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Medical School in Mexico: An Option for US and Canadian Students?

By Marcia Chaiken and Jan Chaiken—

Several decades ago, we met American students attending the Universidad Autónoma de Guadalajara (UAG) School of Medicine waiting in line at La Chata – an ever-popular restaurant in the city center worth the wait. We chatted as the line inched forward and agreed to be seated together when we reached the front. We were surprised that the students were conversant in Spanish but definitely not fluent and wondered how they were able to understand their med school lectures. They explained that the UAG program was developed primarily for US students, with many courses in English and coordinated with hospitals in the US for clinical rotations. We assumed their decision to attend UAG was motivated by the beauty and rich cultural opportunities in Guadalajara.

Years later, we had closely watched our oldest granddaughter, youngest niece, and cousins’ kids negotiate the lengthy process of applying to US undergraduate schools that have high acceptance rates for med schools, then applying to outstanding med schools, and then seeking a “match” for residency in a specialized field. We frankly wondered if UAG and similar med schools in Mexico would have provided an easier option for aspiring MDs who wanted to practice eventually north of the border.

Medical school acceptance rates in Canada are extremely competitive. There are 18 accredited medical schools in the country – of which 7 are in Ontario. The overall acceptance rate is under 15%. The acceptance rate is even lower for applicants who live out of province – about 5%

While there are about 160 accredited med schools in the US that grant MD degrees, competition is still fierce. Fewer than 50% of applicants are accepted each year: the med school that our granddaughter attended accepts under 3% of applicants each year. At her white-coat ceremony at the beginning of her first year, the dean of students pointed out that all the newly inducted students and many other applicants met the basic criteria for acceptance: very high undergraduate grades, very high Medical College Admission Test (MCAT) scores, and extracurricular activities involving medical proficiency. But the reason they were selected was because all of them demonstrated a very high level of compassion for others.

Mexico, with 151 med schools, has slightly fewer than the US. The acceptance rates vary significantly between the public medical schools and the private ones in Mexico. The highly prestigious public Universidad Nacional Autonoma de Mexico (UNAM) accepts fewer than 2% of medical school applicants. Universidad Autonoma de Nuevo Leon (UANL), which some say is second to UNAM in prestige, is less competitive but still rejects close to 90% of applicants. Some of the top-tier private medical schools with classes in English, such as the Universidad de Monterrey, are equally as competitive. Whereas the private UAG accepts about 43% of applicants, other private universities have developed more inclusive programs leading to medical degrees that are frankly aimed at attracting English-speaking students from north of the border. Anahuac University has such a program in Cancun which accepts about 60% of applicants. Xochicalco School of Medicine has campuses near the US border and accepts over 80% of applicants.

In general, students north of the border who have not been accepted at a medical school of their choice in their home country do have opportunities to study in a medical program in Mexico. But realistically they are highly unlikely to be accepted in one of the most prestigious medical schools in Mexico. Their best chance appears to be one of the programs that have been established to educate students from the US and Canada.

Another barrier to medical education north of the border is cost. In the US by 2024, four years of tuition, fees, and living expenses generally cost between $250,000 and $400,000. Tuition each year alone in US medical schools two years ago cost between $42,000 and $67,000, depending on whether the school was public or private and the region of the country. Tuition in Canada is generally significantly lower for Canadian residents, ranging from $4000 to over $25,000 – but the annual fee for foreign students can reach between $90,000 and $100,000 (Canadian dollars). Tuition in the prestigious public medical schools in Mexico are essentially symbolic and remarkably low for Mexican citizens, for example at UNAM under $30 (US dollars) per year. But foreign students attending the programs in Mexico developed to serve English speakers can expect to pay fees comparable to US medical school tuition – about $36,000 for the first years of in-class basic sciences teaching to $59,000 a year for clinical years spent in Mexico and over $80,000 a year for clinical years with rotations in the US.

Although cost of living in Mexico is reputedly much lower than in the US and Canada, as recent US and Canadian temporary residents can testify, the days when gringos could live high-on-the-hog in Mexico are over. To maintain a standard of living that even the most impoverished American or Canadian med student would expect is no longer inexpensive in Mexico.

Another consideration in choosing a medical school is the probability of matching with a residency program after graduation. For those in their last year of med school “Match Day” may be ranked as high on the anxiety scale as a wedding day. In fact, in the case of our granddaughter, Match Day engendered even more excitement. Imagine, the hundreds of soon-to-be MDs all waiting to be informed at precisely the same second whether they were chosen to be a resident in the field of their choice at a highly desirable teaching hospital, a hospital that was not exactly high on their list – or even any hospital at all.

Before choosing one of the programs in Mexico for a medical education, prospective students must realize that earning an MD degree does not escape the rest of the arduous process of becoming a licensed physician in the US or Canada. Admission to a US or Canadian residency program is not guaranteed and may not even be possible depending on the med school and the particular program of studies undertaken in Mexico. For Canadian graduates of Canadian medical schools, post-MD residency is almost guaranteed – over 95% of applicants “match” within their preferred field. And for graduates of US medical schools, the match rate for US residency programs has been only slightly lower. However, the match rate for residency in the US for students who completed MD degrees out of the country (including in Mexico) is much lower – in 2024 according to the American Medical Association – 67%. And although first-time residency applicants from foreign med schools matched in Canada at a respectable 87%, those who didn’t match during the first application were unlikely to be more successful in subsequent applications, with rates dropping to under 30%.

Finally, to be licensed to practice in the US or Canada, MDs trained in other countries must take a sequence of rigorous exams that require intense study. Most medical school students take some of these exams as they complete their in-class studies and are at the top of their game. And based on our observations of young relatives going through this exam process – one really needs to be passionately committed to practicing medicine north of the border to have the stamina and knowledge to pass.

