Tag Archives: environement

Immigrants: Alcatraz, Agapanthus, and Sugarcane

By Julie Etra

Did you know that the calla lilies and agapanthus, common flowers found in many Mexican markets (and a mainstay at our own Mercado Orgánico Huatulco [aka MOH]) are originally from South Africa? Well, neither did I. In Mexico, they grow in the Sierra Madre del Sur and other temperate climates. Sugarcane, also commonly cultivated in multiple regions of Mexico, is also an immigrant, but with a much longer and more complex history.

The Calla Lily

Calla and arum lilies are both scientifically identified as Zantedeschia aethiopica – arum lilies are larger, calla lilies boast multiple colors. In Nahuatl, they are called huacalxochitl, while the Spanish name is alcatraz, a word derived from the Arabic Spanish used in southern Spain (the Moors ruled Spain in progressively smaller areas, ending up with only the southern part known as Al-Andalus, now Andalusia, from 711 to 1492).

How the word alcatraz came to name the calla lily is debatable; apparently when an 18th-century Spanish explorer sailing up the Pacific to what is now California reached San Francisco Bay, he found callas growing on one of the islands in the bay – and the bay was full of pelicans (alcatraz also means “pelican”). Through a series of cartographic mishaps, the originally unnamed island came to be named La isla de los alcatraces, which transferred to the calla lilies. Callas can be spread by bird-dropped seeds, which is most likely how they got to both San Francisco and Mexico. On the other hand, explorers who had reached South Africa had brought them back to Europe a couple of centuries earlier, so they could have been introduced to Mexico by the Spanish. The trail went cold as I tried to figure out the route of the alcatraz through Europe, and ultimately Spain, for its eventual export to Mexico. Who was responsible for its spread? Was it the Portuguese? The Dutch? Other European traders? Was it ever cultivated in Spain, and if so, where?

In Mexico it grows prolifically in temperate climates on the periphery of oak pine woodlands. In Oaxaca it is commonly cultivated around San José del Pacifico. The white, trumpet-shaped “petal” of the flower is actually a “spathe,” or bract (modified leaf); the flower is the central yellow “spadix,” or phallic-appearing spike covered with tiny flowers.

Diego Rivera, the famous Mexican muralist, had a particular fascination with white calla and arum lilies. He included them in both paintings and murals as a symbol of both purity and sensuality. Some critics believe he used callas to represent the “abundance of life and death” in indigenous life. However, the calla also appears in pre-Hispanic art. Given that it is not native to Mexico, how do we explain that? There are 700+ members of the Araceae family, all displaying the same spathe-and-spadix form; Mexico has 41 species, 26 of them native. Most probably the “flowers” portrayed in ceramics, sculptures, and other works of early art are the calla’s native relatives.

Agapanthus

Agapanthus, called agapando in Spanish, is derived from the Greek – agape meaning “love,” and anthos meaning “flower.” The purple flowers are clustered in an umbel-like form at the end of the stem, accompanied with fleshy leaves.

Like the alcatraz, it most likely followed a similar route from Africa to Europe, first arriving there at the end of the 17th century, possibly returning with Dutch traders. Europeans – in this case the Portuguese – first happened on the Capetown area in 1488, while searching for a sea route to the Orient in lieu of the dangerous and costly overland Silk Road. The Dutch, renowned flower breeders, settled Capetown in 1652, but numerous European traders followed. By 1679, the agapando had reached Europe by a returning trading ship; it loves to grow around the Mediterranean Sea (some countries have declared it an invasive species), so it made its way to Spain and thence to Mexico.

The cut flower trade is a multibillion-dollar industry; Mexican “ornamental plants and flowers” – also the name of Mexico’s overall trade association – were valued at $1.8 billion USD in 2021. The majority of production is located in the states of México, Puebla, Morelos, and Veracruz. There are about 25,500 producers of ornamental plants and flowers, providing 188,000 permanent and about 50,000 permanent jobs. More than a million jobs are indirectly related to the ornamental sector of Mexico’s economy.

Mexico is unique in that it produces cut flowers under natural conditions in open fields, as well as under controlled – usually in greenhouses – conditions. Both agapanthus and calla lilies are field-grown, which may be why they are not in the top 10 flowers produced for export (in 2007, they were about 13th and 14th on the list).
The Ornamental Plants and Flowers association will be hosting its international exposition, La Feria Especializada en Horti-Floricultura, Viverismo, Paisajismo, y Diseño Floral, September 13-15, 2022, in Mexico City at the Centro Citibanamex.

