wit and the surreal. This time he gives us a 400-page+ epic about the Apache wars, with a modern-day road trip by Enrigue himself tucked neatly inside. Not surprisingly, the story is a mix of history and myth.

If his past is representative of the future, this promises to be a delightful and surreal romp.

Exit Party by Emily St. John Mandel
Here we have an eagerly awaited new novel by the author of Station Eleven and The Glass Hotel.

Starting in the year 2031, with a party in a nation unrecognizable to us, the Republic of California is born. A celebratory gathering that will prove unforgettable is in process.

Skip ahead many years later to Paris, where repercussions of that night will haunt the main character.

In the publisher’s words: “Exit Party is Emily St. John Mandel’s electrifying new novel about freedom and surveillance, art and survival, love and loss in a broken world.”

Reissued novels
This year, popular novels of the past are being reissued by various publishers. One example is Beryl Bainbridge’s renowned An Awfully Big Adventure, being reissued by McNally Editions in the US and Daunt in the UK. It was made into a movie with Hugh Grant and Alan Rickman in 1995.

The goal of this new release is to highlight Bainbridge’s reputation as a “queen of comic darkness” whose work remains relevant today.

Bainbridge, who died in 2010, is a five-time Booker Prize nominee. Her novels are brilliantly rendered, dark and sardonic. I love them and am thrilled she will be brought to life once again.

There are many more novels coming our way in the next few months. Until then, I leave you to your hardback, paperback, or Kindle…and a comfy chair!

 

Huatulco, San Miguel de Allende

On the Page: Books That Shape Our View of Mexico

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By Carole Reedy—

Living in Mexico for 30 years hasn’t only settled my understanding of the country; rather, it has expanded it. New research and reading continually reshape my previous viewpoints. Novels and nonfiction narratives are my guide, although numerous personal encounters have enhanced my knowledge.

An education is never complete.

Here are some contemporary histories and classic texts to guide your understanding of this great land.

Mexico by Paul Gillingham
This new tome surprises with a topsy- turvy view of our nation. Sometimes it’s hard to believe that now, 500 years later, Mexico survived the literary earthquake we call our history.

Milenio, the popular and prestigious Mexican daily newspaper, calls Mexico “unique and, from now on, indispensable for anyone who wants to explore Mexican history with sincerity.”

It is so easy to get things wrong when writing or relating stories orally. Peter Frankopan from The Telegraph tells us that this “fine account does well to remind that the best history is about fact, not fiction.”

Gillingham begins with the misconceptions of the role of the Spaniards in the early 1500s: their original goals and intentions and their relationships with various communities across the country. Over the next 700 pages, Mexico recounts great human displacements and epic battles. Most important, Gillingham constantly stresses the global economic forces that shaped each period of the country’s history.

Álvaro Enrigue, respected author of the brilliant novel You Dreamed of Empires, in his New York Times review says: “Gillingham’s 700-page book is imposing, yet it is an absorbing read, from the amusing and skeptical cadence of the first line that describes the embellished estimates made by the Spanish of the indigenous armies they encountered.”

Buy a copy and slowly read the unimaginable 500-year history of Mexico. As has been suggested in my other book column recommendations, also pick up a copy of You Dreamed of Empires as an accompaniment.

The Lawless Roads and The Power and the Glory by Graham Greene
Few people are familiar with the Cristeros War (1926-1929). Mexican history often stresses the importance and dominance of the Catholic Church, brought to Mexico from Spain in the 1500s.

The Cristeros War was a reaction to the Calles laws, introduced by the then-president (from 1924 to 1928) Plutarco Elías Calles, which reduced the power of the church. The short rebellion in rural Mexico was eventually settled with the help of Dwight Morrow, ambassador to Mexico from the US.

You might recall that President Benito Juárez in the previous century severely limited the power and extreme wealth of the Catholic church.

British citizen Graham Greene thought of himself as a Catholic Agnostic. These two controversial novels describe different aspects of this short but significant time in the complicated history of Greene’s travels to Mexico to see what the effects of the conflict on Catholicism there had been.

The Lawless Roads is an account of Greene’s Mexican journey that takes him from the northern border towns to San Luis Potosí and Mexico City. From there he goes to the nearby rural state of Puebla and then to Chiapas. But his primary interest was in Tabasco, home of the atheist activist and cacique of the state, Tomás Garrido Canabal.

In 2005, The Power and the Glory was chosen by TIME magazine as one of the 100 best English-language novels since 1923. John Updike calls The Power and the Glory, “Graham Greene’s masterpiece…The energy and grandeur of his finest novel derive from the will toward compassion, an ideal communism even more Christian than Communist.”

For Graham Greene fans, this novel of southern Mexico it is often cited as their favorite by the author.

The Labyrinth of Solitude by Octavio Paz
Octavio Paz is virtually a household name in Mexico, admired and respected by people from all walks of life. Through his remarkable literary skill, Paz brings Mexico’s complex and fascinating history to life, offering richly crafted narratives that illuminate the essence of Mexican identity.

In 1998 he won the Nobel Prize for Literature for his “impassioned writing with wide horizons, characterized by sensuous intelligence and humanistic integrity.”

His most famous work, The Labyrinth of Solitude, is an indispensable and deeply illuminating read for anyone who lives in Mexico, visits, or seeks to truly understand the country. With a gentle yet compelling force, Paz draws readers into the deepest chord of the Mexican people, revealing the inner workings of their collective. Paz observes that solitude is responsible for the Mexican’s perspective on death, fiesta, and identity. Published first in 1950, the book explores difficulties of integration and cultural belonging.

Hurricane Season by Fernanda Melchor
Regular readers of The Eye may notice that this title pops up from time to time in my recommendations. The novel touches on many different aspects of Mexican life, especially the spiritual.

The appearance of a dead witch is the impetus for a story that is full of rumors, mythology, suspicions, and traditions of violence. It is Melchor’s style, however, that brings to life the mysterious workings of the people who live in the pueblo.

The Guardian review says it well. “A brutal portrait of small-town claustrophobia, in which machismo is a prison and corruption isn’t just institutional but domestic, with families broken by incest and violence. Melchor’s long, snaking sentences make the book almost literally unputdownable, shifting our grasp of key events by continually creeping up on them from new angles. A formidable debut.”

Mexico City Noir, edited by Paco Ignacio Taibo II
I recently ran across this anthology of short stories. These dark, acidic short stories reflect some unique-to-Mexico situations. Take note of the title of the book! This is a dark, somber series about police corruption, drug trafficking, the homeless, and the ultra-rich, to name just a few of the unforgettable characters.

All of the stories, told in different narrative styles, have one thing in common: they speak to, and about, a city the authors love.

The brilliant foreword by the much-loved editor of these stories, Paco Ignacio Taibo II, establishes the basis for these stories with a diverse cast of characters. Perhaps more important is the emphasis on the neighborhoods that drive the narrative.

Each chapter has a subtitle of a colonia (neighborhood): Roma, Condesa, Centro Histórico, Colonia de Valle, Doctores. Don’t look for a list of cafes or clubs or a discussion about gentrification in these stories; a more brutal agenda is at stake here.