As much as we love Mexico, we advise young students who have applied to med school in the US or Canada and were not accepted, think twice. Take a year or two and work in a related field. Find out if you really have a passion for medicine, and if you do, choose one of the programs in Mexico that is authorized to make sure their graduates match for residency in the specialty you want in the US or Canada.

A Gallery of Her Own

Galería San Francisco, and a Creative Community Built Around Women Artists

By Susan Santiago—

I opened Galería San Francisco in January 2016, fulfilling a long-held dream of creating a space devoted not only to exhibiting art but to nurturing creativity and community. My first location was in a historic building on Calle San Francisco—charming and full of character. However, as the gallery grew over the next four years, its limitations became increasingly clear. City regulations prohibited exterior signage, which made visibility difficult, and being on the second floor meant many potential visitors simply could not find us. For older adults especially, the stairs were a significant obstacle.

Recognizing that accessibility would be essential to the gallery’s future, I began searching for a more suitable space. When I visited Fábrica La Aurora, I immediately felt it was where we belonged. I was fortunate to secure a lease on two rooms with a patio, and the owner was specifically seeking tenants who offered public classes—perfectly aligned with my vision for Galería San Francisco.

Over the following year, the owner generously approved the conversion of a two-car garage adjacent to the gallery into a classroom. This expansion allowed us to broaden our programming and eventually relocate entirely from Calle San Francisco to Fábrica La Aurora. Today, the gallery functions as both an exhibition space and a creative hub. We offer year-round classes in watercolor, sketching, mixed media, collage, and acrylics, taught by accomplished working artists with many years of teaching experience. Beginners and advanced students alike are welcome, and the atmosphere is intentionally warm and supportive. The mix of local residents, expatriates, and international visitors creates a lively environment where people connect through art and often form lasting friendships.

Over time, Galería San Francisco has become known as a place where art is not only displayed but experienced. Visitors can observe artists at work, participate in classes, or attend workshops and exhibitions throughout the year. We have received awards and glowing reviews on TripAdvisor, where we are frequently described as a “must-visit” destination in San Miguel. What means the most to me, however, is hearing from students who discover creativity they never knew they had, or from travelers who say their time at the gallery became one of the highlights of their visit.

My own journey in the art world has been deeply influenced by my late friend Bob Geno, who owned Orlando Gallery in the Los Angeles area for more than 50 years. Bob gave many artists their first opportunity—including me—and I will always be grateful for his belief in my work. Through his gallery, I met other artists, exchanged ideas, and experienced the camaraderie of a true creative community. He was an avid collector and a true lover of art, and he will always remain close to my heart.

As my retirement from teaching approached, I began to dream about opening my own gallery in San Miguel. I knew I wanted to spend the rest of my life around creative people who were open-minded and interested in ideas. Transitioning from being an art teacher to running a gallery was a true baptism of fire, but now that Galería San Francisco has been open for almost 11 years I have a lot more confidence in how to run a business, but I also know there is always something new to learn. My vision for the gallery was to showcase artists working in a variety of styles and recently I have committed to representing only the work of women artists. I also wanted to offer a variety of classes to the community and visitors to San Miguel. I believe having experienced educators and practicing artists teaching classes creates a more vibrant learning environment.

Focusing on women artists has become an especially meaningful part of the gallery’s identity. Throughout my years in the art world, I saw how often women’s work was overlooked or undervalued. By dedicating the gallery to their work, I hope to provide a platform where their voices and perspectives can be seen and appreciated. The artists we represent range from emerging talents to established professionals, working across many styles and mediums, yet united by originality and a strong personal vision. The sense of mutual support among them is one of the things that makes the gallery feel less like a business and more like a community.

Education remains at the heart of everything we do. Our classes are not only about technique but about encouraging confidence, curiosity, and personal expression. Many students return year after year, and some eventually go on to exhibit their own work, which is incredibly rewarding to witness.

Looking back, the evolution of Galería San Francisco has taught me the importance of adaptability, resilience, and community. What began as a dream in a hard-to-find upstairs space has grown into a thriving gallery and learning center that contributes to the cultural life of San Miguel. I feel deeply grateful to spend my days surrounded by art, by creative people, and by the knowledge that the gallery continues to inspire others to explore and express their own creativity.

The Dream Festival: Celebrating, Sharing, and Transforming

By Britt Jarnryd—

Each year, on a Saturday in January, Huatulco comes alive with music, color, and hope during the Dream Festival—a fundraising event that celebrates a shared commitment to education and the development of Oaxaca’s most vulnerable rural communities. Organized by Sueño Zapoteco A.C. / Bacaanda Foundation, the festival highlights the foundation’s projects, shares its achievements, and raises funds to continue its mission: reducing poverty through dignified, high-quality education.

The Dream Festival is more than a cultural celebration; it is the result of months of collaborative, volunteer-driven work. Beginning in July, a dedicated group of international volunteers plans every detail with enthusiasm and deep respect for the communities the foundation serves. Their commitment creates a space where solidarity knows no borders. Each year, local businesses, hotels, and members of the Huatulco community contribute by donating food, beverages, raffle prizes, and auction items, turning the festival into a true example of community collaboration. Every contribution—large or small—becomes a real opportunity for children and young people in rural areas.

At the heart of the Dream Festival are the rural schools it supports, which take center stage in the celebration. Weeks in advance, students prepare traditional dances from different regions of Oaxaca, accompanied by live bands and the iconic monos de calenda, filling the atmosphere with joy, identity, and cultural pride. Through their performances, students thank attendees for their support and invite them to continue being part of the transformation of rural education.