Sugarcane

Sugarcane (Saccharum officinarum) is in the grass family. It arrived in Veracruz, Mexico, in 1522, brought from Cuba by Hernán Cortés. By 1524, there were already sugarcane plantations along the shores of the Tepengo River in Santiago Tuxtla, Veracruz. Although the origins remain unclear, it most likely is a native of New Guinea. It arrived in Persia (Iran) around 500 CE, spread throughout North Asia, traveled to Egypt and North Africa, and from there on to southern Europe. In around 755 CE, it arrived in southern Spain and the Canary Islands off the coast of Africa. From Spain (or the Canary Islands) it migrated to Cuba in 1493. Its cultivation continued expanding into Central and South America. In Mexico, Veracruz was the ideal environment for sugarcane cultivation, given its soils, hydrology, and climate. Sugarcane spread rapidly throughout Mexico from 1550 to 1600, particularly in the states of Michoacán and Jalisco, around Puebla, and Cuernavaca and Cuautla in the state of México.

It rapidly became an important export, along with gold, silver, chocolate, and cochineal (the red dye created from insects that cluster on cactus), almost entirely to the Iberian peninsula (Spain and Portugal). Early production was very labor intensive using basically slave labor, indentured servitude known as the encomienda system (explicit slavery was outlawed by the Catholic church). Production evolved into haciendas or large plantations, and production surpassed that of cotton, a Mexican native. By the 18th century over 300 sugarcane farms were supplying the sugar mills and factories.

According to the Secretaría de Agricultura y Desarrollo Rural (Secretariat of Agriculture and Rural Development), as of August 31, 2021, there were 49 sugarcane processing facilities in Mexico, producing over 5.7 million tons of refined sugar, an increase of over 8% percent from previous years. Approximately 738,146 tons were exported to the United States in 2021.

The state of Veracruz leads national production at 35% of the total, followed by 14% in Jalisco and 8% in San Luis Potosí. More than 826,000 hectares are under cultivation. Refined sugar is produced by crushing the sugarcane stems, heating the juice, filtering and crystalizing the juices, and finally centrifuging the liquid to further the purification process.

In addition to refined sugar, Mexico produces a type of unrefined sugar called piloncillo, which is also found elsewhere in Latin America under different names including panela, panocha, chancaca, and rapadura. Cone shaped, piloncillo is a solid form of sucrose derived from boiling and evaporating sugarcane juice. It is available in virtually every Mexican food market. Moscabado or mascobo is a type of Mexican sugar that resembles the brown sugar sold in the U.S. and Canada. It is a partially refined sugar with a strong molasses content and flavor, and dark brown in color. It used to be hard to find in Huatulco, but is consistently stocked at the Colorín market located on the south side of Calle Colorín between Rosa Laurel on the west and Chacah on the east.

An Eye on the Women of The Eye

By Marcia Chaiken and Jan Chaiken

Julie Etra has drawn on her professional background in environmental sciences to write many articles about Mexican plants and animals, ever since the second issue of The Eye was published. Julie was born, raised and educated in New Rochelle, New York. When she was still in junior high, the New Rochelle high school building completely burned down, so her high school classes were held in temporary barracks. She then studied in real classrooms at the University of Colorado in Boulder, earning a BA degree in Environmental Biology, followed by completing an MS degree in Soil and Crop Science at the Colorado State University in Fort Collins.

Continuing her westward trek, Julie worked for the U.S. Forest Service in South Lake Tahoe, California, for three years and then decided to start her own business, Tahoe Native Plants. One of her USFS projects involved restoration of land at a community college, and it was there in 1985 that she met her future husband who was also working on the project as a general engineering contractor. In 1990, Julie and Larry decided to buy land in Washoe County, Nevada (near Reno), and build their own home. Living in a 14′ travel trailer that was freezing in the winter and boiling in the summer until their construction was completed, they finally moved into their home, where they still live when not in Mexico. Once settled in Nevada, Julie moved her office to Reno and changed the name of her company to Western Botanical Services, Inc. She has continuously provided botanical surveys and soil analysis as a contractor to private engineering and landscape architecture companies and public entities overseeing implementation of erosion control and land restoration projects. Her business was incorporated in 1994.

Julie is avid about music, plays the piano, and listens to “almost everything.” She also enjoys playing tennis, swimming, gardening and, like the other writers for The Eye, constantly reads books, magazines, and newspapers. Julie first visited Mexico in 1977, where in Cozumel she was certified for scuba diving. In 1988, she and Larry began spending 3 months each year in Baja Sur. They visited Huatulco in 2007 and in 2008, decided to spend the winter here and built a home in Conejos. They also are extensive travelers and, with the exception of Antarctica, have visited every continent; Julie’s favorite is (subSaharan) Africa. Julie has two step-kids from Larry’s previous marriage and two grandkids with whom they stay in close contact.