Despite the barbarous themes, editor Taibo relates that while “Mexico City Noir may not be sponsored by the city’s department of tourism; but if anyone, from anywhere on earth, were to ask whether the writers recommend visiting Mexico City, the response would be both firm and passionate: ‘Yes, of course.’ Because this is the best city on the planet, in spite of itself.”

Taibo also observes that the writers “take refuge in humor, a very dark humor, acidic, which allows us enough distance to laugh at Lucifer.”

Poems and Sonnets of Sor Juana Inés de la Cruz
An article about Mexico, especially in an issue emphasizing the spiritual, cannot be written without a discussion about the monumental figure in our country, Sor Juana, philosopher, writer, and poet. We have written about her often over the past 15 years.

Considered the first feminist in the Americas as well as one of the most important writers in the Spanish language, in the 17th century she was defending the rights of women against the patriarchal norms of the time.

If you are a first-time reader of this significant figure in history, I would start with the poems and sonnets, especially the poem Hombres Necios that argues that men’s taste and censorship are inconsistent and that they accuse women of what they themselves cause. It exposes the inequality and injustice that women suffer through sexism and discrimination against women.

Then, continue on to the 975-line monumental poem Primero Sueño (First Dream), an extensive philosophical allegory about the search for knowledge.

Learn from Sor Juana’s most famous words: “I don’t study to know more, but to ignore less.”

Well said, sister!

Huatulco, San Miguel de Allende

Turning the Pages of 2025: The Novels That Moved Us

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By Carole Reedy—

“By writing a novel one performs a revolutionary act. A novel is an act of hope. It allows us to imagine that things may be other than they are.”

Those are the words of Hilary Mantel, who more than accomplished the above in her many books over the years. Mantel’s brilliant mind discerned more than what could be readily seen.

From the dozens of novels I read this year, several revealed a new perspective or a deeper emotion. The feelings evoked by these books spontaneously pop into my mind at various times, offering perspective and contemplation.

My Friends by Frederick Backman

I always considered Backman to be a writer of “easy reads,” an author who enchanted his readers with compelling characters and entertaining plots. My Friends, however, breaks this mold to awaken in the reader a deeper sense of the meaning and significance of friendship and beauty, the twin pillars that make life worth living.

A painting, a lifetime of friendship, and a series of problem years filled with conflicting emotions drive the plot and shape the structure of the novel. Backman is a master storyteller and character developer.

The Washington Post said it well: “Backman captures the messy essence of being human.”

What We Can Know by Ian McEwan

This is renowned writer Ian McEwan’s 18th novel. The New York Times called the book “the best thing McEwan has written in ages” and “entertainment of a high order.” I agree wholeheartedly.

The setting is 100 years from now, with continuing and not necessarily favorable references to the times in which we are living. McEwan refers to his book as “science fiction without the science.”

The storyline is compelling and entertaining despite McEwan’s discomfiting view of our future. Tucked between descriptions of the devastation of 100 years of climate change, wars, and general chaos and disruption of the planet is a delightful narrative of a young literary type who in 2119 is pursuing the location of a poem that was deliberately hidden more than 100 years previously.

The poem was written by a fictional esteemed literary figure of our current era. In addition, McEwan offers keen insights into this poet, his wife, their friends, and their lifestyles.

A formidable plot, complex characters, and sense of place drive the action. This novel has all the essentials required in a narrative about the future to create a novel I read almost nonstop!

You may also want to read these other gems by McEwan: Atonement, Saturday, Nutshell, and On Chesil Beach. All will satisfy your craving for fine writing and precision craftsmanship.

The True True Story of Raja the Gullible (and His Mother) by Rabin Alameddine

Each page of this simultaneously comic and tragic novel flows like ice beneath a skater’s blade. This despite the fact that Lebanon, where the action takes place, usually would not be described this way.

These characters experience rough times in Lebanon, a country that has undergone many tragic phases. But Alameddine entertains us as the main characters take us through the dark side of the country’s history as well as through his and his mother’s personal struggles, met with determination and even a dash of joy.

This book offers so much easy enjoyment, much like his novel An Unnecessary Woman.

The House on Via Gemita by Domenico Starnone

Do you recognize this Italian author’s name as someone who was thought to be the ghost writer of the successful Elena Ferrante novels, specifically the Neapolitan series? Starnone has denied it, being an illustrious author in his own rite. His equally famous wife, Anita Raja, a translator and library director, has also been “accused” of the deception.

In the end, Ferrante has been accepted as a pseudonym for another Italian author who believes that books, “once they are written, have no need of their author.”

Many avid readers have enjoyed Starnone’s witty novels, Ties and Trick. The House on Via Gemita presents a new, darker side of Starnone. Not light and humorous as Ties and Trick, this novel places a cantankerous artist front and center.

1960s Naples, Italy, is the place where a frustrated railway worker is convinced he is a great artist, his family suffering the consequences of the obsession. The trials of the family are detailed and vivid, Starnone’s best talent clearly at work. The novel deservedly was long-listed for the International Booker prize.

Many avid readers have enjoyed Starnone’s witty novels, Ties and Trick. The House on Via Gemita presents a new, darker side of Starnone. Not light and humorous as Ties and Trick, this novel places a cantankerous artist front and center.

The Uncommon Reader by Alan Bennett

Alan Bennett is, simply put, a gem. I am listing his short novel as a favorite because it truly illuminates the joy of reading.

British-born, raised and educated at Oxford, Bennet is exceedingly accomplished, with a rich stock of stories, plays, and films in his repertoire. When I want to feel good and laugh, I pick up one of his works.

The Uncommon Reader is a novel for the book-addicted. The uncommon reader of the title is the Queen of England, and Bennet takes us merrily through her introductory, and eventually continuing, passion for the written word.

Novelist/writer Jennifer Kloester’s review calls it “brilliant on many levels, but also a delicious, edible morsel of a novel. And wait until you read the ending.”

My Final Read of the Year: The Volcano Lover by Susan Sontag

At year’s end, I find myself thoroughly engaged in Susan Sontag’s radical novel of ideas, The Volcano Lover (1992), set largely in Naples Italy in the late 18th century. The gentle pace of her style in this unconventional historical narrative perfectly complements my year-end reflections. I will read it slowly through December in order to savor her luscious writing style.

Here’s to many provocative reading experiences in 2026!

Huatulco

Something For Everyone: An Eclectic Selection of Newly Published Books

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By Carole Reedy

This month we offer a variety of genres by noted authors to satisfy the full spectrum of our readers’ tastes. Perhaps a title outside your comfort zone will pique your interest too?

All books have been recently published except for the last two, which will be published in May.

EXOTIC AND DOMESTIC STORIES
The Vanishing Point by Paul Theroux
From his books The Great Railway Bazaar (1975, my personal favorite) to Ghost Train to the Eastern Star (2008), Theroux has taken us along on his adventures across the globe.