The Dream Festival is a celebration of achievement, culture, and hope—but above all, it is an invitation to be part of meaningful change.

Every ticket purchased and every donation made translates into dignified classrooms, educational materials, technological tools, academic support, and stronger opportunities for the future.

Come experience this extraordinary festival and be part of transforming lives.

Saturday, January 24, 2026
Starting at 5:00 p.m.
Parque Guelaguetza, Huatulco
Tickets available at the Bacaanda Foundation office

Live the magic, celebrate culture, and help transform lives.

Continuing My Dream: Empowering the Future of Rural Youth

By Britt Jarnryd

In rural communities, attending high school requires more than academic effort; it also means long distances, high costs, and emotional challenges that many families simply cannot take on. In response to this reality, the “Continuing My Dream” scholarship was created—an initiative deeply committed to supporting young people with limited resources who want to continue their education but live far from upper-secondary schools.

Currently, 16 students are part of this new program. Each one has received comprehensive support that includes school supplies, footwear—both athletic shoes and formal shoes—and financial assistance to cover enrollment, uniforms, and other essential academic expenses. In addition, they receive a monthly stipend for transportation, food, rent, and basic needs, ensuring that financial limitations do not become an obstacle to their education.

As an essential part of digital learning, every scholarship recipient received an iPad, a tool that allows them to access online libraries, educational platforms, and resources that broaden their study and academic development opportunities.However, the project goes far beyond financial aid.

“Continuing My Dream” includes a network of six mentors- professionals and volunteers who are strongly committed to fostering each student’s personal and academic growth. Through in-person and online sessions, the students participate in workshops on soft skills, leadership, English, math, study habits, and self-awareness, strengthening their confidence, future vision, and life skills.

Join us in transforming lives.Every step we take is possible thanks to those who believe in education as a driver of change. Today more than ever, your support can change the course of a life. Every donation—big or small—becomes a real opportunity for young people who dream of studying and building a better future for themselves and their communities.

We invite you to learn more about this and other projects at Bacaanda.org.

Donate, share, support… and be part of this growing chain of dreams. Together, we can go further.

El Sueño Zapoteco A.C. / Bacaanda Foundation: Smart Rural Schools That Transform Lives

By Britt Jarnryd

With nearly 17 years of uninterrupted work, El Sueño Zapoteco A.C. / Bacaanda Foundation works tirelessly to open paths of opportunity in the most vulnerable rural communities along the coast and in the southern Sierra of Oaxaca. Recognized as an authorized nonprofit organization in Mexico, the United States, and Canada, it is committed to a clear purpose: to provide children and young people with a dignified, equitable, and quality education.

Today, that dream has taken shape through the Smart Rural School project—an innovative initiative designed to strengthen learning in Spanish and mathematics by incorporating technology, ongoing teacher training, and educational mentorship as essential pillars. This comprehensive model combines digital tools, pedagogical development, and financial support for rural teachers, dignifying their work and reducing teacher turnover—one of the main challenges in rural areas.

The program’s goals include expanding meaningful learning, encouraging the use of technology in teaching, developing digital and socio-emotional skills, and ensuring that teachers remain in their communities. In addition, systematic evaluations track academic progress, guaranteeing continuous improvement in educational outcomes.

Each classroom is equipped with a smart screen, iPads (one for every two students), educational applications, satellite internet, and digital programs for Spanish and mathematics. Thanks to joint efforts and the commitment of our partners, all of our rural schools are now connected to satellite internet—opening the doors of knowledge to the world.

For the 2025–2026 school year, the program is being implemented in 52 rural schools, benefiting 57 teachers and more than 550 students. The results are evident: improved reading comprehension, stronger logical-mathematical thinking, more motivated teachers, and school communities strengthened by hope.Yet much remains to be done. We invite you to be part of this dream:Sponsor a school and transform the life of a community.

Contribute to the monthly cost of satellite internet that keeps the connection to learning alive.Support teacher training or sponsor a rural teacher, ensuring their development and permanence. Every donation plants the seeds of the future. Join El Sueño Zapoteco A.C. / Bacaanda Foundation and together let’s continue building an Oaxaca where education transforms lives and keeps dreams alive.

 

The Magic of Oaxaca Unveiled: Books to Start a Journey of Discovery

By Carole Reedy

Oaxaca is ethnically and linguistically the most diverse state in Mexico; it’s also the home state of Mexico’s most popular and effective president, Benito Juárez. It’s here where July’s wildly colorful annual music and dance celebration Guelaguetza takes place. And to quench your thirst, Oaxaca is known for its smooth yet tangy liquor known as mezcal.

If that’s not enough, Oaxaca cheese and mole are incomparable.

I was fortunate to spend ten happy, serene years living on a Oaxacan beach. What follows is a selection from the written word in diverse styles, eras, and points of view of this highly original Mexican state.

The Ultimate Good Luck, by Richard Ford (1981)

We know Richard Ford as the author of The Sportswriter (1986) and its sequel Independence Day (1995), with Frank Bascombe as the protagonist; Independence Day won the Pulitzer Prize – there are three more Bascombe novels. Irving can lay claim to being our present-day Faulkner or Updike.

One reader calls this novel a “narcocorrida.” It certainly take us to the dark side of Mexico with drugs and eroticism in Ford’s unique understated style. The New York Times Book Review describes it as having a “taut, cinematic quality that bathes his story with the same hot, mercilessly white light that scorches Mexico.”

Recollections of Things to Come, by Elena Garro (1969)

The universally admired poet and Nobel Prize winner Octavio Paz calls this classic gem “a truly extraordinary work, one of the most perfect creations in contemporary Latin American literature.” These words and the recommendation from the venerated Paz are reason enough to open the pages of this unusual novel.