The first articles Julie published in the Eye focused on corn – three articles on corn – until our editor suggested she might explore other topics and something less technical. The Eye article she enjoyed writing most described her travels with Larry and their puppy during COVID – “It was fun!”

Recycling in Mexico:One Person’s Garbage is …

By Julie Etra

This is not a typical discussion of recycling of aluminum, PET containers, cardboard, paper, foam, plastic, etc. For the basics on that, you can look back at my 2014 article in The Eye:
(https://theeyehuatulco.com/2014/04/01/recycling-in-huatulco/). In Huatulco, recycling of these items by the Federal government via FONATUR is standard and in our neighborhood, Conejos, we get pick up three times a week (although the garbage is no longer sorted).

Used plastic bottles
Look around town and the surrounding communities and you will see all types of flowers and herbs grown in re-used bleach and detergent bottles. Instead of a clay cazuela, shattered in the June earthquake, I now have an indestructible sawed-off plastic bottle birdbath, thanks to my buddies Mick and Maggie (the kiskadees also thank you). Hold on to your 5-gallon paint buckets, there is no Home Depot here, and you won’t find empty buckets to purchase at the paint stores.

Corn
Let’s start with recycled corn components, primarily used in folk art. Corn husks, known as totomoxtle in Nahuatl and hojas de maíz in Spanish, husks are used in handicrafts and furniture. They primarily come from one region of the State of Jalisco, Jala, and from a particular variety of corn named for the location (maíz de Jala). This variety of corn is well-known for the large size of the stalk as well as the cob and is, or at least has been, genetically distinct. It can grow up to five meters in height and prefers a very fertile soil and humid climate. Common handicrafts include dolls, flowers, and furniture. Look for the flowers at the organic market (MOH, or Mercado Orgánico de Huatulco) on Saturday in Santa Cruz. A cooking tip: I like to leave the husks on the cobs, sprinkling them with a little bit of chili powder, tying the husks, and steaming them over the grill.

Multi-Media
My friend Irais says that, due to COVID, she is home-schooling her 5-year-old daughter Sofia. Their current school project is to fill in a drawing of “Adelita” using recycled and/or natural products to instill appreciation of both materials in young children. What a concept! Adelita represents the women soldiers who participated in the Mexican Revolution, typically shown with a bandolier (bandolera or cartuchera in Spanish) across her chest (there is also a famous song or corrido “La Adelita”). So, Sofia is using totomoxtle for the skirt and part of the sombrero, the seed of the tabachin or flamboyan (royal poinciana) tree for the bullets, beans for her toes, petals for her blouse, and corn silks for the braids. Her skin is colored with the native red clay; this is a work in progress. And for Día de los Muertos, the children were similarly tasked with making a mask out of natural materials. Sofia (and her mom) chose the petals of marigolds, known as cempasúchil in Spanish (cempohualxochitl in Nahuatl), the flower of the dead, a Mexican endemic, thus teaching the children horticulture while instilling traditions.

Coconuts
In between the outer green shell of the coconut fruit and its hard internal shell is found a fibrous husk. This material is used in a variety of common products, including door mats, hanging planters, paint brushes, mattresses, furniture stuffing. It is also used in horticulture. I work in erosion control, and this material, also known as coir, is woven into nettings, blankets, and mats to help stabilize erodible soils, in combination with vegetation. Coir is an excellent byproduct of coconut cultivation, where the primary products are the coconut meat, milk, and oil. Coir has historically been produced in India and Sri Lanka. More recently Mexico has begun processing this versatile material in Cihuatlán, Jalisco, as Fibredust™, a growth medium that can substitute for peat moss, which is an extracted, non-sustainable, environmentally harmful resource. The Fibredust™ parent company produces the same product in Sri Lanka and India, but chose Cihuatlán due to the abundance of plantations in the vicinity, and convenience of container shipping from the nearby port of Manzanillo. The material is superior as a growth medium due to its water retention and associated slow-release properties.

The coconut shell, or concha de coco, can be sanded, carved, and polished and used as ornamental bowls, light fixtures, inlay, jewelry, etc.

Palm fronds

Let’s not forget these. If they fall off or are harvested, they are what makes a palapa a palapa, after all!