Followers of this prestigious writer can’t get enough, and Theroux continues his commitment to the excitement and wonder of new places in this fresh collection of short stories. The title refers to “a moment when seemingly all lines running through one’s life converge, and one can see no farther, yet must deal with the implications.”

Theroux’s short stories are reminiscent of the styles of Maupassant and O. Henry, complete with surprise endings.

GAY FICTION
Mothers and Sons by Adam Haslett
The premise of the novel, as you may have guessed, is a reunion after many years of mother and son. Readers have been both pleasantly and unpleasantly surprised by the trajectory the book takes, which should be no surprise coming from this established writer of fiction.

Haslett’s first book, a short-story collection titled You Are Not a Stranger Here (2002), and his second novel, Imagine Me Gone (2016), were both finalists for two major awards, the Pulitzer Prize and the National Book Award. Maybe the third time is the charm.

PSYCHOLOGICAL SUSPENSE
Open Season by Jonathan Kellerman
I can’t believe I’m writing this: Open Season is book number 40 of the popular and obviously compelling series starring the duo of psychologist Alex Delaware and homicide cop Milos Sturgis. The juxtaposition of classic crime procedures and the mysteries of human behavior make the series incomparable and compelling. In this title, the action takes place in Los Angeles where brutal and mystifying murders occur.

Kellerman’s novels consistently appear on The New York Times bestseller list, and Kellerman himself received a PhD in child psychology at age 24. His first published book was Psychological Aspects of Childhood Cancer (1980). In 1985 he published his first Alex Delaware book, When the Bough Breaks. And the rest is history.

MEMOIR
Source Code by Bill Gates
Memoirs, for me, are much more readable and interesting than autobiographies, which can tend to be self-aggrandizing. A review in The Guardian calls Gates’ memoir “refreshingly frank. There is general gratitude for influential mentors, and a wry self-deprecation throughout.”

This book takes us only through Gates’ childhood and adolescence. Stay tuned for later life discoveries in the next volume. Of his childhood, he writes that “if I were growing up today, I would probably be considered on the autism spectrum,” and now regrets some of his early behavior, though “I wouldn’t change the brain I was given for anything.”

ESTABLISHED WRITER
Three Days in June by Anne Tyler
“Joyful” is the description The Guardian gives this latest novel from Tyler, prolific writer of books and short stories. Three Days in June is one of her shorter books, easily demonstrating her ability to bring us a “feel good” read without being insincere or unctuous.

A wedding is central to the story, the estranged parents of the bride the main players. Readers of Tyler know what she can do with this combination.

My favorite Anne Tyler novel is Breathing Lessons, which won the Pulitzer Prize for Fiction in 1989. In her review in The New York Times, Michiko Kakutani provides insight into Tyler’s talent, which continues to ensure her position as a best-selling writer:

“Tyler is able to examine the conflict, felt by nearly all her characters, between domesticity and freedom, between heredity and independence. In addition, she is able, with her usual grace and magnanimity, to chronicle the ever-shifting covenants made by parents and children, husbands and wives, and in doing so, to depict both the losses – and redemptions – wrought by the passage of time.”

LITERARY PUZZLE TRANSLATED FROM THE SPANISH
Death Take Me by Cristina Rivera Garza
This is listed as the most anticipated book of the year by The New York Times, Esquire, Ms Magazine, and Lit Hub. You may remember Rivera Garza won the Pulitzer Prize for Liliana’s Invincible Summer. She also is the head of the Spanish creative writing PhD program at the University of Houston.

The plot of this mystery crime novel seems topsy turvy in that the victims (a word ironically always feminine in the Spanish language) are always male. Castrated men are found accompanied by lines of verse at their sides. A professor and a detective are the investigators of these mysterious crimes.

Fellow author Yuri Herrera says “Cristina Rivera Garza does not respect what is expected of a writer, of a novel, of language. she is an agitator.” That comment may be enough to motivate one to read this mysterious novel.

SEX MEMOIR
The Loves of My Life by Edmund White
Of the hundreds of books I have read, one of my favorites is The Flaneur by Edmund White. Subtitled “A Stroll through the Paradoxes of Paris,” White takes us to little-known bookstores and cafes during the journey. You don’t have to be a Francophile to love this book. After reading it my friends and I started referring to our daily walks and meetings as “flaneuring.”

White has been a prominent writer for many years and has many bestsellers under his belt. He is known as a groundbreaking author of gay fiction and has been awarded many literary prizes, among them Lambda Literary’s Visionary Award, the National Book Foundation’s Lifetime Achievement Award, and the PEN/Saul Bellow Award for Achievement in American Fiction. France named him Chevalier (and later Officier) de l’Ordre des Arts et des Lettres in 1993.

Per the title, this book is obviously highly personal and honest, all written in his incomparable brilliant style.

CRIME FICTION
Never Flinch by Stephen King
Most readers are aware of King’s well-deserved success. From his early novels in the 1970s (The Shining, Carrie, Salem’s Lot and The Stand) to 50 years later (Holly, Fairy Tale, Billy Flinch and You Like It Darker), King’s books have sold 350 million copies worldwide and provided tremendous reading pleasure. His oeuvre includes 60 novels and a plethora of short stories. On Writing, his 2010 book was called “part memoir, part masterclass” by amazon and a “one-of-a-kind classic” by the Wall Street Journal.

It appears that King’s most recent book will feature a new cast of characters and some old favorites such as Holly Gibney. There are two plot lines: one about a killer on a revenge mission and another about a vigilante who is targeting a celebrity speaker.

HISTORICAL NOVEL
My Name is Emilia de Valle by Isabella Allende
Allende, the most widely read living writer in the Spanish language, was born in Peru but raised in Chile. Her father was first cousin to President Salvador Allende of Chile.

Readers around the world are awaiting the publication of this, her latest book. Here is a plot summary from the author:

“Eager to prove herself as a young writer and journalist, Emilia Del Valle seizes an opportunity to cover a brewing civil war in Chile. While there, Emilia meets her estranged father and delves into the violent confrontation in the country where her roots lie. As she discovers more about Chile and falls in love with a fellow journalist, the war escalates and Emilia finds herself in extreme danger, fearing for her life and questioning her identity and her destiny. I can’t wait for you to meet Emilia.”

DYSTOPIAN FICTION
Gliff by Ali Smith
What is a gliff? Smith dedicates a page and a half to describing the various meanings. Judge for yourself which is intended when reading the book.

Smith speculates a near future in which the world is experiencing authoritarian control. The book is filled with philosophical conundrums such as meaning and meaningless.

One reader reflects: “GLIFF is a treat for the reader who enjoys wordplay, and absurdity that invokes madness and heartbreak.”

Huatulco

The Unfinished List of 2022

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By Carole Reedy

“Can anything be sadder than a work left unfinished? Yes, a work undone.”
— Poet Christina Rossetti

Upon finishing my top-ten list of best books of 2022, a nagging sense of incompleteness remained with me. Happily, I’m remedying it this month by augmenting my Top Ten Reads of 2022 (published in the December 2022 issue of The Eye) to include the following six unforgettable novels.