The fictional town of Ixtepec narrates the story, set in the post-Revolution time (late 1920s). You will meet all the town’s inhabitants, from those in high society to prostitutes on the street.

In an unusual episodic style, impressions move the plot of this novel, which is full of color, smells, and visual seasoning. Garro’s book is often considered one of the first magical realism novels. It is not a pretty picture of Mexico during this time of classism, racism, misogyny, and violence.

You may not be familiar with Garro, though she was at one point married to Octavio Paz. She has been ignored by Mexican intellectuals, who consider her a government informer on the 1968 student movement (known as the Tlatelolco massacre).

Garro spent many years in self-exile, living in the US, Spain, and France, but she returned to live in Cuernavaca, where she died at 81 near her beloved cats and daughter.

Lawrence in Oaxaca: A Quest for the Novelist in Mexico, by Ross Parmenta (1984)

The well-travelled British novelist D. H. Lawrence, famous yet controversial, spent just two years in the Lake Chapala and Oaxaca regions of Mexico.

After the Mexican Revolution, in 1923, he and his wife visited a Mexico that was recuperating from the dregs of war. It is here he finished his well-known Mexican novel The Plumed Serpent (1926). He also completed four of the essays that make up his popular Mornings in Mexico (1927), personal observations that capture the country’s spirit. Reading both these gems will be well worth your while.

Lawrence was not interested in the politics of the Mexican Revolution or the cultural and artistic aspects, such as Mexico’s famed muralists. Lawrence’s interest lay in the “mythical exaltation of the Indian,” which is at the core of The Plumed Serpent – an early draft of the novel was published as Quetzalcoatl (1998).

Lawrence and his wife fled to the US in 1922 after WWI, he having just escaped death from a bout of influenza. He did, however, die shortly thereafter, at age 44 in 1930, from complications of tuberculosis.

He once said “I want to gather together about twenty souls and sail away from this world of war and squalor and found a little colony where there shall be no money but a sort of communism as far as necessaries of life go, and some real decency … a place where one can live simply, apart from this civilization [with] a few other people who are also at peace and happy and live, and understand and be free.” Many would wish the same.

Lawrence in Mexico is a work of double affection both for the novelist and Oaxaca, the city in which he produced his memorable work.

Avenue of Mysteries: A Novel, by John Irving (2015)

John Irving, the modern popular American novelist influenced by Charles Dickens and Gunther Grass, likes to think of himself as a 19th-century storyteller. But Irving introduces additional elements and style that create an almost eccentric and modern atmosphere.

This, his fourteenth novel, is named after a street in Mexico City. It is a story divided into the two aspects of the life of Juan Diego Guerro. The first, where the heart of the novel lies, is reflections and memories of his young life in Oaxaca in the 1970s. The other is his present journey from Iowa to the Philippines to fulfill a promise.

Tayari Jones in The New York Times Book Review lauds this difference: “John Irving is his own thing, and so is his new novel. Avenue of Mysteries is thoroughly modern, accessibly brainy, hilariously eccentric, and beautifully human.”

Avenue of Mysteries is distinctly different from the more popular Irving novels that come to mind when you hear his name, such as The World According to Garp (1978), The Cider House Rules (1985), or A Prayer for Owen Meany (1989).

Oaxaca Journal, by Oliver Sacks (2002)

From Awakenings (1973) to A Man Who Mistook His Wife for a Hat and Other Clinical Tales (1985), Sacks is best known for case studies of his patients. This British neurologist, naturalist, historian of science and, of course, author wrote nineteen books, many of them bestsellers.

A nature lover, Sacks blessed us with the beautiful Oaxaca Journal after his 2001 visit to the popular state. The book is an adventure in itself, manifesting the marvels of Oaxaca through his expansive point of view.

From the science of astronomy to the flavors of a luscious cuisine, from the dream-evoking waterfalls to the bustling street markets filled with intricate textiles, Sacks bequeaths us his larger perspective via minute details.

Before his death, Saks philosophized, “Above all, I have been a sentient being, a thinking animal, on this beautiful planet, and that in itself has been an enormous privilege and adventure.”

Dress Her in Indigo: A Travis McGee Novel, John D. McDonald (1969)

Travis McGee is a household word to faithful McDonald readers. Loyal fans devour each new novel. This one, set in the backlands of Oaxaca, was no exception.

What is the attraction? Fans cite the author’s philosophical and social commentary as their reason to return to each new novel in the series. Dress Her in Indigo centers on a dead woman in a hippie-type community on the outskirts of Oaxaca.

One reader expressed it precisely: “I may never make it to Mexico, but after reading this book set in Mexico – I may not have to.” Another says the story “carries the color and the weight of Mexico on almost every page.”

Oaxaca de Rius, by Eduardo Humberto del Rio García (but known to all in Mexico by his pen name Rius; 2013)

The book boasts 128 eight pages of illustrative delight that explore the traditions, art, and conflicts of Oaxaca. “Drawings, jokes, and notes referring to the state where I live, fleeting impressions,” is how the author himself describes his book.

The sketches offer a glimpse into the gods, customs, churches, Zapotec traditions, festivals, culinary delights, mezcal, and all the rest that makes this state matchless.

Who was Rius? The Mexican government, in the announcement of his death, wrote, “During his lifetime, Rius aimed to contribute to the education and politicization of Mexicans, combat alienation, and foster a critical spirit.”

With Naranjo, Soto, Magú, and other cartoonists, he created Insurgencia popular, the news outlet of the Mexican Workers’ Party (PMT).

Lost in Oaxaca, by Jessica Winters Mireles (2020)

Jessica Winters has done her homework. Most impressive in all the reviews is her understanding and ability to convey the customs and cult ure of this glorious state.