Garbology

By Randy Jackson

My father-in-law was one of those people who liked garbage dumps for the treasures they held. There is a family photo of him in a suit, checking things out at a dump while on his way to his daughter’s wedding. Garbage dumps have changed somewhat over the years, but I’m sure there is still a lot of good stuff that ends up in a landfill.

There are mountains of stuff going to landfills every day. Mexico, according to Wikipedia, sends 95% of its waste to landfills. For Canada, it’s 72% and the US 54%. Too much, way too much, as we all know – but is there anything good about piles of garbage besides the odd treasure? Well, there is Garbology and Archeology, or what we can learn about ourselves and our society from studying garbage.

A. J. Weberman has been credited with the invention of the term “Garbology.” Weberman billed himself as the world’s leading Dylanologist (also his invented term). In his intense study of Bob Dylan and his music, Weberman collected and studied Dylan’s garbage and labeled the study Garbology. He claimed Dylan’s garbage revealed real insights into Dylan as a human being, an artist, and a family man. Weberman goes so far as to claim his work led to Dylan’s Nobel Prize for Literature. However, knowing that Bob Dylan once beat up Weberman on the streets of New York, I’m not sure that Dylan sees Weberman as being that influential.

Weberman, an odd eccentric even to this day, was onto something; You can learn a lot about someone from their garbage. The term Garbology has since been taken up by a Harvard-trained anthropologist, William Rathje (1945-2012). Rathje’s work led to Rubbish! The Archaeology of Garbage (Harper Collins 2001), co-authored with Cullen Murphy. The book is based on Rathje’s ongoing Garbage Project with the University of Arizona.

Rathje saw the Garbage Project as a combined study of archeology and sociology. A 1992 New York Times review of the book was aptly titled “We are what we throw away.” The review essentially expresses what Weberman said about going through Bob Dylan’s trash. One example cited in Rathje’s book was that of alcohol consumption. Rathje found that people drank 40% – 60% more alcohol than they reported they consumed. Among numerous other findings, Rathje found that people from poorer neighbourhoods more often choose smaller portions of name brand merchandise rather than larger quantities of the less expensive no-name or generic brands.

Rathje’s garbage project has also done some myth-busting about what is actually in landfills – substantially more recyclable paper than fast food containers, for example. His study also found that landfills are dry and oxygen-starved places that tend to mummify rather than biodegrade material. One way Rathje’s team dated material in landfills was simply to read the perfectly preserved newspapers buried at the level they were studying. To this day, the Garbage Project studies landfills across the US (in Toronto and Mexico City as well) going back to trash levels from the 1950’s. Even trash layers from past decades show that organic material is only partially biodegraded.

Archeologists and anthropologists go farther back in time in their study of trash sites. In these disciplines, trash sites are called “middens” (the word comes from the ancient Danish for “dung heap”). Midden later became the scientific word used for a kitchen mound or shell heap. Middens are the cornerstones of how archeologists and anthropologists piece together their knowledge of ancient peoples.

As an example, at Yucu Dzaa, a late postclassic (ca. 12th to early 16th centuries) Mixtec capital on the coast of Oaxaca, excavations of middens revealed numerous aspects of cultural life including levels of prosperity between households – indicating socio economic classes. Materials from other parts of Mexico indicate distant trading. Non self-sufficiency in food preparation indicates existence of local markets for goods.

Worldwide, ancient trash heaps have been central in our understanding of our history. The East Chisenbury midden, for example, provided information on the transition between the Bronze and Iron ages in England. Ancient middens in Japan have demonstrated evidence of extensive trade networks. In Egypt, at a place called Oxyrhynchus, a substantial midden contained large quantities of papyrus texts. This site held so much important information that scholars have commented that this midden would have been comparable to finding the ancient library of Alexandria. Among the many texts excavated at Oxyrhynchus was the gospel of St Thomas, discovered in 1945.

One thing they don’t tell you at the dealership when you buy a pickup truck, is that you will be hauling something to the dump (just as surely as you will be moving someone’s couch with it). As a truck owner, I’ve learned that modern landfills are dramatic places to visit. There are swirling flocks of crying gulls or, as in Huatulco, charging troupes of zopilotes (vultures). Monster machines roam at high speeds with huge iron wheels crushing everything in their wake. There is a tapestry of colors from all manner of things discarded. And there’s that acrid smell. It’s that smell and the rush of the crushing machines, I think, that seems to evoke haste among us trash deliverers. I’ve always felt in a rush to empty out the back of the truck as quickly as possible, jump in the cab, and speed off – thus leaving behind some of the evidence of our lives for garbologists or archeologists to study one day – no time to look for treasures, as my father-in-law would have done.