Demon Copperhead, by Barbara Kingsolver
Unlike many readers, I’m not an automatic fan of Kingsolver’s books, but this treasure from 2022 – a modern version of Charles Dickens’ David Copperfield – has been given the praise it richly deserves by a majority of critics and reviewers. Yes, it is as good as her novel The Poisonwood Bible (1998), to answer the frequently asked question.

Here, however, the venue is changed from Dickens’ dark, sooty, deprived 19th-century England to the heart of Appalachia in southwest Virginia. We follow a young boy through an adventurous though drudging life, without the guidance of responsible adults, in a depressed land and state of hopelessness.

The opioid crisis features prominently in this tale set in the late 20th century. Kingsolver keeps us on our toes until the very satisfying end.

Two by Ottessa Mosfegh: Death in Her Hands, Eileen
After reading the popular My Year of Rest and Relaxation, I craved more of the same descriptive writing that allows us to enter the interior world of Moshfegh’s women characters.

Death in Her Hands (2020) could be described as a mystery, though the plot and solution come more directly from the mind of the elderly main character than the action. This character, in the manner we’ve come to expect from Moshfegh, drifts from thought to thought until a solution is revealed.

The novel Eileen (2016) involves yet another anomalous character. Moshfegh can be tedious, but in the end, this is what gives life and meaning to her characters.

The Time of Gifts, by Patrick Leigh Fermor
This book from 2005 is one you’ll want to take your time with. Read a chapter a day and then re-read the supple passages.

The location is Europe, and the time is the 1930s. Follow the author over mountains and through valleys from Holland to Constantinople. Let your mind roam as you savor each word. Although this book is described as a travel memoir, it’s also an interior life explored as we observe an 18-year-old developing into a man.

The title comes from “Twelfth Night,” a poem by Louis MacNeice.

Mouth to Mouth, by Antoine Wilson
Words that came to me upon finishing this delightful read: sharp, clever, winding, hip. The mystery overtones give the novel a compelling, often surprising, story and plot.

I won’t spoil a word of it by attempting a summary, but know that the book has been compared to works by Patricia Highsmith and that it was one of Barack Obama’s favorites of 2022.

The Hours, by Michael Cunningham
You might wonder why this 1998 Pulitzer Prize-winning novel appears on my list 25 years after publication. In 1998, I had just moved to Mexico and everything was fresh, foreign, and invigorating, so much so that my reading habits shifted from novels based on the English/Anglo experience to those exploring Hispanic/Indio culture. As a result, I never read The Hours.

Recently the Met opera debuted a new work based on this 1998 bestseller. Before attending the event, I felt compelled to read the book and also see the 2002 movie, starring Meryl Streep, Nicole Kidman, and Julianna Moore.

The story of three women revolves around the life of writer Virginia Woolf, who lived from 1882 until her death from suicide in 1941. Streep in the film depicts another of the women who is referred to as Mrs. Dalloway by her friend Richard, who is dying of AIDS. Kidman won an Oscar for her role as Virginia Wolff and Julianna Moore also has a significant role in this marvelous intertwining of lives.

Both the novel and film are complete in plot and character development and satisfying throughout, evoking strong emotions.

Sadly, the opera version didn’t capture the jarring passion of the novel or the film. The music seemed unable to convey and sustain the life frustrations of the characters, although the three sopranos – Renee Fleming, Joyce Di Donato, and Kelli O’Hara – are among the best of our time. In addition, my friends and I found it difficult to listen for more than three hours to an opera sung mostly in the soprano range. We were actually thrilled when the tenor entered the scenario.

The opera itself was the idea of Renee Fleming, who brought it to the composer Kevin Puts. The production itself was brilliant in its juxtaposition of the three women’s stories as they alternated and shared the stage.

I do think this is the first time I have read a book, seen the movie, and experienced the opera all in the space of one week!

Next month: Onward to reading selections for 2023.

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Year Two of Covid:Literary Favorites of 2021

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By Carole Reedy

This second year of the pandemic has given us another opportunity for many hours to ponder our fates and read new literary selections. When asked what makes a good book and, of the good ones, what makes a book great, Salman Rushdie, the thought-inspiring and entertaining writer, replied:
“What I look for in a book is a voice that sounds fresh, a relationship with language that feels exciting, and a vision of the world that enlightens or challenges me, or, just occasionally, changes the way I see the world in some degree. When I find at least one of those things, then that’s what I’d probably call a good book. When I find all of them, then the adjective ‘great’ may come to mind.”

Keeping in mind Rushdie’s analysis, I’ve chosen ten books I feel meet those criteria. Coincidentally, they’re also among the most entertaining reads of the year. The first two books I would place in Rushdie’s “Great Literature” category, the rest just slightly less than great.

CROSSROADS: A NOVEL, by Jonathan Franzen (2021)

Franzen’s masterpiece is so compelling it could win all the major literary awards next year. What makes that probable? Exactly what Rushdie’s formula dictates.

We discover Franzen’s 1970s American family, the Hildebrants, as if through a microscope, every movement of their lives together and their individual emotional states and thoughts detailed in this 600-page stunner, the first of a trilogy to come. As we’re drawn into each character’s world, our own reactions and a slight shift in perspective add to the sheer enjoyment of the language and provocative twists with each turn of the page. I seldom need a dictionary when reading a novel, but Franzen’s books are exceptions.

THE MAGICIAN: A NOVEL, by Colm Tóibin (2021)

After reading Tóibin’s story of Nobel Prize winner Thomas Mann’s long life, a friend said to me, “The masterpiece written by Tóibin about Thomas Mann’s life is infinitely more compelling and introspective than any of Mann’s well-respected novels.” And I have to agree.

Tóibin took on an enormous responsibility when he sat down to write a novel based on the 80 years that Mann graced our planet. Mann basked in the limelight during his life, which encompassed two wars over two continents. But the outstanding characteristic of this grand tribute lies in the life beneath the exterior, delving into the inner workings of his mind and heart.

Similar yearnings and emotions are reflected in Damon Galgut’s Arctic Summer, also appearing below on this list. In both cases, it is heartbreaking to read the pain these men suffer for emotions they feel which, at the time, are in conflict with society’s norms and must therefore remain hidden and nrequited.

SHOULD WE STAY OR SHOULD WE GO: A NOVEL, by Lionel Shriver (2021)

Only a writer as adept as Lionel Shriver can make us chuckle about death and, especially, suicide. When do we say enough is enough? The aging couple in Shriver’s latest novel has devised a plan for leaving this life when body and soul dictate.

Shriver creates several scenarios of the manner in which the end might come about for the couple and the various consequences that might arise. As always, she doesn’t leave a loose thread hanging or a conclusion sloppily rendered.

Shriver in each of her novels explores, dissects, and delights in a modern-day problem/challenge/fad/concern that is unique to the human condition. I’ve never been disappointed in her rendering or treatment of our delicate mentality.