The novel’s plot centers around a schoolteacher in search of her student and a Zapotec man who helps her understand the culture and customs of a society so different from her own, as well as how to view the world in a different light. He helps her navigate the wonders of an unfamiliar culture that is “rugged as the terrain itself.”

On your first or next exploration journey into Oaxaca, heed the advice of a popular song from my youth and “Slow down, you move too fast; you got to make the morning last.”

Soak it all in … and enjoy!

Something For Everyone: An Eclectic Selection of Newly Published Books

By Carole Reedy

This month we offer a variety of genres by noted authors to satisfy the full spectrum of our readers’ tastes. Perhaps a title outside your comfort zone will pique your interest too?

All books have been recently published except for the last two, which will be published in May.

EXOTIC AND DOMESTIC STORIES
The Vanishing Point by Paul Theroux
From his books The Great Railway Bazaar (1975, my personal favorite) to Ghost Train to the Eastern Star (2008), Theroux has taken us along on his adventures across the globe.

Followers of this prestigious writer can’t get enough, and Theroux continues his commitment to the excitement and wonder of new places in this fresh collection of short stories. The title refers to “a moment when seemingly all lines running through one’s life converge, and one can see no farther, yet must deal with the implications.”

Theroux’s short stories are reminiscent of the styles of Maupassant and O. Henry, complete with surprise endings.

GAY FICTION
Mothers and Sons by Adam Haslett
The premise of the novel, as you may have guessed, is a reunion after many years of mother and son. Readers have been both pleasantly and unpleasantly surprised by the trajectory the book takes, which should be no surprise coming from this established writer of fiction.

Haslett’s first book, a short-story collection titled You Are Not a Stranger Here (2002), and his second novel, Imagine Me Gone (2016), were both finalists for two major awards, the Pulitzer Prize and the National Book Award. Maybe the third time is the charm.

PSYCHOLOGICAL SUSPENSE
Open Season by Jonathan Kellerman
I can’t believe I’m writing this: Open Season is book number 40 of the popular and obviously compelling series starring the duo of psychologist Alex Delaware and homicide cop Milos Sturgis. The juxtaposition of classic crime procedures and the mysteries of human behavior make the series incomparable and compelling. In this title, the action takes place in Los Angeles where brutal and mystifying murders occur.

Kellerman’s novels consistently appear on The New York Times bestseller list, and Kellerman himself received a PhD in child psychology at age 24. His first published book was Psychological Aspects of Childhood Cancer (1980). In 1985 he published his first Alex Delaware book, When the Bough Breaks. And the rest is history.

MEMOIR
Source Code by Bill Gates
Memoirs, for me, are much more readable and interesting than autobiographies, which can tend to be self-aggrandizing. A review in The Guardian calls Gates’ memoir “refreshingly frank. There is general gratitude for influential mentors, and a wry self-deprecation throughout.”

This book takes us only through Gates’ childhood and adolescence. Stay tuned for later life discoveries in the next volume. Of his childhood, he writes that “if I were growing up today, I would probably be considered on the autism spectrum,” and now regrets some of his early behavior, though “I wouldn’t change the brain I was given for anything.”

ESTABLISHED WRITER
Three Days in June by Anne Tyler
“Joyful” is the description The Guardian gives this latest novel from Tyler, prolific writer of books and short stories. Three Days in June is one of her shorter books, easily demonstrating her ability to bring us a “feel good” read without being insincere or unctuous.

A wedding is central to the story, the estranged parents of the bride the main players. Readers of Tyler know what she can do with this combination.

My favorite Anne Tyler novel is Breathing Lessons, which won the Pulitzer Prize for Fiction in 1989. In her review in The New York Times, Michiko Kakutani provides insight into Tyler’s talent, which continues to ensure her position as a best-selling writer:

“Tyler is able to examine the conflict, felt by nearly all her characters, between domesticity and freedom, between heredity and independence. In addition, she is able, with her usual grace and magnanimity, to chronicle the ever-shifting covenants made by parents and children, husbands and wives, and in doing so, to depict both the losses – and redemptions – wrought by the passage of time.”

LITERARY PUZZLE TRANSLATED FROM THE SPANISH
Death Take Me by Cristina Rivera Garza
This is listed as the most anticipated book of the year by The New York Times, Esquire, Ms Magazine, and Lit Hub. You may remember Rivera Garza won the Pulitzer Prize for Liliana’s Invincible Summer. She also is the head of the Spanish creative writing PhD program at the University of Houston.

The plot of this mystery crime novel seems topsy turvy in that the victims (a word ironically always feminine in the Spanish language) are always male. Castrated men are found accompanied by lines of verse at their sides. A professor and a detective are the investigators of these mysterious crimes.

Fellow author Yuri Herrera says “Cristina Rivera Garza does not respect what is expected of a writer, of a novel, of language. she is an agitator.” That comment may be enough to motivate one to read this mysterious novel.

SEX MEMOIR
The Loves of My Life by Edmund White
Of the hundreds of books I have read, one of my favorites is The Flaneur by Edmund White. Subtitled “A Stroll through the Paradoxes of Paris,” White takes us to little-known bookstores and cafes during the journey. You don’t have to be a Francophile to love this book. After reading it my friends and I started referring to our daily walks and meetings as “flaneuring.”

White has been a prominent writer for many years and has many bestsellers under his belt. He is known as a groundbreaking author of gay fiction and has been awarded many literary prizes, among them Lambda Literary’s Visionary Award, the National Book Foundation’s Lifetime Achievement Award, and the PEN/Saul Bellow Award for Achievement in American Fiction. France named him Chevalier (and later Officier) de l’Ordre des Arts et des Lettres in 1993.