THE GIVER OF STARS: A NOVEL, by Jojo Moyes (2019)
THE BOOK WOMAN OF TROUBLESOME CREEK, by Kim Michele Richardson (2019)
These two novels are similar in subject, characters, and history, but vary in their treatment. The overriding topic is books and reading, which would capture the interest of any reader of this column. Both novels are based in fact, taking place during the 1930s depression era in rural Kentucky, where an FDR government initiative is being enacted: books delivered to rural areas on horseback by librarians.

These women are brave, tenacious, and strong (even if they start out a bit weaker) pioneers in the advancement and acceptance of women’s physical strength and determination.

I paused before opening each of these books, as I wasn’t familiar with the writers, the situation, or the geography and sociology of the area. Though I was doubtful, I decided to give them a try. Once immersed, I saw that I’d rushed to judgment and had happily been proved wrong.

The difference between the books is in the storytelling and characters. Moyes concentrates on four women who fight the terrain, customs, and mores of the area in their pursuit of dispensing knowledge. Each is unique in style and the manner in which she handles her job and the resulting dissent. But in the end each triumphs in her own way.

Richardson takes a different approach, with one woman front and center. Also woven into the narrative is the phenomenon of the “blue people.” Here’s a fascinating historical twist to the story – as if these dedicated women needed any more problems!

ARCTIC SUMMER, by Damon Galgut (2014)

What Tóibin accomplishes in his in-depth analysis of Thomas Mann, Galgut parallels in this beautiful portrayal of the admirable yet suffering author E. M. Forster. Instead of 80 years, however, Galgut concentrates on a more specific time and travel period, when Forster lived in India and Egypt.

Forster is a gentle man, even more so when compared to his British comrades, his love deep and yet impossible.

On November 3 of this year, Galgut deservedly won the prestigious 2021 Booker Prize for his novel The Promise: A Novel, also one of my favorite reads of the year.

HARLEM SHUFFLE by Colson Whitehead (2021)

This time around, two-time Pulitzer Prize winner Whitehead gives us a whirlwind tour of 1960s New York, specifically to honky-tonk Harlem. We see it all through the eyes of small-time crook Ray Carney, who delights us with his subtle criminal, yet seemingly normal, life in the colorful barrio.

The characters surrounding him in his pursuit for a comfortable life for his family are painted in brilliant color with shades of sepia. They are quirky, frightening at times, occasionally astute, downright funny, and never stereotyped.
It was pure delight to accompany Ray on his “just a bit bent” adventures with friends and family, to whom he demonstrates uncommon loyalty, and to his enemies, with whom he gets even eventually with demonstrated patience.

HOMELAND: A NOVEL, by Fernando Aramburu (2020)

Off to another country across the ocean, to a time in the near past and a culture little-known to most of us. Basque Country is an autonomous region nestled in northeast Spain on the border with France, where long-standing conflicts take place in its struggle for independence. Homeland is a story told over several decades of two opposing families who prove to us the futility of wars and maybe even of principles.

Interesting that the reader comes to understand the motives and reactions to situations that at first seem alien, but in the end prove to be not so distant. The delicacy of human emotions seems constant regardless the culture or era.

The true stars of the novel are the matriarchs, their strength and pain. There isn’t much joy in this novel, but it reflects the deep rage, sadness, commitment, and existential challenge of the family in a remote section of Spain. The plot weaves through past and present to offer a full picture of the struggles of the region. You can watch an excellent, though less satisfying than the book, serial version of the story on HBO, called Patria, also the title of the book in Spanish.

THE IMMORTALISTS: A NOVEL, by Chloe Benjamin (2018)

The premise behind the story is one of our grand metaphysical questions: would you like to know the exact date and time of your death?

In other hands, the telling could have come off as trite and manipulated, but Benjamin guides us through the separate but intertwined lives and deaths of four young siblings who visit a fortune teller to discover the timing of their future demises. The author, perhaps wisely, leaves us with more existential questions at the end of each life than when we’d first joined them many years previously; possibly that was her intent.

THE RUTH GALLOWAY MYSTERY SERIES by Elly Griffiths

Druids, detectives, archaeologists, extramarital affairs, and digging up bones are among the elements that make this one of the finest mystery series published in this century.

Ruth Galloway is our hero, a prominent forensic archaeologist bone expert who teaches at the University of North Norfolk in England. She is sought after by local detectives seeking to solve murders that involve buried treasure … the treasure usually being a body found deep in an archeological dig.

Fourteen books make up a series in which we connect with the emotions, frustrations, and decisions of the main players, who are engaging and beautifully drawn. The ease with which we’re able relate to the characters is what sets this series apart from others.

Griffiths doesn’t go into elaborate contortions to develop or resolve her crimes, as many modern crime writers feel they must do. The plots are challenging and often humorous, without stretching for a clever solution. An additional plus is the pleasure these books bring in learning about the history and geography of the English countryside.

Try the first and see if you’re hooked. I recommend reading the books in order, as the characters are fleshed out over the series and various scenarios. Start with The Crossing Places (2010). I predict the books will bring you great pleasure in the post-pandemic (we can hope!) year ahead.

We’ve been graced with a plethora of fine novels from this and previous years. As always, I look forward to 2022 for more literary gems from old friends and new writers. We close this year encouraged by the always poignant words of the admirable Rushdie:

“The future of fiction is assured. The novel will survive and thrive.”

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A Year of Reading: Ten New Books for Post-Pandemic 2021

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By Carole Reedy

Among the many worlds that man did not receive as a gift from nature but created out of his own mind, the world of books is the greatest. …Without the word, without the writing of books, there is no history, there is no concept of humanity.
— Hermann Hesse

We’re reading now more than ever, and not just because of the pandemic. A new Gallup Poll indicates that more Americans went to libraries in pre-pandemic 2019 than to the movies; 2020 has also revealed a return of readers to independent bookshops.

If you’re already pondering books for 2021, there are numerous new titles from which to choose. Here I present ten I think The Eye audience will want to read (based on your past most-welcome comments). May each of the following new books, by many of our favorite old authors, brighten spirits that perhaps have been dimmed by life during a pandemic.

Land: How the Hunger for Ownership Shaped the Modern World, by Simon Winchester (2021)

A new book by British/American author Simon Winchester cannot go unnoticed. He’s given us many hours not only of enjoyment, but also of pertinenent and often hidden information and analysis about our world, present and past. His two books about creating, of all things, a massive dictionary (The Professor and the Madman: A Tale of Murder, Insanity, and the Making of the Oxford English Dictionary [2005] and The Meaning of Everything: The Story of the Oxford English Dictionary [2004]) are truly, believe it or not, compelling reading that will keep you on the edge of your seat. With his in-depth research, Winchester has created a plethora of books on various subjects, including the Atlantic and Pacific Oceans, Krakatoa, and Calcutta. This newest book, Land, explores a subject dear to the hearts of humans, past and present: ownership and property, its history and our future.

Double Blind: A Novel, by Edward St. Aubyn (Anticipated March [U.K.], June [U.S.] 2021)

I think the author Anne Enright says it best when she describes St. Aubyn’s writings: “Everything St. Aubyn writes is worth reading for the cleansing rancor of his intelligence and the fierce elegance of his prose.” Certainly, we saw that in the Patrick Melrose novels/series that he wrote few years back. Art, science, and philosophy are interwoven with psychoanalysis, ecology, love, fear, and all that is human in this new novel, which follows three friends for a year in London, Cap d’Antibes, Oxford, and Big Sur. St. Aubyn’s ability to be blunt yet delicately introspective makes this author one of the most respected and admired in Britain and the world.

Philip Roth: The Biography, by Blake Bailey (Anticipated April 2021)

With an emphasis on “The,” this has been a book years in the making. Bailey was given complete and independent access to Roth’s archives and was actually appointed by Roth, before his death, as his official biographer, so this is the book to read for fans of one of America’s greatest chroniclers. It will always be a bone of contention among those of us who idolize Roth that he never was awarded the Nobel Prize in Literature.

Letters to Camondo, by Edmund de Waal (Anticipated April [U.K.], May [U.S.] 2021)

The Hare with the Amber Eyes: A Hidden Inheritance (2010) was a memoir that elicited extreme emotions, either love or strong dislike, in response to style and content. It was, for me at least, a fascinating depiction of the decline and fall of the Ephrussi family dynasty in the banking empires of Europe, specifically Paris, Vienna, and Odessa. It also delights with a side story about netsuke, tiny Japanese wood and ivory carvings. This newest by de Waal spins a similar tale in a different style, this time a Jewish banker and art collector who loses his family in the Holocaust. This “memoir” is a series of 50 imaginary letters that the author writes to Moise de Camondo after he’s invited to make an exhibition of his well-regarded ceramics at the Camondo mansion.

Whereabouts: A Novel, by Jhumpa Lahiri (Anticipated May 2021)

Several years ago, Lahiri decided to learn the Italian language not only for her lifestyle (she relocated her family to Rome in 2011), but also for the voice in her books. This new novel was written in Italian and translated into English. Well-known for her award-winning book of short selections Interpreter of Maladies: Stories (1999) and for the novel (and movie) The Namesake (2003, 2019 [2 ed.]), Lahiri is the recipient of many literary prizes, including the Pulitzer. Whereabouts is her first book in a decade. It will be most interesting to analyze the difference between this novel, written originally in Italian, and those that emerged from her English tongue.

Should We Stay or Should We Go: A Novel, by Lionel Shriver (Anticipated May 2021)

The Queen of Sarcasm is the way I think of this witty, spot-on observer of modern-day life in our confused world. In each of her novels Shriver dissects a new fad, lifestyle, and even the tragedies that permeate our 21st century lives. This latest novel looks at old age and the attitudes toward and self-realization of our older population. Always humorous, yet serious, and clever, yet practical, Shriver weaves her stories with silk thread. Although she is known for her award-winning novel (also a movie) We Need to Talk about Kevin: A Novel (2003), her other novels equal and even surpass that honor, among them So Much for That: A Novel (2010 – my personal favorite), Big Brother: A Novel (2013), The Mandibles: A Family 2029-2047 (2016), and Property: Stories between Two Novellas (2018).

Light Perpetual: A Novel, by Francis Spufford (Anticipated May 2021)

Although I’m utterly unfamiliar with this writer, my interest sparked when I read the style of this newest compared to Kate’s Atkinson’s Life After Life: A Novel (2013) and Paul Auster’s 4321: A Novel (2017), both using the parallel-lives device, which can be so effective for writers and readers alike. The novel creates stories for five working-class children in England in a moment best described as “what if they hadn’t died from a bomb that hit a Woolworth’s shop in 1944, killing 168 people instantly.” It also gives us a glimpse of and new perspective on London and England in the 40s and beyond. Spufford’s first book, Golden Hill: A Novel of Old New York (2016), was well-received by critics and won the Costa Award for best first novel. Spufford hopes that this book “has the fascination of following out strands in the lives where everything makes sense when you look backwards, but you are constantly surprised going forwards.”

Harlem Shuffle: A Novel, by Colson Whitehead (Anticipated September 2021)

A two-time winner of the Pulitzer Prize for fiction (2017, 2020), Harvard-educated Whitehead has left quite an impression on our planet. With this, his eighth novel, a crime story, he takes us to the world of Harlem in the 1960s. It’s a novel he conceived some time ago, but has just completed, in bits and pieces, during the COVID quarantine period this past year. We know Whitehead for his fiction, specifically The Underground Railroad (2016) and The Nickel Boys: A Novel (2019), but his larger career is impressive and diverse. Not only does he write works of fiction and non-fiction, but he has written for the most notable of newspapers and magazines, taught at Princeton University, been a writer-in-residence at Vassar, and received the MacArthur Fellowship (aka the “Genius Grant”).

Crossroads, A Novel (“A Key to All Mythologies,” Book 1), by Jonathan Franzen (Anticipated October 2021)

In my world, this is the literary announcement of the year. In his first book in six years (since Purity: A Novel, in 2015), Franzen has written not one, but three new novels, a trilogy to anticipate over the next several years. Chicago 1971 is the setting and the romp will carry us along with the Hildebrandt family as they “navigate the political, intellectual and social cross-currents of the past 50 years.” Franzen, a passionate birder, outspoken critic of social media, and the leading novelist of his generation, is gifting us, according to his publisher, “a tour-de-force of interwoven perspectives and sustained suspense.” If this is correct, I, for one, cannot wait!

Something to Hide, by Elizabeth George (Anticipated October 2021)

Are you a devoted fan of the Lynley detective series? If so, this is book 21, and I’m sure you’ve read the previous 20, as have I. Others may have watched the PBS television series created from the books. I’ve refused to watch it given what I view as the abhorrent misrepresentation of the character Detective Barbara Havers, one of the brilliant creations of Elizabeth George in the book series. You’ll have to wait until October to find out what snags Barbara creates while honing her fine detective skills under the direction, and often to the distress, of Inspector Lynley.

And thus we move in 2021, led and encouraged by our favorite authors and new artists on the horizon.

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Year of the Ox: Read a Chinese Tale to Celebrate

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By Carole Reedy

What better way to start the new year than by discovering writers from across the Pacific? Novels by Chinese writers seem to get short shrift in the review sections of our modern media, and I confess to ignoring the grand culture of the Chinese in my own reading. As a result, I did some research and sought advice from a friend who is knowledgeable about all things Chinese, has lived and taught in the countryside of China, and is an avid reader of both Chinese fiction and nonfiction.

Here are several selections you might enjoy, based on your responses to the previous recommendations in this monthly column.

Interior Chinatown, by Charles Yu (2020)
Two months ago, Taiwanese-American writer Charles Yu walked away with the National Book Award for Fiction 2020 for his second novel, Interior Chinatown. Yu also has experience in screenplay writing (HBO’s Westworld series and other notable features), evident in the structure of this prize-winning novel that tells the story of aspiring actor Willis Wu.
Within seconds of the announcement of the National Book Award winner, avid readers were scrambling to enter their names in their library waitlist, yours truly included. I was most impressed to read that Yu is a fan of Philip Roth and claims to have read more of Roth’s novels those of any other contemporary writer, definitely a plus in my book! Wu’s first novel, How to Live Safely in a Science Fictional Universe (2010) received kudos and awards, as have many of his short stories.