Per the title, this book is obviously highly personal and honest, all written in his incomparable brilliant style.

CRIME FICTION
Never Flinch by Stephen King
Most readers are aware of King’s well-deserved success. From his early novels in the 1970s (The Shining, Carrie, Salem’s Lot and The Stand) to 50 years later (Holly, Fairy Tale, Billy Flinch and You Like It Darker), King’s books have sold 350 million copies worldwide and provided tremendous reading pleasure. His oeuvre includes 60 novels and a plethora of short stories. On Writing, his 2010 book was called “part memoir, part masterclass” by amazon and a “one-of-a-kind classic” by the Wall Street Journal.

It appears that King’s most recent book will feature a new cast of characters and some old favorites such as Holly Gibney. There are two plot lines: one about a killer on a revenge mission and another about a vigilante who is targeting a celebrity speaker.

HISTORICAL NOVEL
My Name is Emilia de Valle by Isabella Allende
Allende, the most widely read living writer in the Spanish language, was born in Peru but raised in Chile. Her father was first cousin to President Salvador Allende of Chile.

Readers around the world are awaiting the publication of this, her latest book. Here is a plot summary from the author:

“Eager to prove herself as a young writer and journalist, Emilia Del Valle seizes an opportunity to cover a brewing civil war in Chile. While there, Emilia meets her estranged father and delves into the violent confrontation in the country where her roots lie. As she discovers more about Chile and falls in love with a fellow journalist, the war escalates and Emilia finds herself in extreme danger, fearing for her life and questioning her identity and her destiny. I can’t wait for you to meet Emilia.”

DYSTOPIAN FICTION
Gliff by Ali Smith
What is a gliff? Smith dedicates a page and a half to describing the various meanings. Judge for yourself which is intended when reading the book.

Smith speculates a near future in which the world is experiencing authoritarian control. The book is filled with philosophical conundrums such as meaning and meaningless.

One reader reflects: “GLIFF is a treat for the reader who enjoys wordplay, and absurdity that invokes madness and heartbreak.”

From Book to Movie: The Best of Both Worlds

By Carole Reedy

We often hear it said that a movie was good, but the book was better, the film version seldom exceeding or even equaling a book’s impact on us. Here I propose a few exceptions to the rule. Each of the books below depicts life in Mexico; each was written by an established literary author and has been carefully crafted into an entertaining movie that also illuminates the author’s original purpose.

Prayers for the Stolen, by Jennifer Clement (2020)
Film: Prayers for the Stolen (2021, written and directed by Tatiana Huezo)

Jennifer Clement is a name every reader of Mexican literature should know. Former President of PEN Mexico, as well as the first and only woman President of PEN International, Clement continues to investigate and dissect the culture, problems, history, and joys of this land, one of the most culturally diverse and mysterious, and yet friendliest, countries in the world.

At the same time, Clement is a woman of the world who has experienced life on both sides of the border. Clement’s themes are diverse, perhaps due to the adventurous and culturally rich life she leads. Her books are always recommended in this column, and she is a highly regarded citizen of CDMX.

Clement’s newest book, The Promised Party: Kahlo, Basquiat, and Me, is hot off the press (May 2024). It is her own story of her rebellious childhood (the only girl to get booted out of Girl Guides!) in Mexico City to her New York adventures with famous artists. Her antics take you to all the nooks and crannies of Mexico City and New York: a wonderful guide and history of these two preeminent cities wrapped up in a cleverly crafted memoir.

Prayers for the Stolen takes us from the remote hills of the state of Guerrero to the ritzy coast of Acapulco and ends in the magical megalopolis of Mexico City. It’s about a life lived under the shadow of the narcotraficantes that dominate and ruin the future of women they kidnap even if the girls are lucky enough to escape.

Clement’s depiction of and empathy with the seemingly hopeless situation are genuine. She has visited these women in Mexico City’s worst prison to hear the stories of the narco presence in their communities: the fear if they stay or the equally dangerous prospect of running away, sometimes only to an equal or even worse fate. Clement’s style is reminiscent of that of Truman Capote or Tom Wolfe, pioneers of a “new journalism” in which the author writes from the inside out instead of viewing the subject from afar. Her Widow Basquiat: A Love Affair (the 2014 “prequel” to The Promised Party) is a fine example of this.

The movie version of Prayers for The Stolen (Noche del Fuego) can be seen on Netflix. It has received more than 20 international awards: Cannes Film Festival, Un Certain Regard, Honorific Mention; Best Director, Best Picture, Athens Film Festival; Best director, Stockholm International; Best Mexican Feature, Guanajuato Film Festival.

Battles in the Desert, by José Emilio Pacheco (1981)
Film: Mariana, Mariana (1987, written by Pacheco and Vicente Leñero, directed by Alberto Isaac)

Among my favorite Mexican stories is this novella written 43 years ago by one of the nation’s most treasured writers. The book is to Mexican culture what J.D. Salinger’s Catcher in the Rye (1951) or Harper Lee’s To Kill A Mockingbird (1960) is to American life. New York Times book critic Molly Young perhaps said it best: “How can such a tiny novella contain so many lessons on perception?”

The novel is set in 1948 in the now trendy Mexico City neighborhood of La Roma, Pacheco’s childhood home. Through the eyes of a young boy named Carlos, we experience a changing city, moving from the traditional values of his family to a global modernization of the culture and world around him.

The award-winning movie version, Mariana, Mariana, was filmed in part in La Roma. A commenter on MUBI, a site that specializes in art films, noted that “Literary films are difficult, but Isaac nails this one, and doesn’t hesitate to add some extra flourishes: Freudian psychotherapy…; the growth of the city and the demolition of the old Roma Norte; the 1985 earthquake; gringo invasion; the senescence of the Revolutionary state and its descent into dirty politics, embezzlement, and inequity.” Mariana, Mariana is available for viewing on Amazon Prime.