The Good Earth, by Pearl Buck (1931)

Probably the best-known and universally respected novel from China is The Good Earth, which won the Pulitzer Prize for Literature in 1932. Buck, the daughter of missionaries, lived many decades in Zhenjiang before returning to the US in 1934. In 1938 she was the first woman to win the Nobel Prize for Literature, and The Good Earth is now considered a classic.

Set in China at the beginning of the 20th century, this is the story of a farmer and wife caught in the web of history before the Revolution. Through their story Buck gives us a peek into the history and culture of the era, as well as into the emotions and desires of its people. One reader assures us that “the book has a contemporary feel despite being written nearly 80 years ago.”

The Corpse Walker: Real Life Stories, China from the Bottom Up, by Liao Yiwu (English edition 2009)

A public toiletries manager, a leper, a grave robber, and a professional mourner, among others, are the subjects of the 27 interviewees of China’s forgotten population. Each vignette ranges from 15 to 20 pages. The research took the author 11 years, and attention from the Chinese censors followed, of course. The book has received rave reviews, with the San Francisco Chronicle claiming “Reading The Corpse Walker is like walking with Liao. Even though our feet are not blistered and our bodies are not starved, in the end we are shaken and moved.”

Red Sorghum: A Novel of China, by Mo Yan (English edition 1993)

Mo Yan, which literally means “don’t speak,” is the pen name of Guan Moye, a man who has won almost every Chinese literary prize as well as the Nobel Prize for Literature (2012).

Perhaps the best way to describe this book’s tone is in the writer’s dedication. “With this book I respectfully invoke the heroic, aggrieved souls wandering in the boundless bright red sorghum fields of my hometown. As your filial son, I am prepared to carve out my heart, marinate it in soy sauce, have it minced and placed in three bowls, and lay it out as an offering in a field of sorghum. Partake of it in good health!”

The book’s structure is a series of flashbacks spanning three generations (it seems many Chinese family sagas take place over three generations), taking the reader through the turbulent times between 1923 and 1976 both inside and outside China.

Amy Tan, brilliant and popular Chinese-American writer, praised Mo Yan: “Having read Red Sorghum, I believe Mo Yan deserves a place in world literature. His imagery is astounding, sensual and visceral. His story is electrifying and epic. I was amazed from the first page. It is unlike anything I’ve read coming out of China in past or recent times. I am convinced this book will successfully leap over the international boundaries that many translated works face. … This is an important work for an important writer.”

The 1987 Chinese film, Red Sorghum, based on the book, received much recognition, including the Golden Bear Award at the Berlin Film Festival in 1988.

The Novels of Amy Tan

The observation from Amy Tan above brings to mind her several novels about Chinese-Americans, especially the relationships between mothers and daughters. Tan was born in the US, the daughter of Chinese immigrants. The conflict among the young new Americans and their Chinese heritage is a constant underlying element in her stories.

The first of Tan’s successful novels was The Joy Luck Club (1989), followed by several others, all receiving the kudos they deserve. The Bone Setter’s Daughter (2003) was even made into an opera that had its debut in 2008 at the San Francisco Opera.

An interesting note about Tan – she was a member of a charity garage band called “Rock Bottom Remainders” (remainders being an author’s unsold books that are then “remaindered,” or made available at reduced prices). She served the group as the lead rhythm “dominatrix” backup singer and second tambourine. The rest of the group was made up of renowned authors, including, among others, Dave Barry, Stephen King, Mitch Albom, Barbara Kingsolver, and Scott Turow, along with some actual professional musicians. Their yearly gigs raised over a million dollars for literary programs. The group disbanded in 2012 following the death of their founder, Kathy Kamen Goldmark.

Although Tan’s fans love all her books, The Kitchen God’s Wife (1991) and Saving Fish from Drowning (2005) are among my favorites. When asked her favorite books, the following were on Tan’s list: Midnight’s Children by Salman Rushdie, Love Medicine by Louise Erdrich, Love in the Time of Cholera by Gabriel García Márquez, The Good Lord Bird by James McBride, and the Collected Stories of Lydia Davis.

Death of A Red Heroine, by Qiu Xiaolong (English edition, 2000)
Everyone loves a mystery! Here’s another inspector to add to your collections from Sicily, the Dordogne region of France, London, Scandinavia, or Scotland.

Death of a Red Heroine is the first in a series starring Inspector Chen Cao of the Shanghai police. The true value of favorite mystery novels lies in the opportunity to steal a glimpse of life into each country. Here it’s the People’s Republic of China. Each book in the series tackles a different political and economic situation, making the novels intellectually stimulating as well as enjoyable.

Qiu’s just-published latest offering, called Hold Your Breath, will be of special interest at this time as it takes place in the midst of the pandemic in Wuhan.

Iron & Silk, by Mark Salzman (1986)
Renaissance man (writer, artist, cellist) Mark Salzman famously has pursued several careers in his 60 years. In addition to an impressive resume that includes graduating from Yale University summa cum laude, receiving a Guggenheim Fellowship, and being a finalist for the Pulitzer Prize for nonfiction, he is described by friends as “a cool and kind person.”

Aside from academics and writing, he makes time to play the cello. In 1996, he performed as guest cellist with YoYo Ma, pianist Emmanuel Ax, and others at Alice Tully Hall for the 20th anniversary performance of Live from Lincoln Center. If fact, one of his novels, The Soloist (1995) is about this passion.

His connection to China? He always had a passion for China, even as a boy when he chose to walk barefoot to school, to the amazement of the other boys. In the early 1980s, Salzman taught English at Hunan Medical School, where he also studied martial arts. Iron & Silk bore on its cover the descriptive subtitle “A young American encounters swordsman, bureaucrats and other citizens of contemporary China”; it garnered several literary awards and was made into a film for which Salzman not only wrote the screenplay and but starred as himself.

Big Sister, Little Sister, Red Sister: Three Women at the Heart of Twentieth-Century China, by Jung Chang (2019)
The Soong sisters have to be the most famous sisters in China, ever. This triple biography is their story, which traverses China and the US. The three daughters were born between 1888 and 1898 of a Methodist preacher turned Shanghai entrepreneur, Charlie Soong, and their mother Ni Kwei-tseng, whose own mother, Lady Xu, was a descendant of the Ming Dynasty. They were the first Chinese girls to attend university in the US.

When the three returned to China in 1909 they found themselves in the middle of a revolution in which they became wholeheartedly involved, although they ended up on different sides. To sum up their adventure: Chingling marries Sun Yat Sen, Mayling ends up with Chiang Kai Shek, and Ei-ling becomes an advisor to Chiang, making herself one of the richest women in China. They became the most powerful women in China, never to be forgotten.

The Washington Times sees the greatest value in the book as a stepping-stone for Westerners to understand this era: “The complicated history of China during this period is little-known to most Westerners, so this readable book helps fill a gap. By hooking it onto personalities, Jung Chang has been able to chart a comprehensible way through these decades and an immense mass of information that could otherwise be difficult to digest.”

On top of that, The New York Times calls it a “riveting read.” My Chinese-expert friend also is enthusiastic about this particular book.

Wild Swans: Three Daughters of China, by Jung Chang (1991)

This three-generation family history, which culminates in Jung Chang’s own autobiography, received rave reviews and is listed as one of Amazon’s most read books.

Simply put, it is the story of Mao’s impact on China from a woman’s point of view. Chang shares with us the extraordinary lives of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist, her parents’ experience as members of the Communist elite, and their ordeal during the Cultural Revolution; Chang herself was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. At an early age she took a shine to reading and writing. Once again, a story of three generations!

This book sold over 10 million copies worldwide, but is banned in the People’s Republic of China. Along with her husband, Irish historian Jon Halliday, Chang has also written an 880-plus page biography on Mao Zedong, Mao: The Unknown Story (2005). Chang now lives in London, although she has said “I feel perhaps my heart is still in China.”

For me, and perhaps for you, there is a hesitation to read novels from regions we know relatively little about, perhaps for fear of not relating to or understanding the characters and their motives. The books above are among the best in their category and I believe can help open our hearts and minds to the unknown.

2020

Just Like A Woman: More Color and Diversity in the Novel as in Life

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By Carole Reedy

Two Latinas, one Native American, one Black American, one Ghanaian American, and one White American. These remarkable women make up the list of some of the most anticipated 2020 novels written by women.

In 2019, we saw the first black woman and first black British author, Bernadine Evaristo, win the coveted Booker Prize for her novel Girl, Woman, Other. Previously, just four black women had been shortlisted for the award.

In an unprecedented action, the Booker committee decided to flout the one-winner rule. The prize was shared with author Margaret Atwood for The Testaments, sequel to her best-selling novel A Handmaid’s Tale.

The books listed here will surely be among those considered for this year’s top prizes. Let this column serve as an early alert so you can get on those library waiting lists!

Two important novels to be published this year are not on this list because we reviewed them in the February 2020 issue of The Eye: The Mirror and the Light by Hillary Mantel (in March) and The Lying Life of Adults by Elena Ferrante (in June). See theeyehuatulco.com to read about these marvelous new novels.

On to the next 2020 selections, with publication dates in parentheses…

Zora Neale Hurston
Hitting A Straight Lick with a Crooked Stick (January 2020)

Surely the most recognizable name on this list, the late Hurston’s works continue to rise from the ashes. Upon her death of heart disease in 1960, Hurston’s papers were tossed into a burn barrel, but then were miraculously saved by a friend passing the house where Hurston had lived, the valuable manuscripts continuing to be published to this day. It’s also thanks to writer Alice Walker, who in 1975 published “In Search of Zora Neale Hurston,” in Ms. Magazine, that attention has focused on the author.

It’s impossible to begin discussing Hurston’s intense struggles and experience. Just reading a brief biography of her life is exhausting. But we’re fortunate to live in a world filled with publishers who continue to remind us who she was and what she means to history and society.

Hitting a Straight Lick with a Crooked Stick contains 21 stories of love and race, eight of them from the lost Harlem Renaissance collection of the 1920s and 30s. The Guardian calls her tales “wickedly funny…unnerving at times, but always a thrill.” We are so fortunate to benefit from the discovery of her stories.

Louise Erdrich
The Night Watchman (March 3, 2020)

This novel is based on Erdrich’s grandfather’s story, both as a night watchman in a North Dakota factory and as a member of the Chippewa Council, where he was active in arguing for the Native American during a time (1953) when the US government was presenting a new bill that threatened their rights.

Memorable characters from the reservation and others make up the world of Erdrich’s book, one the publisher describes as “a majestic work of fiction from this revered cultural treasure.”

Erdrich has won a plethora of awards, including the 2012 National Book Award for Fiction. A member of the Turtle Mountain Band of Chippewa Indians, she owns a bookstore, Birchbark Books in Minneapolis, with a focus on Native American literature.

Yaa Gyasi
Transcendent Kingdom (September 15, 2020)

This tops my eager-to-read list because I and most of my reading friends were deeply impressed with Homegoing, Gyasi’s 2016 debut historical fiction novel, which follows the family of many generations of Ghanaians. Among other awards, the book received the 2017 Hemingway Foundation/PEN Award.

Gyasi’s new novel also examines the life of a Ghanaian family, this time in Alabama. Those who are fortunate enough to have received advance copies give this book five stars, praising it as the book that “will make her a legend.”

Isabel Allende
A Long Petal of the Sea (January 21, 2020)

Those of you who want to read in Spanish to improve your second language skills will find Allende a good place to start. She’s accessible and a master storyteller and historian. Allende’s style is often magical realism, and the most popular of her many novels is The House of the Spirits.

The Guardian writes that “At this point in Allende’s career, it’s easy to forget what a trailblazer she was, a rare female voice in a wave of Latin American literature that was overwhelmingly male.”

A Long Petal of the Sea starts during the Spanish Civil War, continues with the protagonists through France and eventually to Pinochet’s Chile, and finally moves to Venezuela. The poet Pablo Neruda plays a part in the expansive tale of 80 years, as does Allende’s own life. It sounds to me like a complete and satisfying historical tale.

Julia Álvarez
Afterlife (April 7, 2020)

After 15 years, we’re finally looking forward to another Álvarez novel. Many of us remember well In the Time of Butterflies, the story of sisters rebelling during the Trujillo dictatorship in the Dominican Republic, as well as How the García Girls Lost Their Accents, also a family tale whose story takes place in the Dominican Republic and in the US.

Afterlife is a novel of the immigrant experience and of a recent widow dealing with loss and grief. It is described by critics as both moving and funny.

One of our favorite Latin American authors, Luis Alberto Urrea (if you haven’t read his The House of Broken Angels, you have a great delight in store for you!), welcomes Alvarez’s return with this: “The queen is back with the exact novel we need in this fraught era.”

Kate Elizabeth Russell
My Dark Vanessa (March 10, 2020)

Like Gillian Flynn’s 2012 novel Gone Girl, this first novel by a young American PhD is being touted as the most-awaited novel of the year by The New York Times, Esquire, and The Guardian, among others.

Esquire says: “A singular achievement – a masterpiece of tension and tone . . . with utmost sensitivity and vivid gut-churning detail. Before you start My Dark Vanessa, clear your schedule for the next few days…this will utterly consume you.”

The story, woven from memory, is one the publisher describes as “exploring the psychological dynamics of the relationship between a precocious yet naïve teenage girl and her magnetic and manipulative teacher.”

The mere availability of these future masterpieces in libraries and bookstores and on Amazon and Kindle fills me with two deeply satisfying emotions: joy and anticipation. Booker-prize winner Evaristo expresses contemporary women’s concerns best in one brief sentence: “We black British women know that if we don’t write ourselves into literature no one else will.”

Stay in the limelight, gals! Keep reading.