Like Water for Chocolate, by Laura Esquivel (1989)
Film: Like Water for Chocolate (1992, written by Esquivel, directed by Alfonso Arau)

This is one title that probably came to fame first as a movie and afterwards as a popular novel, despite the book’s being published a couple of years before the film was made. The film proved to be a box office hit. Years ago, I was advised by my favorite Spanish teacher that my spoken Spanish would never improve without writing and reading. One of the first novels she assigned me to read in Spanish was Like Water for Chocolate.

Most dominant and significant in the learning process was my introduction to the subjective (not a tense, but a mood) in Spanish. Shadows of the book still cloud my mind when reading or speaking the subjunctive. I also recommend Leonora by Elena Poniatowska (2015) as a good tool for Spanish students. This novelization of the fascinating life of Leonara Carrington is unequaled and will compel you to master the Spanish.

The book and movie style of Like Water for Chocolate is magical realism in a nation at the beginning of the 20th century, a time of turmoil. Tradition and the family figure predominately, as does the Mexican Revolution.

The movie earned ten awards at Mexico’s Oscars, the Ariel Awards, including Best Picture, and a Golden Globe Award for Best Foreign Language Film. Like Water for Chocolate was the highest-grossing foreign language film shown in the U.S. up to that time. It remains at #10.

The Old Gringo, by Carlos Fuentes (1985)
Film: Old Gringo (1989, written by Aida Bortnik and Luis Puenzo, directed by Puenzo)

Carlos Fuentes is undoubtedly one of the most influential and universally respected authors in Mexican literature. In his obituary, the New York Times described Fuentes as “one of the most admired writers in the Spanish-speaking world” and an important influence on the “Latin American Boom,” the “explosion of Latin American literature in the 1960s and ’70s.” Fuentes was often regarded as a likely candidate for the Nobel Prize for Literature, but sadly, as with Javier Marías and Philip Roth, an untimely death intervened.

The Old Gringo was more successful as a novel than the film, which starred Gregory Peck, Jane Fonda, and Jimmy Smits. Fuentes has said, “What started this novel was my admiration for [American journalist Ambrose Bierce] and for his Tales of Soldiers and Civilians [orig. pub. 1892]. I was fascinated with the idea of a man who fought in the United States Civil War and dies in a Mexican civil war.”

And that is exactly what Fuentes gives us in this exciting historical and tragic chapter in Mexican history.

Pedro Páramo, by Juan Rulfo (1955)
Film: Pedro Páramo (1967, written by Rulfo, Carlos Fuentes, and Manuel Barbachano Ponce; directed by Carlos Velo.

Pedro Páramo is THE classic novel of Mexican literature; remarkably, it was Rulfo’s first novel.

“I came to Comala because I was told that my father, a certain Pedro Páramo, lived here. My mother told me this. And I promised her that I would come to see him as soon as she died.” Every Mexican knows these opening sentences of the novel.

Writers like Jorge Luis Borges, Gabriel García Márquez, and Susan Sontag cite Pedro Páramo as one of the most significant works of literature of all time. A survey of writers and students worldwide by the Nobel Prize Institute of Sweden included it as one of the 100 works that constitute the core of the universal heritage of literature.

Gabriel García Márquez claimed he could recite the entire book cover to cover, demonstrating the importance of this short novel in his own writing.

The story appears to be straightforward: a man returning to a once-thriving city that now appears to be ghost town, along with the people who inhabit it. But it is Rulfo’s nonlinear style and form that capture the essence of the tale. You may find yourself confused – which characters are dead, which alive? Time shifts, as does the flow of memory, as we are absorbed into the world of Pedro Páramo.

Ironically, the book sold very few copies when published, and fame came only later. You can view the film on Netflix; to this day, it receives excellent reviews, though most viewers suggest you read the book first. A new version of the film has been produced by Netflix; written by Mateo Gil and directed by Rodrigo Prieto, it premiered at the Toronto International Film Festival in September. It will be released on Netflix later this year.

Hurricane Season, by Fernanda Melchor (2017)
Film: Hurricane Season (2023, written by Melchor, Daniela Gómez, and Elisa Miller; directed by Elisa Miller)

The death of a witch is a hell of a way to begin a novel. But Fernanda Melchor knows just where she’s going with a story that takes place in a small village in coastal Veracruz.

Written in a Faulkneresque style (Melchor abhors periods) with a touch of Chilean author Roberto Bolaño, the novel recounts in a “linguistic torrent” and hypnotic rhythm the story of how and why the witch lived and died in a desperately poor little Mexican town. Most reviews recognize Melchor’s command of the language in her use of rough language to describe violence and depravity and her ability to express pain and despair. Equal praise has been showered on her English translator, Sophie Hughes.

The story is told by four “unreliable narrators,” that is, people who have only a partial, often distorted, view of what’s going on as local citizens attempt to determine who killed the witch and how to handle the extreme evil lurking everywhere.

To give you an example of the popularity of this novel, I am currently on a 20-week waitlist for the English translation. You can view the equally regarded film on Netflix.

“One glance at a book and you hear the voice of another person, perhaps someone dead for 1,000 years. To read is to voyage through time.” – Carl Sagan

Editor’s Letter

By Jane Bauer

“What’s the point of being an Australian guy traveling through India if you are going to go to India to meet other Australians?”
Alfonso Cuaron

My first experience with movies in Mexico was when the traveling movie caravan came to Mazunte while I was living there in 1997. They set up a tent in the field by the elementary school and showed a double feature of an old Mexican black and white film and Die Hard. Everyone in the village came out since most people didn’t have electricity, let alone televisions. The chance to watch something was a novelty.

When the first theater in Huatulco opened at Plaza Madero in the early 2000s it felt like we were being vaulted into modern times. I love movies so much that when I was pregnant I would make the two-hour drive from Puerto Angel to Huatulco to rent videos- not DVDs- because the selection was better than what was available in Pochutla.

While many people love to immerse themselves in Mexican culture through tacos and tequila, film is often overlooked because of the language barrier. But I believe film is a wonderful way to begin to understand the nuances and attitudes of a culture.

In this issue our writers explore Mexican cinema and there are enough amazing films mentioned to keep you busy but I can’t resist recommending a few more.

La Caida (Dive) 2022
Beautiful cinematography contrasts the precision of profesional diving with the subtleties of grooming by a seasoned abuser. Inspired by the true story of the sexual and mental abuse allegations on the Mexican diving team. Karla Souza, the Mexican actress who plays the lead, trained for three years to portray the Olympic diver.

Güeros (Gueros) 2014
Filmed in black and white, the cinematography captures the wildness, chaos and freedom of youth in the 90s. I was hooked from the opening scene. Two brothers go searching for folk-rocker Epigmenio Cruz on the streets of Mexico City during the student strikes of 1999.

La gran seducción (The Great Seduction) 2023
This fun movie is about a big city doctor sent to a small fishing village that has suffered economic hardship. The residents think that if the doctor decides to stay it will improve their circumstances and set about to woo him. This is a remake of a Canadian film that was first made in 2003 and then again in 2013.

See you in November,

Jane

Mexican Films Streaming on your TV

By Marcia Chaiken and Jan Chaiken

Those of us who love Mexican cinema but spend months away from Mexico have an excellent source for fulfilling our yen for Mexican film – namely, Netflix. The films available for streaming on Netflix come and go, and differ from country to country, but there are always ample choices. For primarily English speakers the subtitles available on Netflix offer an easier experience than seeing the movie in Mexico.

Some of the best known films that have won worldwide acclaim are 100% Mexican, including geographical location, direction, casting, Spanish language, and especially creative imagination. An excellent relatively recent example is the 2018 dramatic film Roma, directed by Alfonso Cuarón. Winning many international awards, Roma accurately depicts a well-known neighborhood of Mexico City in the 1970s.

Other Netflix films that we consider Mexican have Mexican directors who are internationally acclaimed but take place only partially in Mexico. One such film is the 2006 psychological thriller Babel, directed by Alejandro Gonzáles Iñarritu. In addition to Spanish, Babel includes seven other spoken languages, plus Japanese sign language. Two top-notch films, Pan’s Labyrinth (2006) and The Shape of Water (2017), can only be considered Mexican by virtue of their director, Guillermo del Toro. Del Toro’s films are literally fantastic, compelling, and so rooted in an imagination shaped by his childhood in Guadalajara that we would call them Mexican even though some might argue with that classification. On the other hand, the film Gravity (2013), although also directed by Alfonso Cuarón, seems more American than Mexican.

But enough about the blockbusters. The films that we have been most enjoying on Netflix are little, low-budget glimpses into solidly Mexican characters in recognizably Mexican locations. We both liked the 2023 film Familia, directed by Rodrigo García. Filmed in the Valle de Guadalupe in Ensenada, the action takes place in a single day in the home and olive grove of the patriarch of a three-generation dispersed family. We learn that the family gets together once a month for comida, but at this gathering everyone’s life is so suddenly changing that difficult decisions must be made. The characters are complex and charming, even when they become irritated with each other. Gradually, by listening to their conversations around the table, you realize the depth and substance of each family member and their relationships. By the end of the film, as most characters leave, you know you’re going to miss them.

Marcia liked Where the Tracks End (El Ultimo Vagon, 2023, directed by Ernesto Contreras), while Jan thought it was a snooze. The film predominantly takes place in an abandoned railroad car, fitted out as a schoolhouse. It is slow-moving but charmingly develops the relationship between a child of an itinerant railroad track layer and a teacher whose whole life is dedicated to educating some of the most impoverished children in Mexico. There are both tragic and comic moments, and the film unabashedly pulls at your heart strings. The ending provides a satisfying twist.

The film Tell Me When (Dime Cuando Tú, 2020, directed by Gerardo Gatica González) is a light, feel-good movie about a young man living in Los Angeles. His grandfather leaves him a list of experiences that the grandson is urged to complete in Mexico City. Most of the film takes place in iconic areas in CDMX and focuses on his determination to complete the list, including the last item (spoiler alert!) falling in love. But don’t expect a Hollywood ending: it’s a Mexican film after all.

There are plenty of Mexican films on Netflix to keep us happily watching for many years, but confining ourselves to Netflix would mean missing other Mexican treasures that are available on other streaming apps. Most notable are two films directed by John Huston. We first saw one of them in a cultural center in San Cristobal de las Casas, Chiapas– The Treasure of the Sierra Madre (1948, starring Humphrey Bogart). The second is The Night of the Iguana (1964, starring Richard Burton and Eva Gardner) which in Tennessee Williams’ version takes place in Acapulco but was actually filmed in Mismaloya near Puerto Vallarta (less well known at the time). But also definitely not to be missed is an early Cuarón international blockbuster Y Tu Mamá Tambien (2001). Y Tu is superficially about a road trip from Mexico City to coastal Oaxaca but also is a turn-of-this-century exploration of the concept that gender is not binary.

If you enjoy films as we do and enjoy a bit of Mexico when you’re away, just stream one of the movies we mentioned. Happy watching.